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Media impact on american society
The role of the media in American society
Media impact on american society
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In this essay, we will explore a couple films made in the last decade which were structured over a heavy infrastructure of paranoia and conspiracy themes. Often times, these movies feature one individual who daylights a controlling, malevolent force, often by a government agency or a small group of cunning plotters. Then, the protagonist will attempt, often with success, to destroy or interrupt the opposing conspirators. From the anti-masonic movement at the end of the eighteenth century to the McCarthy witch-hunt in the last century, we see that the conspiracy thinking has infiltrated popular culture. It appears in films since the cold war and continues in today’s hit movies, whether comedy or drama. Hot Fuzz (2007), a United Kingdom action …show more content…
Bob Lee Swagger is the unfortunate victim, an expendable pawn, of the conspiracy. At the same time, Swagger and FBI agent Nick Memphis has become conspiracy theorists, bent on discovering the truth and clearing their name. In the beginning, though, Memphis was confident in the FBI’s ability to solve conspiracies and bring justice. He pleads to Swagger, “This is explainable. You can prove it”. But upon Swagger’s rejection, Memphis changes his tone and responds, “This is the 21st century. You can’t go to war with these people [conspirators]” (Shooter, 2007). Memphis echoes Knight’s argument that conspiracy is moderated by agencies, and the self vs. agency paranoid thought has become prevalent in the United States culture. In this case, the paranoia is justified because the protagonists are obviously pursued by U.S. agencies such as a rogue military, a corrupted senator, and FBI investigators. In the final showdown of the movie, Swagger destroys a crucial evidence that exposes the conspiracy in order to save himself and Memphis. He exclaims, “Nobody out here is innocent. This stuff is plutonium. Nobody can touch it without dying…you can it over to the authorities and it’s going to disappear, along with us” (Shooter, 2007). He expresses his distrust of the government operational agencies, and with good reason too. Governmental wrongdoings in the past …show more content…
In a country where conspiracy theorists allege mass media are controlling facets of the system, it is easy to dismiss their beliefs as wild and incredible. In the day and age of technological advancement and instant knowledge access, we continue to struggle with the mindset that questions the legitimacy of other people’s values, reasoning, and goals. We further examine and scrutinize their method of achieving such goal and judge if it affects us as individuals. Timothy Melley wrote in his essay, we have shifted the paranoia from foreign threat to a domestic threat (Knight, 74). Perhaps it is because we are in a peacetime environment without active enemies against our state and ourselves; we no longer exist in a period of Red Scare, McCarthyism, and political instability. We continue to live in a capitalist state with organizational regulations that maintain our consumerist and democratic values, even if we have been conditioned to turn a blind eye on them. In the current situation of incessant suspicion and incomplete truth, we can only rationalize the doings (whether legitimate or wrong) of agencies for the sake of continuity of life and peace. The difference between paranoia conspiracy theories and psychosis is that conspiracy theories are means for people to rationalize the daily events that occur: to make sense of what’s
In “The Thematic Paradigm,” University of Florida professor of film studies, Robert Ray, defines two types of heroes pervading American films, the outlaw hero and the official hero. Often the two types are merged in a reconciliatory pattern, he argues. In fact, this
In today's day and age, it's rare to see famous historical events and societal disasters not be picked apart by film directors and then transformed into a box office hit. What these films do is put a visual perspective on these events, sometimes leaving viewers speculating if whatever was depicted is in fact entirely true. I have never felt that feeling more than after I finished watching Oliver Stone’s JFK.
America’s well-being was shattered on November 22, 1963, the day of John F. Kennedy’s assassination. Although authorities arrested Lee Harvey Oswald as the president’s killer, a multitude of citizens in our country believe a conspiracy was involved, and that Oswald was not the lone assassin. The film JFK encompasses facts that support conspiratorial actions being part of JFK’s assassination. These facts support a disparate opinion and gives viewers and movie characters the chance to formulate their own opinions instead of blindly following that of another. In JFK, Oliver Stone displays certain events in different perspectives in order to prevent blind following from inattention.
The novel 1984, by George Orwell, made me paranoid. It made me suspicious of our government's power and intentions. I became aware of the potential manipulation which the government could impose upon us. I came to see that the people I believe to be wholly dedicated to the well-being of society, the people I rely so heavily on to provide protection and security have the power to betray us at any given time. I realised that in my naivety I had gravely overlooked the powerful grip government has over society, and what it can do with that power.
...e American Dream. Larry Ceplair and Englund stated in the book The Inquistion in Hollywood, “The destruction of the motion picture Left not only transformed the political atmosphere in Hollywood, but also adversely affected the kind of product which the studios turned out. “ In the early 20th century Hollywood reframed from producing politically controversial films in fear of becoming a target of McCarthy or the HUAC. Anti-communism influences the films produced, films portrayed communism as evil and immoral. The films during the cold war certainly portrayed the political storm between the progressive left and the conservative right. Films such as Ninotchka in 1939, showed anti-communism, guilty of Treason 1949, showed an attack against communism, exploiting the evils of communism was shown in Docudrama. The Red Menace in 1949 showed the immense threat f communism.
Singer, Ben. ' Modernity, Hyperstimulus, and the Rise of Popular Sensationalism' . In Cinema and the Invention of Modern Life. Eds. L. Charney and U. Schwartz. Berkeley: University of California Press, 1995. 72-99.
Thomas Pynchon’s novel, The Crying of Lot 49, is set in California during the 1960s in the aftermath of John F. Kennedy’s assassination, the Cuban Missile Crisis, and in the midst of the Vietnam War. It is also a period of counterculture and social revolution when drug use becomes popularized and sexuality is explored. This historical context is evident in the novel as the main character, Oedipa, attempts to establish order and meaning in life. This essay will explore how Pynchon uses Oedipa as a projection of increased paranoia during this historical age. Using Brian L. Keeley’s article, “Of Conspiracy Theories,” I will support the notion that the first five chapters of Pynchon’s novel is a cautionary tale about subscribing to conspiracy theories, with Oedipa as the example of a conspiracy theorist.
One could easily dismiss movies as superficial, unnecessarily violent spectacles, although such a viewpoint is distressingly pessimistic and myopic. In a given year, several films are released which have long-lasting effects on large numbers of individuals. These pictures speak
The concept of the delusional disorder has both a very short history, formally, but a very long history when one integrates reports and observations over the last 150 years. The term of delusional disorder was only coined in 1977. Manschreck (2000) used this term to describe an illness with persistent delusions and stable course, separate though from delusions that occur in other medical and psychiatric conditions. However, the concept of paranoia has been used for centuries. Originally, the word paranoia comes from Greek para, meaning along side, and nous, meaning mind intelligence (Munro, 1999). The Greeks used this term to describe any mental abnormalities similar to how we use the word insanity. In the modern world, the term reappeared ...
Movies today often portray an escape from the real world. However, they also exemplify situations and happenings going on throughout the world in the present as well as past times. The movie Invasion of the Body Snatchers, produced by Walter Wagner is very controversial when it comes to situations of the past. Many people believe that this film is a political allegory representing McCarthyism and a time of Communism. Many people believe that this movie is just a horror film, made to scare people. One man named Tim Dirks comments, “A quintessential, black and white B-picture…low-budget film is very effective in eliciting horror with slow-building tension, even though there are no monsters, minimal special effects, no violence in the take-over
Rothe, D. & Muzzatti, S.L. 2004. Enemies everywhere: Terrorism, moral panic and US civil society. Critical Criminology. 1(12): 327–350.
1984, a novel by George Orwell, represents a dystopian society in which the people of Oceania are surveilled by the government almost all the time and have no freedoms. Today, citizens of the United States and other countries are being watched in a similar way. Though different technological and personal ways of keeping watch on society than 1984, today’s government is also able to monitor most aspects of the people’s life. 1984 might be a dystopian society, but today’s conditions seem to be moving towards that controlling state, where the citizens are surveilled by the government at all times. The 1984 community provided many ways to surveill its citizens, one being The Thought Police.
In this paper I will offer a structural analysis of the films of Simpson and Bruckheimer. In addition to their spectacle and typically well-crafted action sequences, Simpson/Bruckheimer pictures seem to possess an unconscious understanding of the zeitgeist and other cultural trends. It is this almost innate ability to select scripts that tap into some traditional American values (patriotism, individualism, and the obsession with the “new”) that helps to make their movies blockbusters.
By taking advantage of others on the Internet, conspiracists threaten the safety and progress of the world. For example, in 1998, the medical journal The Lancet published a solitary study that showed a correlation between the MMR vaccine and autism. Still, 18 years later, it is fueling a worldwide panic that is threatening our entire population. People fall prey to these false ideas, refuse to take vaccines, and ultimately jeopardize the safety of all humans (through herd immunity). Asides from being imperilling, conspiracists are also stagnating. The conspiracy theories they imagine threaten progress, by misleading others in a manner similar to trolls. A few years ago a study was conducted in which a group of participants were shown the movie JFK, a fictional film where Kennedy was murdered by a conspiracy within the U.S. government. The film was not a documentary and didn't claim to include real footage or real witnesses, yet, surveys of the participant's emotions after they'd finished watching the movie showed that most left with feelings of anger and hopelessness, as well as a general unwillingness to accept the official story. In another study, people who heard conspiracy theories about global warming were less interested in lowering their carbon footprint. In both cases, the theory gave them the excuse to do what they wanted to do anyway: give up. And in a world of issues, this mentality is incredibly
The films central narrative follows the protagonist, city lawyer; Robert Clayton Dean (Smith) who, after a series of accidental events, finds himself in possession of an incriminating video tape of Thomas Bryan Reynolds (Voight) who is a high ranking (yet slightly rogue) official within the NSA. The video features Reynolds killing a Congressman who refused to support a new legislation that would give the NSA the power to drastically enhance its surveillance capabilities, thus boosting Reynolds career and power. Once they realise that Dean has possession of the tape, the NSA then sets up almost ev...