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Recommended: Poem analysis
Conflicting Imagery in Matthew Arnold's Dover Beach
In the poem Dover Beach, the poet uses conflicting imagery to give
meaning to the poem. The differences in the way that the poet sees the
relationship between the beach and the sea and the way that most people
would see it become more pronounced as the poem develops. He also uses the
change in attitude from the first stanza to the last to emphasize his
message.
The poem starts with the normal image one would expect of a beach
and a peaceful moonlit night, but quickly moves to an entirely different
point of view. By the end of the first stanza the sea is no longer peaceful
and calm, but crashing with a 'grating roar'. The poet has taken an image
that most people associate with tra...
...otter, disturbing high pitched sounf of the oystercatcher, the cormorant, and the heron all connote the idea of an overwhelming chaotic nature of the world. The first two lines of the second stanza justify this view because we find that the speaker has gone through a personal experience of facing death. However, in the majority of the second stanza, the speaker finds a more peaceful underlying order in the next few images he sees. The butterfly, a couple quietly speaking, and the soothing warmth of nature all appeal to an underlying order, filled with peacefulness and serenity. From the different perspectives of a single experience of the speaker, the author is able to create a world where although chaos can be present through personal experience, the underlying order is still intact, as long as one is able to look at it from a more calm and peaceful vantage point.
The Seafarer highlites the transience of wordly joys which are so little important and the fact thet we have no power in comparison to God.
For a person to be diagnosed with OCD, they need to have both an obsession and a compulsion. An obsession is best defined as recurrent and persistent thoughts, urges or images that are experienced during the disturbance as intrusive and unwanted. While compulsions are defined by: repetitive behaviours such as hand washing, ordering, checking in which the person feels they feel strongly compelled to perform in response to their obsession The Diagnostic and Statistical Manual of Mental Disorders (5th ed.; DSM–5; American Psychiatric Association, 2013). The most empirically sound method of treatment is called Exposure response prevention (Himle & Franklin, 2009). This will be the psychological method of treatment discussed.
In the end of the narrator’s consciousness, the tone of the poem shifted from a hopeless bleak
The speaker from the first stanza is the observer, someone who pays closer attention to the entire piece of work, noticing all the details and able to understand the painting as a fluid story and not a snapshot. He is a man with fishing experience. He knows violent the seas and the power nature holds, strong and unforgiving to any individual. The second speaker in the poem is the observer, his voice is heard in the second stanza. He describes the individual looking at the painting as an innocent bystander embracing the art in a museum. The man views the painting, not fully immersing oneself in the complete story of the painting. Instead, he just looks on as a spectator, not fully appreciating the intensity of what he is looking at. Breaking the poem into two stanzas not only allows Finkel to voice two speakers, but also allows him to alternate the tone. The tone of the first stanza with the observer is dark, the speaker describes the events in the painting with a terror, making the painting more realistic with hints of personal experiences. The second stanza is divided into two parts: the first is calm, the onlooker is innocent, gazing at the still image on the canvas, describing the painting at face-value. The latter half of the stanza brings the painting to life. Similar to the first stanza, it transitions back into darkness, a contrast of what the observer views on the
There is also a sense of acuteness as the words in this stanza are short and sharp, and the lines clash and seem to contrast greatly. " Whispering by the shore" shows that water is a symbol of continuity as it occurs in a natural cycle, but the whispering could also be the sound of the sea as it travels up the shore. The end of this section makes me feel as if he is trying to preserve something with the "river mud" and "glazing the baked clay floor. " The fourth section, which includes four stanzas of three lines, whereas the third section included four-line stanzas and the second section included two-line stanzas, shows continuity once again, as if it's portraying the water's movement. "Moyola" is once again repeated, and "music" is also present, with "its own score and consort" being musical terms and giving the effect of harmony.
All types of ages and people can develop OCD, and it can play a crucial role in your daily life, with it's side effect of both positive and negative outcomes. Obsessive compulsive disorder falls into the category of anxiety disorders, and is characterized by persistent routines and obsessions which often results in compulsive rituals done on a daily basis. Some common factors of having OCD is the need to arrange things, compulsive acts of hand washing, and having an established routine. Most may think that this disorder only applies to individuals obsessed with cleanliness and organization, but some forget this disease can take many forms, one of which, being the lack of order and perfection at all. A clear lack of organization can also be seen in some cases of
He begins to thrash and yell but no one recognizes what is actually happening. He is slowly drowning and people are thinking that he is having fun and enjoying himself in the water. As he is dying he looks back and reflects on how his life has basically been a lonely journey. Looking at the setting, I also have noticed that people may also be hiding the truth of what they are actually feeling like. Everyone is seeing a beautiful beach and a man is enjoying its luxuries, but to him the beach is a cruel place where his is slowly losing his life. The tone the poem has affects your senses, almost making you feel what the man felt. The tone of this poem effects the senses making a person feel what the man in the story
Attitude – At the beginning of the poem, the poet was lost and suicidal, "I tried to think but couldn't" and "If that water hadn't a been so cold, I might've sunk and died". However near the end of the poem, the poet became more optimistic about life "So since I'm still here livin', I guess I will live on" and "Life is fine! Fine as wine! Life is fine!"
Obsessive Compulsive Disorder (OCD) is a mental disorder that can affect anyone at any point in their life. OCD is when someone gets caught up in a cycle or compulsive behavior. There have been many studies on OCD but the disorder is still widely misinterpreted.
It is the duty of the sea to act as a navigation system, so humanity is always going in the right direction. It also acts as a way for us to get the water we need to survive, to catch the food man needs for nourishment, and provide cleanliness, which is equal to godliness. This stanza portrays water as a friend, that guides us in the right direction, and a parent that provides us with everything needed to survive and be prosperous. This once again strikes home the point that the world is an extension of God, created to bring mankind ultimate pleasure - the water that He created acts as a willing servant, and parental figure, such as God is usually
At the start of verse 2 it furthers the ideas set in line 3 - 'The
Treatment centers have recently succeeded in enrolling a large number of patients in order for a more sophisticated analysis of the heterogeneity and comorbidity of OCD (Rasmussen, 2002). Epidemiologic studies constantly show that about 2%-3% of the population in the U.S. meet the criteria for OCD. Obsessive-Compulsive disorder has been found to be the eighth leading cause of disability for ages 15-44 (Rasmussen, 2002). Many studies have suggested that OCD is lifelong and chronic. It has been observed in children as young as the age of 2 and in the very elderly. Multiple evidences support that the hypothesis that obsessive compulsive disorder is a heterogeneous disorder with many causes. Neurobiological studies have indicated abnormalities in frontostriatal–basal ganglia circuitry (Rasmussen, 2002). Any patient diagnosed with OCD must have had at least an hour of symptoms daily for about 6 months. Those symptoms interfere with social or occupational functions. Like symptoms of anxiety, obsessive compulsive symptoms are present in many (Rasmussen, 2002). About 5.5% of the obsessive compulsive symptoms have occurred to patients at the age of 30. A study conducted has screened 958 students. The study identified 23 subjects with subclinical OCD. At a follow-up a year later, 87% of those students continued to have significant symptoms (Rasmussen, 2002). For many years, it has been recognized that many children face stages characterized by obsessive-compulsive behavior, but the clinical significance of these symptoms in childhood continues to be poorly understood and the risk carried by children of parents with OCD for subsequent development of the disorder is also poorly defined (Rasmussen,
The second stanza is in sonnet form, and develops the poem further by introducing a sphinx-like creature. This creature is akin to an anti-Christ of sorts, and a play on the Christian prophecy that the poem is named after. The metaphorical meaning of this creature is encased in modernism ambiguity, modernism being an unconventional literary style, with open-ended symbolism and messages. And thus, reader’s have yet to unanimously agree on an interpretation. However, I and several others, interpret it as the physical embodiment of the products of a conflicted post-WWI environment. Since the environment in the first stanza is volatile, and of it may arise a wretched and vile place that would envelope violence, and death. Violence and death that may derive from malicious intent and the scuffle of control from various states. And overall, makes for a frightening reality. Under this sentiment the logic becomes clear as to why readers commonly interpret the second stanza as an inadvertent prophecy of
Videnov, Valentin A. "Human voices in silent seas: a reading of Eliot's Love Song." The Explicator 67.2 (2009): 126+. Literature Resource Center. Web. 1 May 2012.