Stella walked home from work, staring at the ground and contemplating what had just happened to her. She didn’t think it was bad… nor did she find it un-enjoyable, she just wasn’t sure what she should tell James. “Should I tell him what really happened?” she thought, “No, I’ll just tell him I work with the elderly.” As she walked down the street, she could feel the liquids leaving her body and flowing down her legs. It was a weird feeling, to be unable to control the loss of juices. She wished that they had at least given her something to clean herself, but they didn’t so she was forced to walk home with no underwear and a leaking body. The juices were still warm as they flowed down her thighs causing her to feel slightly turned on again. They …show more content…
She could see James coming down the street on the other side, completely covered in dust and dirt. Stella hurried her pace so she could get to the house before him, she wanted to jump in the shower and clean herself up so he wouldn’t notice anything. James was still at least 3 blocks away when Stella entered the front door, ran upstairs, and entered the bathroom. She quickly pulled off her soiled, sticky clothes and threw them into a drawer. Her thighs were still dripping and extremely sticky. She could feel the fluids bush their way past her folds as they began their descent to the ground. Even her breasts were sticky from the giant load that she took in the mouth. There was not a single part of her body that was clean; each area had juices from at least one of them men. When the water was warm, Stella jumped into the shower. The warmth of the water flowed down her entire body, washing away all the impurities. Frantically, she scrubbed her body from head to toe; only stopping to use the handheld shower on her nether regions. She wanted to ensure that every part of her was clean, that not a single remnant of those men remained on or in her. “If James found out, he would freak,” she thought, rubbing her hands between her thighs, “If he finds out then he’ll make me leave… and I don’t want …show more content…
With each movement, she could feel it rubbing against the raw walls of her pussy. James put one hand on her breast, twisting her nipple and forcing her moans to grow louder, while the other massaged her clit. He used his fingers to separate her lips, exposing her nub, and then he rubbed the tip while occasional giving it a gentle twist. He could feel her walls holding on to his cock and it was driving him crazy, the way they held onto his thick rod and how the walls seemed to quiver against him. Suddenly he grabbed onto her hair, pulling her head back and making her look straight at the ceiling. At the same time, he laid his chest against her back, wrapped his arm around her chest, and began pounding her as hard as he could. “Yes! Fuck yes! Fuck me harder!” she screamed as his dick penetrated the deepest parts of her core, but just as she was getting close, their feet slipped out from under them, causing them to
In Tennessee Williams' play, A Streetcar Named Desire, Williams uses the suicide of Blanche's husband to illuminate Blanche's insecurities and immoral behavior. When something terrible happens to someone, it often reveals who he or she truly is. Blanche falls victim to this behavior, and she fails to face her demons. This displays how the play links a character’s illogical choices and their inner struggles.
Identity in Contemporary American Drama – Between Reality and Illusion Tennessee Williams was one of the most important playwrights in the American literature. He is famous for works such as “The Glass Menagerie” (1944), “A Streetcar Named Desire” (1947) or “Cat on a Hot Tin Roof (1955)”. As John S. Bak claims: “Streetcar remains the most intriguing and the most frequently analyzed of Williams’ plays.” In the lines that follow I am going to analyze how the identity of Blanche DuBois, the female character of his play, “A Streetcar Named Desire”, is shaped. Firstly, we learn from an interview he gave, that the character of Blanche has been inspired from a member of his family.
When discussing the notion that “Love can often lead to the creation of an ‘Outsider’." there are cases in our literary examples that would agree with the statement, and some that would not. Outsiders in Much Ado About Nothing, Pride and Prejudice and A Streetcar Named Desire are created by both love and other themes, whether it be class, power, disinterest or a scandal.
Tennessee Williams tells a story of a battle with fantasy and reality through his characters in A Streetcar Named Desire. When the reader is first introduced to the character of Blanche DuBois, she portrays herself as sincere and fragile. Blanche shows up at the house of her sister Stella and her husband Stanley’s home with the intent of staying at their home for a lengthy amount of time. Blanche tells Stella that she has lost Belle Reve, an ancestral home, after the death of many of their relatives and also mentions she has been given a leave of absence from her job as a school teacher because of her bad nerves, “I was so exhausted by all I’d been through my --- nerves broke. I was on the verge of --- lunacy, almost! So Mr. Graves – Mr. Graves
During early times men were regarded as superior to women. In Tennessee William’s play, “A Streetcar Named Desire”, Stanley Kowalski, the work’s imposing antagonist, thrives on power. He embodies the traits found in a world of old fashioned ideals where men were meant to be dominant figures. This is evident in Stanley’s relationship with Stella, his behavior towards Blanche, and his attitude towards women in general. He enjoys judging women and playing with their feelings as well.
Being different makes one special, and being special makes you extraordinary. A Streetcar Named Desire tells the story of deranged Blanche Dubois, a schoolteacher from Mississippi. Blanche shows up unexpectedly at her sister, Stella’s, home in New Orleans and what follows after that is a complete trail of madness. A very important character included in the play is Harold Mitchell, referred to mostly as “Mitch.” Mitch holds many traits that distinguish him and make him different from the rest of the men in the play. One of them is how sensitive and loving he is. Also, he is definitely portrayed as a very calm man compared to his boisterous friends. Most importantly, Mitch is very understanding, especially when it comes to Blanche. These traits can not only be Mitch’s strengths, but they can ultimately be his weaknesses as well.
Entering the work, along with the reader, is Blanche. The fact that the reader is essentially carried into the story is important as the character with the most emotion is Blanche. She enters the play covered in white, which at this point can be taken in one of two ways. White, obviously, signifies purity. A woman who was still a virgin would dress in white to show off to possible suitors. The description also says “suit"; a suit is generally wore by a man; a suit wore by a woman would be seen as a sign of power, that she was equitable to any man. It could, however, be taken another way; the same reason women wear makeup; a façade. Blanche is a fake woman, someone who is “50% illusion” and in love with “magic.” With white gloves she attempts to sheath herself from the dirt that is society, like a fine woman would do. She is also, at the same time, hiding her true self from view; age shows in the hands. Her expression is that of disbelief, something that will repeat throughout the play and the film version, like many tiny revelations that truth lies behind the make-believe.
A Streetcar Named Desire is a classic tragedy written by Tennessee Williams, which earned him the Pulitzer Prize as well as many other awards. This brilliant play explores many important themes and issues. The main recurring theme Williams explores to the readers is the conflict between fantasy and reality, honesty and lies. However, sexuality, violence, and social differences also shape the action of the plot, in which they contribute to the effect of the characters of the play. The three main characters, Blanche Dubois, Stella Kowalski, and Stanley Kowalski, have different ways of dealing with the said conflicts in their harsh surroundings in which they live in, as they all face different crisis. Blanche, who suffers from emotional and inner conflict, is caught between two worlds and tries to escape reality and the truth as much as she possibly can with her imagination. Stella on the other hand, is a naïve and sensitive character, and may be considered to be the protagonist of the play. Stella tries to ignore the truth going on around her, and as harsh as they may be, she accepts them. Stanley, who is an aggressive, dominant, and sexual character, uses violence to receive his desire, no matter the cost. Throughout this play, Blanche, Stella, and Stanley try to survive and deal with reality in different ways in order to satisfy their desire.
Secondly, Williams reveals how Blanche lies over and over again to try to make her sounds like a more dignified person. In the beginning of the play she tries to represent herself as a good sister that has just fallen on hard times. She arrives and rushes to the closet looking for alcohol. She finds what she's looking for and remarks “Now don’t get worried, your sister hasn’t turned into a drunkard, she's just all shaken up and hot and tired and dirty” (William 19). In reality she’s a person that can not live without her alcohol. She doesn't even want, as stella offered her, a coke to mix with hard alcohol. She is an experienced drinker so she does not need a “chaser” to protect her throat from the strong liquor. Next, Blanch
seen as being unsure about who he is, he could be seen as having a
or so he thought after spending hours kissing and caressing her entire body and using his tongue on certain parts of her body he inserted his middle finger into her wet creamy pussy where after moving in and out for a few minutes he inserted a few more fingers and moving them both in and out and around inside her which
she was told "to take a streetcar named Desire, and then to transfer to one
Written in 1947, by playwright Tennessee Williams, the play A Streetcar Named Desire opens in the 1940s in the well-known city of New Orleans. Readers are presented with the young couple Stan and Stella Kowalski who live below another young couple, Eunice and Steve. While Stan and Stella manage to maintain a relationship, it is abusive. Stella reunites with her alcoholic sister Blanche, after learning that the family plantation had been lost due to bankruptcy. Blanche, a widow often finds herself in difficult and unforeseen circumstances. Blanche’s poor choices and vulnerability leads to an affair with Stan’s poker buddy Mitch. Coinciding with his abusive nature, Stanley rapes Blanche. No one believes her until the very end, causing her to get sent away to a mental institution. While the play and film were smashing, each had their similarities overall, in regards to setting, plot, and characters while differences concerned narrative technique.
A Streetcar Named Desire sets the decaying values of the antebellum South against those of the new America. The civil, kindly ways of Blanche’s past are a marked contrast to the rough, dynamic New Orleans inhabited by Stella and Stanley, which leads Tennessee Williams’s “tragedy of incomprehension” (qtd. in Alder, 48). The central protagonist, Blanche, has many flaws; she lies, is vain and deceitful, yet can be witty and sardonic. These multifaceted layers balance what Jessica Tandy, who played Blanche in the first stage production in 1947, “saw as her ‘pathetic elegance’ . . . ‘indomitable spirit and ‘innate tenderness’” (Alder 49). Through a connected sequence of vignettes, our performance presented a deconstruction of Blanche that revealed the lack of comprehension and understanding her different facets and personas created. Initially Blanche is aware of what she is doing and reveals
Jackie's small features curled up in horror as I unceremoniously plopped down on the hotel room floor. "Ew! That's so disgusting, Sarah!" she exclaimed, stomping her slipper-clad foot soundly on the floor. "I can't believe that you're sitting on the carpet! You know how germ-a-phobic I am!" Rolling around some more, I laughed as her hands clasped around a jumbo-sized container of Lysol. Even on the band trip to Colorado, she was still as cautious of "infection" as ever. Shaking her head at me, she smiled somberly as she shook the can, preparing to thoroughly disinfect our room.