Concert Critique

On the evening of November 31, 2016, the Lee University Wind Ensemble held a concert in the Conn Center. Noteworthy of the Conn Center, is its architectural design. From the acoustical panels that line the walls to the theatre seating, the building is designed for optimum musical deliveries. Furthermore, the atmosphere was set by the Christmas decorations and the orchestra’s formal attire. In fact, this performance was quite extraordinary and joyful. Next, there were four conductors on this evening. David Holsinger was the Conductor, Winona Holsinger was the Associate Conductor and two graduate conductors, Tim Linley and Seok Keun. Of the four conductors, my favorite was David Holsinger. Of course, this could be due to his being the primary orator for the concert

His body language moved fluently and alternately with the movement of the pieces he conducted, while maintaining control of the ensemble. This leads me to mention, the orchestra was very relaxed, yet very formal in their performance. Now, the program consisted of eight works, ranging from the early 1800’s to the mid-1900’s, covering the Classical era to the Golden Era. Of the eight pieces, I wish to highlight some of my observations during the performance. First, I found each work to be written in a four-four count. Secondly, in the second work of the program, Aria Cantabile, I found it to be wonderfully full of emotion and very passionate. Although the notes played were relatively easy, the music was hard. The crescendo throughout the piece transitioned gradually from piano to mezzo most elegantly and brought a peacefulness to the audience. Thirdly, in the third work of the evening, Second Suite in F movement IV Fantasia on “Darganson,” clearly brought the imagery of the blacksmithing trade to mind as one could imagine the forging of iron being hammered into design. Ironically, at the conclusion of the final melody, a baby cried out in the immediate silence, in perfect pitch and