Victor Hugo’s Les Misèrables is a classic novel that demonstrates how a child is unable to mature in darkness. In the book, Fantine, gets pregnant and is left alone with her child, Cosette. Fantine searches for a place where Cosette can stay while she goes out to work. When she finds the right house she leaves her child, little did Fantine know that Cosette was going to be mistreated and miserable. On Fantine’s death bed, she begs Jean Valjean to find and take care of her child. In Victor Hugo’s novel, Les Misèrables, Cosette is a symbol of the child atrophy by darkness through her time spent with the Thènardiers, her transformation with Jean Valjean, and her flourishing into a young woman. Victor Hugo uses Cosette to represent the children of the time period and how they cannot grow without love and light.
To show how Cosette is unable to grow in darkness, Hugo makes the reader feel sympathy for the poor little girl. When Cosette is a young child, her mother gives her to an innkeeper and his family, the Thènardiers, so that she can find work and provide for herself and her child. Cosette is young, small, and afraid in this strange house. Hugo writes, “In this place she was called the Lark. People like figurative names and were pleased thus to name this little being, not larger than a bird, trembling, frightened, and shivering, awake every morning first in all the house and village. Only the poor lark never sang” (Hugo 49). Cosette is older than the innkeeper’s children, but since she is also smaller, the other girls boss her around and blame her for things she does not do. She is forced to be a servant, and she never plays or has fun. As a result of the Thènardiers control, Cosette is unable to have a normal childhood and seem...
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...pays her little mind. He sees her with her father every day for about a year, but then does not see them again for about six months. However, the next time he does see them, Cosette “was no longer the school-girl…taste had come to her with beauty” (163). Marius still saw her as a child, but over time, he saw her transform into a beautiful young woman.
In Les Misèrables, Cosette represents the child atrophy by darkness when she stayed with the Thènardiers, the new beginning with Jean Valjean, and her developing into a young lady. Every child should be allowed to be themselves and have fun while they are young. Cosette is a symbol that a child who is in the dark cannot grow or succeed, because Cosette was rescued by Valjean she is able to flourish from the small, timid lark into a confident, beautiful young lady. Should any child be kept in the dark and to flourish?
“Desiree’s Baby” can represent a timeframe status of how slavery and race were a factor that defined people. Armand was very ambiguous by the tone he would had towards Desiree and by his action. Desiree was faithful to her husband, in the other hand we are able to understand or presumed that La Blanche’s boy looked very alike as Desiree’s baby, which most likely Armand might be the father of both kids. Armand was in love at first, but then his pride and ambiguous.
The association between light and darkness played a major role in the outcome of this story. Desiree the wife of Armand was always associated with things of lightness. After Desiree was recovering from just given birth to their son she laid on the couch in her “soft white muslins and lace” (Valencia Community College). When Desiree confronts her husband about the race of their child Desiree skin pigmentation is whiter than her husbands. Desiree shows Armand the letter from Valmonde, the book says she was resembled a stone image white and motionless. In October when Desiree was abandoned Armand she left still wearing the white thin garment and slippers. Armand and the baby were always associated with darkness throughout the story. Armand skin complexion was darker than his wife’s. The story also describes Armand face as being dark and handsome. The baby association with darkness came when the baby was lying across Desiree mahogany bed. Mahogany is some dark brown colored wood. Another comparison of the chi...
Hugo, Victor. Les Miserables. Comp. Lee Fahnestock and Norman MacAfee. Trans. Wilbour, C.E. Only Complete and Unabridged Paperback Editon ed. New York, New York: Signet Classics, 1987. Print.
This is significant because she is describing the poor living conditions of the child. The child is portraying the living conditions of slaves because slaves slept in small farms, kitchens, and even in small cabins with hundreds of other slaves. They were very malnourished and had to get permission from the master to even eat fruit. Le Guin puts the slaves and the child in the same category to portray the selfishness of man and to show how people will stop at nothing to achieve a utopian
Armand feels like he is the victim of betrayal by his wife Désirée. As the baby gets older it is clear that the baby is not white. Armand’s attitude quickly makes him assume that Désirée is not white giving Armand a feeling of deception. He denounces his love for Désirée and the child and casts them out of the house and his life. Désirée is stricken with grief about her treatment by Armand. She cannot believe how a man who loves her so much could treat her with such hostility and cruelty. Désirée develops a negative attitude towards herself and her baby. She is upset that she cannot change how Armand thinks of her because of her baby. This attitude causes Désirée to walk out of Armand’s life forever to her demise. Core beliefs also give to human behavior in “Samuel” and “Desiree’s
It is imperative to outline such mode of education regarded by each as the best to raise a woman. Since Wollstonecraft critiques much of Rousseau’s, I begin with his model. “Everything is good as it leaves the hands of the author of things; everything degenerates into the hands of man,” is the first line of Book I in Rousseau’s Emile or On Education (161). Emile is not a book for a social system of education, but one specifically for the “tender and foresighted mother, who [is] capable of keeping the nascent shrub away from the highway and securing it from the impact of human opinions”(162). Therefore, the mother is advised to “observe nature and follow the path it maps out to you” in the education of her children, the same nature which Rousseau has taken to educate the imaginary Emile and Sophie: the man and the woman; the future husband and wife. Therefore, in educating the perfect woman, the futu...
In Francie’s youth, the reader learns that the small joyous things are the true elation
Imprisoned in the “cardboard world” for a long time, Antoinette feels so lonely. “Long ago when I was a child and very lonely I tried to kiss her”(Rhys 180). She thinks of her childhood, and she does not remember many things. Undoubtedly, she becomes more abnormal. “One morning when I woke I ached all over. Not the cold, another sort of ache. I saw that my wrists were red and swollen”(181). Something bad has happened to the poor woman. “Grace said, ‘I suppose you’re going to tell me that you don’t remember anything about last night’”(181). Grace’s words imply that Antoinette often forget about something. A submissive wife is changed by her husband’s indifference-- she endures loneliness, coldness and despair.
In The Stranger, Camus portrays women as unnecessary beings created purely to serve materialistically and satisfy males through the lack of a deep, meaningful, relationship between Meursault and females. Throughout the text, the main character, Meursault, creates closer, more meaningful relationships with other minor characters in the story. However, in his interactions with females in this book, Meursault’s thoughts and actions center on himself and his physical desires, observations, and feelings, rather than devoting his attention to the actual female. Living in Algiers in the 1960s, Meursault originates from a post-modernist time of the decline in emotion. Meursault simply defies the social expectations and societal ‘rules’, as post-modernists viewed the world. Rather than living as one gear in the ‘machine’ of society, Meursault defies this unwritten law in the lackluster relationships between he and other females, as well as his seemingly blissful eye to society itself. In The Stranger, males, not females, truly bring out the side of Meursault that has the capacity for compassion and a general, mutual feeling relationship. For example, Marie and Meursault’s relationship only demonstrate Meursault’s lack of an emotional appetite for her. Also, with the death of Maman, Meursault remains virtually unchanged in his thoughts and desires.
Armand knew that Desiree’s decent was questionable and that she would be a perfect scapegoat if color were to show up in a child. When Monsieur Valmonde wanted Armand to fully consider Desiree’s unknown origin, he acted like it did not matter which is very peculiar during that time:
In her story, Desiree’s Baby, Kate Chopin underlined the contrast between lust and love, exploring the problem of a man’s pride that exceeded the love he has for his wife. Armand, the main character of the story, is a slave owner who lived in Louisiana during the era of slavery. He married an adopted young woman, Desiree, and together they have a son who eventually became an obstacle in the way of his father’s happiness, thus removing out the true character of Armand. Desiree’s Baby, by Kate Chopin is a love story, love that ultimately proved to be a superficial love, a story that shed light on the ugly relationships between people. “Lust is temporary, romance can be nice,
A nod of acknowledgement and understanding should descend upon every head that has read Querelle and is aware that Jean Genet is the author after looking at the above two quotes. Genet’s fiction might after all be a coalition of artistically twisted facts. The nod might grow more vigorous after a quick skim through even the most basic of the French writer’s biography. It is then that the acknowledgement and understanding combine into generalization that an author’s life somehow reflects through his work. It is precisely when a reader is exposed to Genet’s history that Querelle begins to strip out of its secrets. Suddenly the protagonist can be sympathized, Nono’s feminine bursts seem consistent with the plot and Genet himself could be seen between lines. Historicism plays a significant role in a greater appreciation of an artist’s composition.
Throughout the years many variations of the ideas on race, class, and culture have been presented based upon different factors. In earlier times people’s views were not nearly the same as they are presented today. Ideas that women belong in the kitchen or that African-American’s were an inferior race were common. Those views were very popular during the time of Kate Chopin’s book “Desiree’s Baby.” Chopin’s book explores the controversial areas of race and class as well as touching on the subject of culture. “Desiree’s Baby” shows the life of Desiree from a young child through adulthood. The young Desiree was found by a rich family alone on the streets. Even in a time where race and social class was important the wealthy, a rich couple took in young Desiree without knowing her ancestral background. Desiree lived a good life with the family. The story then switches to when Desiree was a young adult and falls in love with Armand Aubigny. Armand also comes from a wealthy background and still falls for Desiree without knowing her racial background. Eventually, the young couple has a baby but to their surprise the baby comes out with African traits. Armand is not happy and rethinks whether she has African in her background or if maybe she had an affair with a slave. Desiree’s mother offers to have her and the baby come back and stay with them but when Desiree leaves she disappears and is never seen again. Later, Armand finds out that it may not have been Desiree that carries African roots but himself, from his mother’s side. Overall, Chopin’s work looks into the controversial issues of race, class, gender and culture using ironies and the story-line to infer the views of these topics.
In 'Desiree?s Baby,' Chopin illustrates her idea of the relationship between men and women by portraying Desiree as vulnerable and easily affected, whereas Armand is presented as superior and oppressive. Throughout ?Desiree?s Baby,? Kate Chopin investigates the concept of Armand's immense power over Desiree. At first, Desiree tries to conform to the traditional female role by striving to be an obedient wife. Later in the story, this conformity changes after Desiree gives birth to her part-black son.
In “Desiree’s Baby,” Kate Chopin writes about the life of a young lady and her new family. In this short story, the fond couple lived in Louisiana before the American Civil War. Chopin illustrates the romantic atmosphere between Armand and Desiree. Chopin also describes the emotion of the parents for their new born. When the baby was born, Armand’s heart had softened on behalf of others. One afternoon, Desiree and the baby were relaxing in a room with a young boy fanning them with peacock feathers. As they were relaxing, Desiree had sniffed a threatening scent. Desiree desired Armand’s assistance as she felt faint from the odor that she could not comprehend. Armand had denied the request his wife sent. Therefore, he cried out that she nor the baby were white. Thus, Desiree took the baby and herself and walked into the bayou and they were never seen again. In this short story, Chopin illustrates the psychological abuse Desiree faces from her husband.