This recreative writing piece has been inserted at the end of ‘A Farewell to Arms’ where the last line reads, “After a while I went out and left the hospital and walked back to the hotel in the rain”. I have chosen to continue writing after the end of the novel to show the impact that Catherines death has had on Frederic Henry. Despite Frederic appearing to be in control, it is clear that her death has affected him, leaving him extremely detached and isolated. I have kept my piece in a retrospective narrative like Hemingway. Though the use of past tense, a confessional narrative is established as Frederic is reliving the events through prose in an attempt to forget his past, suggested by the title. The use of a retrospective narrative also presents the idea that the narrative voice is following a pre planned story that the Frederic at the time is not in control of, creating a sense of inevitability and foreboding throughout the whole novel.
The writing is typical to Hemingway’s style and depicts Frederic as being lonely and isolated after Catherine, who is described as being “his other half” has died leaving him alone. I have shown this by using the motif of the rain, which is featured throughout the novel. This is an important motif as it is used in A Farewell To Arms to foreshadow Catherine’s impending future as she explains “sometimes I see me dead in it” .The effect of this is that whenever the rain is mentioned, the reader will be wary as Hemingway creates a clear link between death and rain even in the first Chapter of the book , “At The Start of the Winter came the permanent rain and with the rain came chlolera….in the end only seven thousdand died of it in the army”. I have continued to include the rain to show that the ...
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...y not giving a specific person there is a link to the themes of chance and luck as it could be anyone. This also depicts Frederic as being isolated as the horrors of war have left him in despair with absolutely no sense of hope, showing signs of a nihlistic character.
In conclusion, my recreative is similar to Hemingway’s style as depicting Frederic as an isolated narrator. I have tried to immitate his stylic features by using a mixture of short and long sentences with simple understated language to create the idea that Frederic is lonely and isolated. In addition by using direct address and the motif of the rain, the overall atmosphere created is that Frederic is missing Catherine dearly, and he is only deteriorating and becoming more detached in the end, through the destructive nature of war and the elusive nature of the world, the world will break Frederic too.
People go through life wanting to achieve their full potential; however, many never take a moment to analyze what may affect how their life turns out. In this essay, I will be identifying and analyzing the three most significant points of comparison shared by the character Harry in Hemingway’s “Snows of Kilimanjaro” and the narrator of T.S Elliot’s poem “The Love Song of J Alfred Prufrock”. The character Harry in “Snows of Kilimanjaro” has lived a good life and has traveled throughout many countries in Europe. Even though he pursued a career in writing, he is not well accomplished because he is drawn towards living a lazy luxurious life. While in Africa with his wife, he faces a huge conflict, which causes him to be regretful for how he has chosen to live is life. The narrator of T.S Elliot’s poem “The Love Song of J Alfred Prufrock” enters the dynamic consciousness of its character Alfred Prufrock whose feelings, thoughts, and emotions are displayed in an
Hemingway once said that "all stories...end in death." Certainly, each living person's "story" ends that way. The interrelationship of a narrative to a life, of the "boundary situation" of an ending, is of vital importance to the existence of these two fictional narratives, A Farewell to Arms and The Outsider. Death plays an important, one might say necessary, part in both novels, too: Frederic Henry is, of course, in war and witness to death many times, wounded himself, and loses Catherine; Meursault's story begins with his mother's death, he later kills an Arab, and then is himself tried and sentenced to death. In fact, the defining death-confrontations (Frederic's loss of Catherine, Meursault's death sentence) transform the characters into narrators; that is to say, the stories are told because of the confrontations with death. We must recognize that the fictive characters are attempting to provide or create an order or meaning where it appears there is none. Or, there are pre-existing versions, meta-narratives, which prove inadequate or unsatisfying, and which must be replaced by the narrative each character produces. Meursault responds directly and violently to the priest who represents one such meta-narrative for Meursault's life. In the crescendo of the final scene of that novel when Meursault confronts the priest and finally re- leases the pent up anger and frustration repressed for so long, he does experience an epiphany:
Leading towards the end of the story, Armand builds a bonfire on the pyre. The bonfire symbolized Armand getting rid of all his memories of his wife and child. Throughout this paper I have shared Chopin’s use of symbolic elements by discussing symbols of racism, social class distinction, and the symbolic elements involving the difference between the gender roles. At the end of the story Armand reads a letter from his mom to his father. Armand finds out that his mother is from the African descent after; he has lost his marriage and family.
other summer of her life. She could only realize the she herself- her present self was in some way different from the other self” (Chopin 40) , she had become a roaring sea of independence and could no longer go back to just being Mrs. Pontellier. In New Orleans she would be rejecting her old life for one filled with adventure and rebellion.
The background of both authors, which was from the South, we can conclude how they could described the situations that they faced such as political and social presumptions problems especially for women at that time. The story explains how Chopin wrote how women were to be "seen but not heard". "The wife cannot plead in her own name, without the authority of her husband, even though she should be a public
Throughout the story Chopin uses many ironic instances and symbols to illustrate the meaning of several major aspects of the story, we learn a lot more of the main character Mrs. Mallard and we come to an understanding that she did not recognize a world outside of herself.
Chopin, Kate. “The Story of an Hour”. Making Literature Matter. 5th edition. John Schilb and
"After a while I went out and left the hospital and walked back to the hotel in the rain" (332). This last line of the novel gives an understanding of Ernest Hemingway's style and tone. The overall tone of the book is much different than that of The Sun Also Rises. The characters in the book are propelled by outside forces, in this case WWI, where the characters in The Sun Also Rises seemed to have no direction. Frederick's actions are determined by his position until he deserts the army. Floating down the river with barely a hold on a piece of wood his life, he abandons everything except Catherine and lets the river take him to a new life that becomes increasing difficult to understand. Nevertheless, Hemingway's style and tone make A Farewell to Arms one of the great American novels. Critics usually describe Hemingway's style as simple, spare, and journalistic. These are all good words they all apply. Perhaps because of his training as a newspaperman, Hemingway is a master of the declarative, subject-verb-object sentence. His writing has been likened to a boxer's punches--combinations of lefts and rights coming at us without pause. As illustrated on page 145 "She went down the hall. The porter carried the sack. He knew what was in it," one can see that Hemingway's style is to-the-point and easy to understand. The simplicity and the sensory richness flow directly from Hemingway's and his characters' beliefs. The punchy, vivid language has the immediacy of a news bulletin: these are facts, Hemingway is telling us, and they can't be ignored. And just as Frederic Henry comes to distrust abstractions like "patriotism," so does Hemingway distrust them. Instead he seeks the concrete and the tangible. A simple "good" becomes higher praise than another writer's string of decorative adjectives. Hemingway's style changes, too, when it reflects his characters' changing states of mind. Writing from Frederic Henry's point of view, he sometimes uses a modified stream-of-consciousness technique, a method for spilling out on paper the inner thoughts of a character. Usually Henry's thoughts are choppy, staccato, but when he becomes drunk the language does too, as in the passage on page 13, "I had gone to no such place but to the smoke of cafes and nights when the room whirled and you
Right from the moment Louise Mallard hears of her husband's death, Kate Chopin dives into a her vivid use of imagery. “When the storm of grief has spent itself” introduces a weather oriented theme (para.3). This imagery depicts a violent and dark setting that denotes death and grief. Her reaction to her husband's death ideally what society would expect. Her acute reaction instantly shows that she is an emotional, demonstrative woman. Even tho...
The plot of a Farewell to Arms, by Ernest Hemingway, is a strong influence on the novel. The plot is interesting, unique, and allows the story to flow. Without it, the story would be very blunt and uninteresting. There are many key points of this plot and Hemingway reveals this throughout the novel. In the beginning, we do not even know the main character’s first name until he is injured. Hemingway explains Frederick Henry’s character over the first half of the book. In this part we get to learn who he is and how he acts slowly, yet thoroughly. Throught the second half, the novel focuses on Henry’s conflicts and his relationship with Catherine.
In order to chronicle Frederic's maturation, it is first necessary to understand his character; he is what critics label a "Hemingway Code Hero." Indigenous to nearly all of Ernest Hemingway's novels, the "Hemingway man" lives by one simple rule: 'Man the player is born; life the game will kill him" (Rovit and Brenner 90). This man looks to derive meaning and dignity from his stale, directionless being. In Frederic Henry's case, the search for a system of values and morals is difficult because he is caught between two very socially defined extremes, love and war. He only gains knowledge through his direct experience with these two elements and through the indirect teachings of various characters in the novel (Waldhorn 68). It is suggested that Frederic must commit to a comfortable medium between the selflessness of the young priest and the egocentricity of Rinaldi.
As a famous author Ernest Hemingway has been credited for the creation of multiple critically acclaimed books. One in particular, A Farewell to Arms, while having received its fair share of approval, has also received multiple threats throughout the years to be banned by certain organizations and school systems. As respectful as I am on these groups’ opinions, I myself cannot help but disagree with their statements and viewpoints. In my point of view the book should not be banned because while it may contain some undesirable components, it is overall a moderate work of literature that has a deep foresight into heartfelt issues such as war, life, and love.
The trip down the river gives him time to think about his future life with Catherine, even though he is uncertain if there will ever be a future between them again. The river eventually takes him to a railroad where he makes the decision that he is done with the war and that he made his "farewell to arms". Hemingway uses water as a metaphoric cleansing for Frederic’s past experiences. When Henry emerged from the river, it was as if he was reborn.
In a symbolic reading, the opening paragraph describes the crisis that exists in the marriage of the couple. In other words, the description of the bad weather, of the "empty square"[1](l.10) and of their isolation, reflects this conflict and also sets the negative mood. In fact, since the beginning, Ernest Hemingway insists on the isolation of the couple that "does not know any of the people they passed" (ll.1-2) and are "only two Americans"(l.1). Here it is interesting to notice that they are isolated from the outside world but also from each other. There is no communication and they have no contact, they are distant from each other.
The state of affairs and the grim reality of the war lead Henry towards an ardent desire for a peaceful life, and as a result Henry repudiates his fellow soldiers at the warfront. Henry’s desertion of the war is also related to his passionate love for Catherine. Henry’s love for Catherine is progressive and ironic. This love develops gradually in “stages”: Henry’s attempt at pretending love for Catherine towards the beginning of the novel, his gradually developing love for her, and finally, Henry’s impas... ...