Controversial Issues In Dead Man Walking By Tim Robbins

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“Sister I won’t ask for forgiveness, my sins are all I have,” sings Bruce Springsteen in the end of the film, giving voices to Matthew Poncelet, a convicted killer of two teenage lovers based on a true story (Americancatholic.org, 2016). The 1995 film, Dead Man Walking, directed by Tim Robbins (IMDb, 2016), brings a complete perspective to one of the most controversial issues in the world—death penalty. Through the eyes of Sister Helen Prejean, the film examines both sides of the coin, from the families of the victims, to the families of the death row inmates. Tim Robbins also involves elements such as prison officials, religious counsellor, legal system and discrimination to create a film without bias that draws viewer’s attention to issues …show more content…

The isolation and desperation in his words make her decided to visit him, in rural Louisiana. After the discovery of the unequal access of lawyer support, the outspoken Sister Helen becomes Matt’s spiritual advisor and is willing to help this cold-blooded killer, as the rest of the world views him.
In her role as a spiritual leader to enable Matthew to take responsibility for his actions to achieve redemption, Sister Helen initiates into the harshness of the unfamiliar prison system. By using camera techniques such as framing and close up, the film establishes an impression of isolation and highlights the coldness of the prison cell.
Gradually, as they begin to know each other, the visual layers separating them in the prison visiting room are peeled away. When it is time for execution, Helen holds and kisses Matt’s shoulder, and the barrier between them no longer exists. The visual effects used in indicating the relationship between Helen and Matthew is …show more content…

A great testament to Penn’s acting is that he does not try to win sympathy for his character. I myself don’t sympathize him until the last scene of the film. Penn simply plays Poncelet as it is, he makes Poncelet alive.
For her soul-stirring and outstanding portrayal of Sister Helen Prejean, Susan Sarandon deserved won the Oscar for Best Actress. Her performance is incredibly touching and real. The character she plays conveys the natural vulnerability as a female, in which Sarandon combines it with bravery, because her character knows the difficulties lie ahead and toughness that she needs to carry on. Sarandon makes Sister Helen a real person.
The final moments of the film hit me the most. As I watch Matthew taking innocent lives in such a brutal way, I feel angry; meanwhile I start to sympathize this man as I watch his life been taken from him in a ‘humane’ way. I am not commenting on justice, but I fully agree with Poncelet’s final words that killing is wrong no matter who is doing

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