Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Sophocles antigone analysis essay
Analysis on antigone based on Sophocles tragedy
Sophocles antigone analysis essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Sophocles antigone analysis essay
In Sophocles' Antigone(italicize), pride contained in the characters lead to a tragedy. Antigone's pride killed her while Creon's pride made him deaf to righteous opinions and led to the death of his loved ones. Antigone's pride of duty and responsibility of burying the dead and equality for all led her actions to result in death. Antigone burns her brother even though “Creon bids thee not!" (Sophocles, 55). Antigone buried her dead brother and was caught. The guards who caught Antigone reported to Creon, saying, “She it was by whom the deed was done. We found her burying." (Sophocles, 421-422). Creon asks Antigone if she knew his edict forbidding her brother's burial after she admits her actions. Antigone's pride lets her justify her actions "for it was not Zeus who gave them forth, / Nor Justice, dwelling with the Gods below, / Who traced these laws for all the sons of men;” (Sophocles, 493-495). Her pride also makes her believe that her actions and death will bring her great glory. She readily accepted death because she took pride in burying her brother. If only she waited longer, her life would've been saved because Creon …show more content…
His pride developed a rage in him as he finished his talk with Haemon. Teiresias, a seer whose prophecies were never wrong, warns Creon that if he acts upon his pride it will bring a curse from the gods upon Thebes. Because Teiresias wants Creon to release Antigone which would neutralize the prophecy, Creon begins to insult Teiresias and the seers. “The race of seers is ever fond of gold.” (Sophocles, 1208). Creon drifts away from his original goal changing from one who puts state first faithfully to one whose full of pride. He realizes his error, saying, “Ah, me! ’tis hard; and yet I bend my will / To do thy bidding.” (Sophocles, 1272-1273). However, it is too late when he diminishes his pride to free Antigone for she has already
In the struggle between Creon and Antigone, Sophocles' audience would have recognized a genuine conflict of duties and values. From the Greek point of view, both Creon's and Antigone's positions are flawed, because both oversimplify ethical life by recognizing only one kind of good or duty. By oversimplifying, each ignores the fact that a conflict exists at all, or that deliberation is necessary. Moreover, both Creon and Antigone display the dangerous flaw of pride in the way they justify and carry out their decisions. Antigone admits right from the beginning that she wants to carry out the burial because the action is glorious. Antigone has a savage spirit; she has spent most of her life burying her family members.
Throughout the story of Antigone, particularly the end, Creon proposes the bad-boy in control personality. He acts as the ruler he is and puts his power to work. He fears nothing unless his family is involved. He has no mercy when it comes to the law. Additionally, he is greatly affected by the environment he creates around himself.
She believes that burying her brother is right and wants to show respect to him. She knows what she is standing for and stands her ground. Like what Barnett said the actions in one’s life is the meaning of life. Antigone believes she did the right thing, while she disobeys the law. She knows she is going to die soon. She admitted that she has buried her brother to the king. The king tried everything to cover up what Antigone has done. But she explains that she’ll continue to bury him, if she isn’t killed. Later on she begins to lose confidence on why she did it. She says to the guard, “do you think it hurts to die?”(Anouilh 48). She starts to become scared of dying and ask question about if it hurts to die. Then she says, “Creon was right. It is terrible to die” (Anouilh 50). She believes that dying is the punishment she deserves. She is scared. Antigone was brought to a cave and she hanged herself. Even though Antigone has lost the confidence about why she buried her brother, she stills follow through with it. She doesn’t back out. Instead she hangs herself, so she would suffer the punishment
In the play Antigone, both Antigone and Kreon could be considered tragic heros. A tragic hero, defined by A Dictionary of Literary, Dramatic and Cinematic Terms, is someone who suffers due to a tragic flaw, or hamartia. This Greek word is variously translated as "tragic flaw" or "error" or "weakness". Kreon's hamartia, like in many plays, is hybris - Greek for overweening pride, arrogance, or excessive confidence. Kreon's hybris causes him to attempt to violate the laws of order or human rights, another main part of a tragic hero. Also, like all tragic heroes, Kreon suffers because of his hamartia and then realizes his flaw.
Pride is a quality that all people possess in one way or another. Some people take pride in their appearance, worldly possessions, or position in society. The story of Antigone written by Sophocles has two characters who have a tragic flaw of pride. I will show how Creon’s pride of power leads to his destruction, and how Antigone’s pride makes her an honorable character who should be treated as a hero.
“All men are liable to err; but when an error hath been made, that man is no longer witless or unblest who heals the ill into which he hath fallen and remains not stubborn” (Sophocles 44). This quote talks about how all men make mistakes but the good men know when they are making one. When men realize they are wrong, they would repair what they did and if you don't, it means you have pride. Understanding hubris is essential because in the play, you can see that all the characters have pride. Creon was the character that had...
Charles Dickens once said, “Send forth the child and childish man together, and blush for the pride that libels our own old happy state, and gives its title to an ugly and distorted image.”(Dickens) Pride is one of the largest problems that makes people fall. Pride is also one of the main topics in the play Antigone. Creon, King of Thebes, had the biggest problem with pride. Creon is the uncle to Antigone and Ismene, Antigone’s sister. Antigone is a young girl who wants to bury her brother even though Creon said not to. Pride was the path of death in Creon’s case.
In the play, “Antigone” stubbornness leads to the downfall of two characters. Creon’s excessive pride reveals him as a tragic character. His pride is so high up he could not acknowledge the fact that he did wrong in anyway. He also views himself as a person better than the gods. “The State is King!” (Creon 598) he said, showing how cocky he tends to be. As a result of his cockiness, this creates conflict with the gods and eventually leads to his downfall. Creon wants his people to view him as a formidable and strong-minded leader who can handle things knowing that he’s in a position of authority. This is one of the reasons why he never reconsiders his decisions. He refuses to listen to others nor take their opinion into consideration, especially to Teiresias. Creon says,” Whatever you say, you will not change my will.” (Creon 840) Creon is given an opportunity to right his wrongs, but he decides to put his pride first.
Over the years, the world changes from good to bad or bad to good at times. We are not perfect human beings. It’s okay for us to make mistakes and reflected to do better next time. Many proud man in old age learn to be wise is a theme everyone could follow.
Antigone is determined to bury her brother because of her loyalty to her family and to the gods. She believes that no mortal, such as Creon, has the right to keep her from her own. Even if Antigone must die during the burial, she will not disgrace the laws of the gods. She believes that she has to please the dead much longer than she has to please the living.
Creon believes that his laws are absolute and must be followed above all else, even Divine Law. Therefore when Antigone, in accordance with divine law, goes against Creons edict by burying her brother she is forcefully imprisoned and sentenced to death by Creon. In Creons opening speech he says, “Of course you cannot know a man completely, his character, his principles, sense of judgment … Experience, there’s the test” (Sophocles, p. 67). How Creon handles Antigones unlawful actions serves as his first test as the new king of Thebes and ends up showing the Thebans a glimpse of his true nature, that of a tyrannical ruler. This can be seen again when Haemon comes to Creon with the hope of dissuading him from his current course of action. He does this by trying to make Creon understand that the citizens of Thebes don’t agree with his use of power and planned execution of Antigone. Again Creons authoritarian nature comes to light in his response to Haemon, “And is Thebes about to tell me how to rule… Am I to rule this land for others – or myself?” (Sophocles, p. 97). To which Haemon counters by saying that “its no city at all, owned by one man alone” (Sophocles, p. 97). Creon, being the tyrant he is, fails to heed the wisdom of his sons’ words, which ultimately leads to his downfall. Creon, like Machiavelli, believed that it was
"How Zeus hates a proud tongue!"(Antigone 148) In the tragedy Antigone, pride plays a central part in the development of the plot and characters. Pride is defined by the Merriam-Webster dictionary as a feeling of deep pleasure or satisfaction derived from one's own achievement. Antigone provides an insight into Greek society, which valued individualism, and pride was viewed as a facet of greatness. However, the Greek philosopher Aristotle discusses pride as a hamartia, or a fatal flaw. Harmatias were an essential component of tragedy, snaring a mostly good character into ruin. In the play Antigone, pride causes death as well as the division of family. Excessive pride causes the downfall of characters in Antigone, as displayed through the two
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
Antigone welcomed death at the time of burying her brother; she was not concerned with the consequences. She saw her actions as being true to the gods and religion. “I myself will bury him. It will be good to die, so doing. I shall lie by his side, loving him as he loved me; I shall be a criminal but – a religious one.” (Antigone, lines 81-85) To Antigone, the honor of her brother, and her family was all that was important. She may be going against Creon, but if her actions were true in her heart then the gods would see her in a good light.
Greek tragedian, Sophocles once wrote in the play, Antigone, “all men make mistakes, but a good man yields when he knows his course is wrong and repairs the evil. The only crime is pride.” The play Antigone is a Greek tragedy written in 442 B.C. about the tragic hero, King Creon; he is a man who commits an ‘act of injustice’ against his niece, Antigone. Directly disobeying Creon’s decree, Antigone buries her deceased brother, Polyneices; when Creon finds out, he forgets all reason and sentences her to death. Hence, Sophocles uses Creon, the power-hungry tragic hero and betrayed father, and his foil Haemon, the strong-willed son, to develop the theme that the power of reason is stronger than the desire for control.