In the novel Crime and Punishment, Dostoevsky conveys the notion that anybody can do anything on the spectrum of good and evil, whether it’s give money to someone less fortunate or commit the murder of somebody else.
Sonya is a candlelight in the back of a cave, the representation of people who have nearly nothing can have the best souls. Marmeladov, her father, told Raskolnikov at the beginning of the story, “‘I see Sonechka get up…and go out, and she came back home after eight. She came in, went straight to Katerina Ivanovna, and silently laid thirty roubles on the table in front of her.’” (pg. 18). Sonya sacrifices her pride and her body for money so her step-family can strive to have a better life. Even if the money she earns only gets
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“’She’s so unhappy…She wants justice…She’s pure. She believes so much there should be justice in everything…She’s just a woman!’” (pg. 318). When the main character of the novel asks how she could love and admire her step-mother who has constantly been cruel to her from his point of view, she responds to him in defense of Katarina Ivanovna. She shocks Raskolnikov because of her admiration for the woman who curses her and treats her as if Sonya is a less than worthy of existence. Sonya recognizes the determination behind her step-mother who is trying to raise three children while in a constant state of poverty. Sonya can also recognize that Raskolnikov can be saved from whatever horrible thing he has done. She wants to help him reach self-actualization. Raskolnikov is caught by surprise when Sonya treats him warmly. “She suddenly took both his hands and leaned her head on his shoulder. This brief gesture even struck Raskolnikov as puzzling; it was even strange: what, not the least loathing for him, not the least revulsion, not the least tremor in her hand?” (pg. 441). She is unafraid of …show more content…
“As he was leaving, Raskolnikov managed to thrust his hand into his pocket, rake up whatever coppers he happened to find from the rouble he had changed in the tavern, and put them unobserved on the windowsill.” (pg. 27). He leaves behind the last of his loose change on the windowsill of a man he just made acquaintances with. He quickly wonders why he did this, but does not return to take the money, knowing that he’ll be caught. His first instinct was to help, not hurt. Raskolnikov is in a constant state of anxiety and apathy throughout the novel after book one, when he commits the murders of Lizaveta and her sister. He becomes physically ill from the thought of the murders, yet he snaps at the police officers for smoking in his presence. His emotions accelerate and decelerate at such swift speeds, it leaves the reader in a constant state of fear that he will reveal himself to the police. Afraid he will be caught for what he did, he goes through states of apathy. “…he suddenly felt decidedly indifferent to anyone’s possible opinion, and this change occurred somehow in a moment, an instant.” (pg. 103). What makes this character so fascinating is his detachment to humanity and his passion to protect his secret. Yet, later in the novel, Raskolnikov visits with Sonya and he bends down to kiss her feet,
As the story unfolds, Dostoevsky introduces the reader to Raskolnikov, a troubled young man who is extremely isolated from those who surround him. He lives in a small, dingy, dusty, and dirty room in a small unattractive house. He lives in an abstract world neglecting the real. He is quite separate from all the people with whom he has contact. In the opening chapter, Raskolnikov is said to be, "so completely absorbed in himself, and isolated from his fellows that he dreaded meeting, not only his landlady, but any one at all" (1). People come physically close to him, but everyone is forced to remain distant mentally. He walks through the crowded, noisy, dirty streets of St. Petersburg physically but somehow he never does so mentally, moving through the streets like a zombie, not a man. He is not aware of his location and often jostles bewildered pedestrians. Therefore, at the outset of the novel Dostoevsky illustrates the apparent schism between the mind and body of Raskolnikov.
Dostoyevsky's writing in this book is such that the characters and setting around the main subject, Raskolnikov, are used with powerful consequences. The setting is both symbolic and has a power that affects all whom reside there, most notably Raskolnikov. An effective Structure is also used to show changes to the plot's direction and Raskolnikov's character. To add to this, the author's word choice and imagery are often extremely descriptive, and enhance the impact at every stage of Raskolnikov's changing fortunes and character. All of these features aid in the portrayal of Raskolnikov's downfall and subsequent rise.
In Crime and Punishment, Dostoevsky gives the reader an inside look to the value system that he holds for himself, as well as the type of characteristics that he abhors in people as well as the characteristics that he admires in people. He uses characters in the novel to express his beliefs of what a person should be like in life to be a “good'; person. Specifically he uses Raskolnokv to show both good and bad characteristics that he likes in people. Also he uses Svidriglaiov and Luzin to demonstrate the characteristics that people should shun and his personal dislikes in people.
After the botched crime Raskolnikov is plagued his failures. "He was conscious at the time that he had forgotten something that he ought not forget, and he tortured himself." (107) After he carelessly kills both women, and allows for the evidence to be found, Raskolnikov realizes he did not commit the perfect crime. This devastates his ego, so he tries to cling to his previous self perception. He is also plagued with feelings of guilt. His guilt, combined with the mistakes he made during the crime, shatter his self perception of perfection.
Dostoevsky’s St. Petersburg is a large, uncaring city which fosters a western style of individualism. As Peter Lowe notes, “The city is crowded, but there is no communality in its crowds, no sense of being part of some greater ‘whole.’” Mrs. Raskolnikov initially notices a change in her son marked by his current state of desperate depression, but she fails to realize the full extent of these changes, even after he is convicted for the murder. The conditions and influences are also noticed by Raskolnikov’s mother who comments on the heat and the enclosed environment which is present throughout the city. When visiting Raskolnikov, she exclaims "I'm sure...
The prostitute, Sonya, helps Raskolnikov take a step toward redemption by discussing with him the Biblical account of Lazarus' revival from death. This scene depicts his inability to comprehend Sonya's God, and epitomizes his refusal to cling to a higher being. Raskolnikov's incessant pursuit of hindering Sonya's faith characterized the frustration and struggle he experienced because of spiritual issues. However, his path to confession progressed during their conversation because of his hidden desire to understand Sonya's faith. With her aid, he took a step toward redemption foreshadowing her action in raising him from the "dead." Sonya pleads with him to wear her cross and confess to his heinous crime. However, he refuses to accept this burden. This directly parallels with Jesus' refusal to die before his proper time.
Raskolnikov is obsessed with his “superman theory”. He is constantly trying to prove that he is part of the 10% of extraordinary people in the world. He wants to become an eminent figure such as Napoleon. At first he believed that the murders he committed would make him part of this elite class. Once he realized that he had made mistakes during the crime he began to question his theory. After much frustration he decided to go to the scene of the crime. This gave him a rush that made him feel invincible. He believed that this would prove if, or if not he was “super”. Once he realized that he wasn’t part of this class, he suffered a mental breakdown. This pushed him to confess his crime to Sonya. She helped him rationalize his crime and admit his guilt. The outcome of this conversation was that it helped him admit his fate.
This shows that an idea like Raskolnikov's ordinary and extraordinary people can lead to horrible things like his murder of the two women but also hints at the fact it in the future may lead to a "great future deed". It is especially interesting to see that the idea put forth by Dostoevsky in the end is one of love being a transformative force. That this love comes from the severely religious Sonya, mirrors the idea of Christ's "new word" being love. Through careful examination of Raskolnikov's idea and its use as a metric for looking at the character one is better able to understand the novel, the character, and the possible larger implications of that message.
Raskolnikov, in Dostoevsky's novel Crime and Punishment, is a complex character difficult to understand. He believes himself superior to the rest of humanity, and therefore he believes he has the right to commit murder. After he kills Alena Ivanovna, an old pawnbroker, Raskolnikov discovers his supposed superiority has cut him off from other people. He exists in a self-created alienation from the world around him. Raskolnikov mearly drifts through life, unable to participate in it anymore. It is only through Sonya that Raskolnikov is able to gradually regain his connection to humanity; she helps him to understand that, although he cannot be superior to others, she loves him regardless. Although he finds it difficult to reject his theory that certain individuals may commit acts not permitted ordinary people, Raskolnikov does accept that he is not such an individual, that he is ordinary. Through this realization and Sonya's love for him he finds the strength to confess to his crime and accept responsibility for it; this allows him to slowly began to rejoin the world around him.
The moral side of Raskolnikov's mind requires absolution in a Christian manner. This need obliviates his claim to be a Nietzchean superman, and illustrates that all humans have a desire for morality. Throughout the book, he constantly desires to confess, even when visiting the police station. "I'll go in, fall on my knees, and confess everything" (p.84), he thought; later, he considered if it was "better to cast off the burd...
It is important to understand Raskolnikov’s character before the crime takes place. Although the reader might be tempted to give importance to the aftermath of the crime and observe the effects committing the crime had on Raskolnikov’s physic and psyche, it is necessary to know what kind of person Raskolnikov was and what circumstances led to his being that way before he decided to commit the crime. What preceded the crime is more crucial to unraveling and comprehending Raskolnikov’s motivations. Just as we do not learn Raskolnikov’s name until another character utters it in dialogue to him, likewise the reader comes to build a character profile of Raskolnikov through the observations others offer regarding Raskolnikov. His friend Razumikhin.provides a candid description s...
From the moment when Raskalnikov murders the old woman, his personality begins to change drastically. Dostoevsky challenges the reader to understand the madness which ensues by first demonstrating that the ideas and convictions to which Raskalnikov clung died along with the women. While the reader struggles with this realization, Dostoevsky incorporates the Biblical legend of Lazarus as a symbolic mirror for Raskalnikov's mind. By connecting the two, the reader encounters the foreshadowing of a rebirth of morals and beliefs, though what form this may assume remains cryptic. As references to Lazarus continue to occur, the feeling of parallelism increases in intensity. Just as Raskalnikov slowly struggled through madness, Lazarus lay dying of a terrible disease. When Lazarus eventually dies, Raskalnikov mimes this by teetering on the edge of insanity, the death of the mind. Eventually Sonya begins to pull Raskalnikov back to reality by relieving a portion of his guilt. As his Christ figure, she accomplishes this by providing the moral and spiritual sturdiness which Raskalnikov lost after his debasement during the murders. Sonya affects him not by active manipulation, but via her basic character, just as Christ personified his beliefs through the manner in which he lived his life. No matter what Raskalnikov says or does to her, she accepts it and looks to God to forgive him, just as Jesus does in the Bible. This eventually convinces Raskalnikov that what he did was in fact a crime and that he must repent for it and"seek atonement".
...l […] his passing from one world into another” (542). Without Raskolnikov’s relationship with Sonia it would have been impossible for him to become this new man, to convert to Christian existentialism and find happiness and meaning in life.
The people she loves most take her life of commitment and sacrifice for granted. The reader is thus also inclined to give little emphasis to her role in their lives and in the novel as a whole. As someone who has essentially nothing, Sonya is willing to give everything she has to those she loves. She gives of herself willingly and thanklessly. This life of sacrifice truly embodies Sonya's generous character. This genuine nature of her character allows her to reveal so much about those with whom she interacts throughout the novel. With Sonya's seeming "simplicity" in the background, Tolstoy fully develops the characters of Natasha and Nicholas. He uses Sonya as a contrast for his heroine, Natasha, and also as a chart of growth for Natasha's brother, Nicholas. Tolstoy even uses Sonya as a contrast to Princess Mary. Here, if one looks deeper, one will find that there is very little contrast at all between the two women. Most importantly, Sonya is an illustration of society's effects on a poor selfless young girl who puts her needs below those of all others. Tolstoy employs Sonya's character in a variety of situations. Without Sonya, a great deal of his novel's depth and richness would be lost.
...nfess his crimes in front of everyone. By admitting to his crimes, God would forgive his sins. Sonya is an important individual in Raskolinkov’s life because she gives him strength to confess and redeem himself.. As they both found in love at the ending, Raskolinkov starts following the theory of the ordinary men. He has a relationship with another ordinary person who helps him understand morals.