Contemporary Fiction in Gary D. Schmidt's Book on Trouble

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Trouble Expository Essay A lighthouse’s piercing beam of light shines over the murky land, providing respite—albeit brief—from the harsh battering of the neighboring terrain. Trouble, by Gary D. Schmidt, wraps this picture eloquently in the form of a compelling and captivating contemporary fiction book. Trouble primarily centers around a boy named Henry Smith, who never really understood the formidable potential of the omnipotent entity Trouble in his safe and idyllic life. Henry had always fallen into the dark shadow of his brother, Franklin, as a result of Franklin’s physical prowess. “…especially since he could never hope to match the records that Franklin—Franklin Smith, O Franklin Smith, the great lord of us all, Franklin Smith—had put up on the wooden Athletic Records panels for his rugby play.” (7). Henry’s brother, however, was extremely arrogant, and put his brother down at every chance he got, which causes Trouble to appear. “‘You do that climb, you have guts…you don't have any guts.’ Franklin punched his arm. Too hard. Then he laughed and walked away.” (38). Although the word “Trouble” usually brings to mind pictures of kids attempting to pull their parents’ hair out, it strikes the Smith family in a very different way: with the death of their Franklin due to being run over by Chay Chouan, a Cambodian immigrant. The family is utterly devastated with Trouble’s unforeseen arrival. “And his father hadn't shaved—which was, Henry thought, the first time that had ever happened.” (11). Having been promised to be taken to Mount Katahdin, the tallest mountain in Maine, right before Franklin had died, Henry takes the news the worst. His thoughts completely revolve around Katahdin, and how he would hike it at any cost, if just to... ... middle of paper ... ...stake and burning his ship until it capsized, since he understood that it was a mistake, and although he could not change it, he could leave a future reminder to those who passed on the mistakes that they had made. As a final point, Schmidt employs motif as a way of showing the effects of prejudice on people. Clearly, Gary Schmidt develops his theme of prejudice permanently lurking in the hearts of men due to differing opinions is very firmly established due to his usage of dialogue, flashback, and motif to fully bring out the theme. Although the statement sounds like something right out of a turn-of-the-century sci-fi novel, the idea of “You can run, but you can't hide” from prejudice beautifully expresses the simplistic idea of man being utterly self-centered. Even still, those who take the initiative for at least attempting to stop it will always be remembered.

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