Concert Attendance Report by Sharak Gangei (#925766)
Event: Oc Can you Play with Us
Who: Conductor Carl St. Clair / Pacific Symphony and community musicians.
Where: Segerstrom Concert Hall
When: 7:00 P.M. May 12, 2014.
As the concert started, the conductor came out and immediately instructed the musicians to begin playing. This was not the beginning of the Symphony, however, it was a warm up. I didn’t know this would happen. The orchestra had already rehearsed for several days and were tuning their instruments as the audience were entering and being seated. I expected them to just start playing the Symphony when the conductor arrived, but instead he was asking musicians to play different measures, and describing to them with imaginative and colorful words how those measures should be played, and how they should sound. Telling the cellists, “you are the Ogres”, and the Violinists “ ha ha ha ha like witches”. It was very interesting to listen to Carl St. Clair instruct his Orchestra. This was not what I was expecting and was a very pleasing aspect of the concert, possibly my favor...
A conductor may be seen by many as a very important part of a musical but others may see them as unnecessary. Stravinsky feels that conductors don’t deserve the all the attention and respect that is given to them by critics and audiences. The passage tells of how Stravinsky finds conductors to be more of a distraction than talented musicians. In the Passage, Stravinsky uses diction and metaphors to explain his disdain of conductors.
On November 16th, 2013, I attended a concert choir, fall choral concert. This event took place on the Wheaton College Campus, in the Edman Chapel at 7:30 pm. The chapel was well-lit, with long pews for the audience to be seated. The concert began with the audience looking up into a balcony, where the ensemble stood in neat rows. They watched the conductor, who stood on a stage in front of the audience, waiting for their cue.
One of the pieces the UC Davis Symphony Orchestra performed was Carnival Overture, op. 92, composed by Antonin Dvorak. The conductor at this concert was Christian Baldini and the main violinist was Shawyon Malek-Salehi. This piece was made in the Romantic era with an orchestra instrumentation. The genre for this piece is concert overture and has a sonata form in a similar formate to other sonata forms from the Romantic era, making it sound dramatic compared to the Classical era’s sonata era. The live performance was true to Dvorak’s original score, which took the traditional sonata form of the classical era and changed it to incorporate a common Romantic era sonata form. Although the live performance focused on the first violinist, it still maintained the dramatic atmosphere from the original piece by keeping the sonata form, rhythm, texture, and instrumentation.
I thoroughly enjoyed this concert from beginning to end. The opening piece, “String Quartet in F Major, K 590”, was both soothing and moving with an engaging theme that followed through the piece. The sudden stops and starts with changes in theme built the suspense and pulled the listener in to a jaunty gallop through the second section. Also the bass tones in the back ground seem to be slightly off kilter with the violins, providing a complex texture and harmony that provides depth and poignancy to the music.
The concert I attended was the Liszt, Prokofiev, and Dvořák concert at the Chicago Symphony Center. Emmanuel Krivine is a French conductor who conducted the orchestra to play Liszt’s compositions Les Préludes, Symphonic Poem No. 3. Next was Prokofiev’s Piano Concerto No. 2 in G Minor, Op. 16 in the Andantino, Scherzo: Vivace, Moderato, Allegro tempestoso, the piano soloist was Russian pianist Denis Kozhukhin who was accompanied by The Chicago Symphony Orchestra. Lastly was Dvořák’s Symphony No. 8 in G Major, Op. 88 was performed by The Chicago Symphony Orchestra, the four movements played was, Allegro con Brio, Adagio, Allegretto grazioso, and Allegro MA non troppo.
The first piece of the evening was “Veni Creator Spiritus” by Anthony Bernarducci. Throughout the entirety of the piece, the University Chorale: Evening choir, did a nice job at following their conductor when he gestured for various dynamics to be performed. When their conductor would motion for a diminuendo, they were quick to follow. The choir could have improved by controlling their breath, and by scattering their breathing so to not disturb the musicality of the piece itself.
Music is virtually everywhere we go, no matter if it is background noise in a coffee shop or singing along while shopping for groceries, we can find music somewhere. The event I attended was the Flint Symphony Orchestra on October 8, 2016. I have never attended a symphony before so I was excited to go, especially since I had invited my friend to attend with me. For this event, I was already informed by my teacher that the symphony will be formal so we needed to look the part since others will be dressed fancy. This made me curious how this event will turn out. Walking past the ticket area and through the doors to the lobby made me feel instantly memorized at how grand it was on the inside. I went downstairs and there were a vast
These outstanding live jazz performances are brought by the master of bebop and piano music Thelonious Monk. Monk opens with “Lulu’s Back in Town” in both performances and showcase some of the most popular of his songs; Blue Monk, ‘Round Midnight, Don’t Blame Me, and Epistrophy. Everybody gets a chance to shine on these songs. Every musician is allotted time specifically to perform multiple solo acts, often improvising on the initial theme of the song. Dissonance plays a major role in the performance, especially from Monk on the piano; enough dissonance to make all of the classical composer roll in their graves by a wide margin.
...xcited to have this experience. Part of the drama of the concert at first is felt when the musicians come in and sit down and begin tuning up their instruments. I would not be able to comment on the performance of the orchestra. During the performance, I seen the audience were moving with the music, but I felt like that everyone seems knows more music than what I learned throughout this semester. After I went home and did some of the research on these music I finally understand why these people like to attend the orchestra concerto, it was because that every piece of music has a history behind it. The Los Angeles audience seemed to me to be people who know music and who will listen to something new in a respectful way. All the same, when the more familiar sounds of the last piece were heard, I could feel a little sense of relaxation and fun coming into the room.
On Friday, November 15, 2013, I attended a concert that I found very interesting. It took place at 7:30 pm at the First Presbyterian Church of the Covenant. The group performing was the Erie Chamber Orchestra, but as a special the Slippery Rock University Concert Choir was also there. During the performance I attended, two pieces were performed. The first was a Mozart piece by the name of Symphony No. 41.
On Tuesday, October 17, 2017, I attended a musical concert. This was the first time I had ever been to a concert and did not play. The concert was not what I expected. I assumed I was going to a symphony that featured a soloist clarinet; however, upon arrival I quickly realized that my previous assumptions were false. My experience was sort of a rollercoaster. One minute I was down and almost asleep; next I was laughing; then I was up and intrigued.
...ked throughout the concert. The pacing of the selections seemed appropriate. No piece sounded like the one before it. There was a great variety of songs played. There were songs played that were written by famous jazz composers and songs played that were written by some of the performers themselves. This added to the excitement of the show.
The Big Church Night Out that took place on Thursday, October 5, 2017, at the Broadmoor World Arena was not a typical Christian concert. The event featured performances from a total of seven artists, including the lively and fun Blanca, rap and hip/hop artist Derek Minor, the energetic rock band 7eventh Time Down, multitalented singer Adam Agee from Audio Adrenaline, the contemporary pop group Sidewalk Prophets, worship leader Jamison Strain, and an incredible finale by the Newsboys. Ultimately, the Big Church Night Out allowed individuals from all walks of life and Christian denominations to gather together for an impactful time of worship with top Christian artists. To begin the evening, Adam Agee set the worshipful theme with an acoustic
In readiness for the concert, I enjoyed a special dinner prepared for the audience. More specifically, LA Phil staffers introduced us to the evening classical concert amidst cheers from the audience. It was such a refreshing and joyous feeling to be part of this audience. The pianist and concert conductor, Christian Zacharias opened the Los Angeles Philharmonic Classical Music concert with a fascinating performance that left the audience in party mood and in happy feelings.
One of the concerts that I have attended was One Direction’s. One direction was formed by a group of boys from London in 2010. These young men were also known as Niall Horan, Zayn Malik, Liam Payne, Harry Styles and Louis Tomlinson. The band started off from a British talent show on television called the X Factor. During the audition, the boys were eliminated as individuals, but Simon Cowell saw great potential in these young men as a group. He decided to make it happen by giving them another chance to perform together, and indeed they became famous ever since the formation of the English-Irish boy band One Direction.