While Faulkner writes with complex, disorganized sentences, and Hemingway writes more simply, both authors have distinctive styles that capture the feeling of discontentment in their fictional characters, such as Jake in The Sun Also Rises and Darl in As I Lay Dying, by supplying insight on their daily life and the environment surrounding them. While Jake’s discontentment is created by a war injury and Darl’s sadness is caused by his mother’s death, Jake tries to conceal his emotions while Darl chooses to confront his issues directly.
In The Sun Also Rises Jake Barnes is described as being both physically and emotionally damaged because of a war wound that impaired him during WWI. This is the cause for Jake’s discontentment. After his injury
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a colonel mentions to Jake, “You, a foreigner, an Englishman, have given more than your life” (Hemingway 39). With the use of the term “given,” it is implied that Jake had some form of an amputation. The wound had left him impotent, making him incapable to have any future, sexual relations. His inability to perform intercourse prevents and restricts his relationships with women, especially Lady Brett Ashely, who desires sensuality. Jake is left at a point in his life that is completely unsatisfactory. Because of the wound he is unable to be with the woman that he loves. Instead of confronting Brett about his problems, Jake chooses to conceal them, leaving his issues secrete from all his friends. When Robert Cohn talks to him about traveling, Jake says, “I’ve tried all that. You can’t get away from yourself by moving from one place to another” (19). By saying this, Jake admits to Cohn that in the past he has tried traveling in the attempt to eliminate his unhappiness. With no luck Jake is left continuously roaming the streets of Paris each day unsuccessful in his effort to rid himself of the hidden discontentment. This discontentment is illustrated perfectly through the use of Hemingway’s style. With the use of Hemingway’s simple narration and uncomplicated, straightforward sentences, he captures the feeling of discontentment in which Jake chooses to avoid throughout the novel.
When Jake talks to Brett about his wound for a short moment, he says, “Besides, what happened to me is supposed to be funny. I never think about it” (34). Jake tries to ignore his emotions as well as the discomforting awareness he has of the injury. After he says that he doesn’t think about his wound, Hemingway doesn’t supply additional information on Jake’s feelings to show that the character doesn’t want to continue revealing his hidden thoughts to Brett. At the end of the novel she says, “Oh Jake, we could have had such a damned good time together.” And Jake replies, “Yes, isn’t it pretty to think so” (251). Hemingway perfectly captures Jake’s feeling of discontentment as well as the concealment of his emotions. Jake is troubled by the thoughts of his impotency and by keeping his response short and precise, the quotation highlights Jake choice to ignore his feelings. “Typical of Hemingway’s dialogue style, the brief, seemingly empty exchanges between characters express the depths of their disillusionment” (Ostman). With the use of this quotation from a secondary source, it is evident that Hemingway uses an uncomplicated dialogue to show the discontentment that Jake continuously lives through each day. While Hemingway uses a simplistic style to demonstrate Jake’s discontentment, William Faulkner writes with more intricate and elaborate
sentences. Although Jake’s discomfort is caused by his physical injury, the discontentment that Darl experiences is brought onto him by his mother’s death. After she passes, Darl and his family go through a tremendous amount of stress and discomfort on their journey to Jefferson, the town where they bury Addie. While each family member has different ways of expressing their sadness, Darl chooses to blatantly confront his emotional issues instead of ignoring them. Before Addie’s death, as Darl realizes his mother is dying, he confronts Dewey Dell saying, “You want her to die so you can get to town: is that it?” (Faulkner 25). He believes she only wants to visit Jefferson to have an abortion, instead of going to honor their mother and mourn her death. In Daniel Burt’s article, he states, “The visionary, intuitive Darl, the Hamlet-like figure in this domestic drama, is jealous of his mother’s favorite, self-centered, cruel Jewel, who refuses to let his mother go and blames everyone else for her death” (Burt). Similar to how Jewel blames others for his mother’s death, Darl confronts his problems directly. He may not blame his family members for her death, but he still has trouble accepting the idea that the majority of them are selfish and inconsiderate of Addie’s passing. Contrary to Hemingway’s particular style, Faulkner uses complex and cluttered sentences to depict Darl’s feeling of discontentment. When Darl addresses Dewey Dell about her mission to go to Jefferson, he says, “‘You want her to die so you can get to town: is that it?’ She wouldn't say what we both knew. ‘The reason you will not say it is, when you say it, even to yourself, you will know it is true: is that it? But you know it is true now. I can almost tell you the day when you knew it is true. Why won’t you say it, even to yourself?”(25). Faulkner applies many intricate sentences when showing Darl’s feeling of discontentment. He uses long, complicated statements to portray the complexity of Darl’s thoughts and to show exactly how Darl is confronting his issues instead of simply concealing them. Later in the novel Darl burns down a barn that his mother’s coffin was lying in because he wanted to end the stressful torment that he had endured on the long trip to Jefferson. He wanted Addie to finally rest in peace and he was also tired of traveling with his selfish family members, like the father Anse, whose main reason for the trip was just to get new teeth. Although he tried his best to end his internal, emotional suffering by burning down the barn, he failed because Jewel saved the coffin from the flames. After being arrested for the act he says, “Darl has gone to Jackson. They put him on the train, laughing, down the long car laughing, the heads turning like the heads of owls when he passed” (176). Because Darl is narrating his own actions, which is unlike all the other narrations throughout the novel, there is a complexity in that alone. Faulkner choice to do this shows that traumatized, desperate Darl goes somewhat psychotic over the course of the trip because of the emotional torment that he experienced along the journey. Although Hemingway and Faulkner have opposing styles, both are able to effectively illustrate their fictional characters’ feeling of discontentment. With Hemingway’s simplistic, straightforward narrative, Jake’s feelings of dissatisfaction are captured easily, and with Faulkner’s complex, evolved sentences, Darl’s emotions are also expressed but in a more elaborate form. Both authors have completely opposing styles, differentiating from each other in almost every possible way. Hemingway’s style works perfectly in representing Jake’s discontentment because his short, tightly constructed sentences are able to demonstrate Jake’s thoughts through his words and actions. Faulkner’s style fits appropriately in representing Darl’s feeling of discontentment because Darl’s thoughts are more complex than Jakes. Darl also chooses to confront his issues instead of concealing his problems which is why Faulkner’s elaborate style is ideal for revealing Darl’s emotions. Hemingway and Faulkner may be writers with completely different styles, but both authors express the discontentment that their fictional character’s possess, in their own unique way.
The name of this book is “Jake, reinvented”. Gordon Korman tells us the story that is much alike “The Great Gatsby”. But this story happened during our time. Although this book is not about love, but it is about selfishness and betray. The “Gatsby” in “Jake, reinvented” is Jake Garret. Nobody knew who is he and where he came from. Although he is the beast new long-snapper the Fitz football team has ever had. But everybody knows him because of his legendary parties. Every single Friday Jake hosts the parties. Every single Fitz High School student wants to be invited.
For example, she taunts pure people like Romero, who is probably still a virgin because he does not “mix that stuff” (Hemingway, 90), for Romero, bullfighting always comes first , and there is Jake who is impotent. Although, between the lines, Brett thinks about all “the hell [she] put chaps through...[she is] paying for it all now” (Hemingway, 14). Brett is not necessarily thinking about these men, instead she is punishing herself for all that she has put men through by being involved with people who can not match up with her sexually. Likewise, Hemingway shines light on the relationships that Brett has destroyed between men to punish herself. For instance, after Cohn begun to like Brett, Jake was enraged to where he even said, “to hell with Cohn, (Hemingway, 117) damaging their friendship. Additionally, Brett’s interaction with Jake caused Mike to lose control of himself and become “a bad drunk” (Hemingway, 78) and become “unpleasant after he passed a certain point,” (Hemingway, 78) and throughout the trip, he was constantly passing this
Although Jake was spared his life in the great war, he lost another part of his life and future. Jack tries to compensate his lack of any real future with Brett or any other women with his passion for bullfighing and other frivalties. In John Steele Gordon’s article, “What We Lost in the Great War” Gordon laments the loss of hope and future the generation of the war felt. The characters of the novel, and especially Jake, exemplify the lack of direction felt after the war. Their aimless drinking, parties and participation in the fiesta is an example of the absence of focus in their life.
Hemingway’s narrative technique, then, is characterized by a curt style that emphasizes objectivity through highly selected details, flat and neutral diction, and simple declarative sentences capable of ironic understatements; by naturalistic presentation of actions and facts, with no attempt of any kind by the author to influence the reader; by heavy reliance on dramatic dialogue of clipped, scrappy forms for building plot and character; and by a sense of connection between some different stories so that a general understanding of all is indispensable to a better understanding of each. He thus makes the surface details suggest rather than tell everything they have to tell, hence the strength of his “iceberg.” His short stories, accordingly, deserve the reader’s second or even third reading.
Imagine. You are sitting in complete silence, even the nearby crickets won't dare to let out even the slightest of croaks. You stare down at your cluttered, dimly lit desk. Your hand grasps your pen, and the other rubs back and forth across your temple in angst. Your eyes pass over each paper, containing each incomplete thought, and your mind floods with memories of your past. Trapped by writer’s block, you are all alone with only your experiences, surroundings, and philosophy aiding you in the fall that is the dark reality of alcoholism and depression. For renowned authors F. Scott Fitzgerald and Ernest Hemingway, these influences all played a crucial role in identifying their style techniques, as well as determining similarities and differences
Two great writers, two different time periods, one goal. Ernest Hemingway and Stephen King are American authors who have influenced writing tremendously by their writing styles and stories. Hemingway wrote about the horror of reality. What keeps us up at night in the real world. Stephen King writes about the horror of make believe. How imaginative we can get and how terrifying we can be. The two authors both have many best selling books. A couple of Stephen King's famous books are The Shining and IT. Some of Ernest Hemingway's best selling books are The Old Man And The Sea, and A Farewell To Arms. The two of them have many similarities, but also they have many differences too.
If we compare William Faulkner's two short stories, 'A Rose for Emily' and 'Barn Burning', he structures the plots of these two stories differently. However, both of the stories note the effect of a father¡¦s teaching, and in both the protagonists Miss Emily and Sarty make their own decisions about their lives. The stories present major idea through symbolism that includes strong metaphorical meaning. Both stories affect my thinking of life.
Hemingway often depicts nature as a pastoral paradise within the novel, and the fishing trip serves as his epitome of such, entirely free from the corruptions of city life and women. Doing away with modern modes of transportation, they walk many miles gladly to reach the Irati River. While fishing, Jake and Bill are able to communicate freely with each other, unbound by the social confines of American and European society. The men also enjoy the camaraderie of English Veteran, Harris. This is quite different from the competitive relationships that can develop between men in the presence of women. Bill is able to express his fondness for Jake openly without it “mean[ing] [he] was a faggot,” (VIII), and Jake has no qualms over his fish being smaller than Bill’s, in what could be interpreted as an admission of lesser sexual virility.
Throughout the Nick Adams and other stories featuring dominant male figures, Ernest Hemingway teases the reader by drawing biographical parallels to his own life. That is, he uses characters such as Nick Adams throughout many of his literary works in order to play off of his own strengths as well as weaknesses: Nick, like Hemingway, is perceptive and bright but also insecure. Nick Adams as well as other significant male characters, such as Frederick Henry in A Farewell to Arms and Jake Barnes in The Sun Also Rises personifies Hemingway in a sequential manner. Initially, the Hemingway character appears to be impressionable, but he evolves into an isolated individual. Hemingway, due to an unusual childhood and possible post traumatic injuries received from battle invariably caused a necessary evolution in his writing shown through his characterization. The author once said, “Don’t look at me. Look at my words” (154).
...s one may establish a better understanding for theme, writing styles, and technique. Though “The Adventures of Huckleberry Finn” is a full length novel and “The Lost Boy” is a short story the writings are comparable in the aspect of writing structure and key characters. One may also associate characteristics in Wolfe’s story with those in “Daisy Miller”. These stories are alike in the theme of life lost and different in many ways, as well. Harry, the leading character in Hemingway’s “The Snows of Kilimanjaro” led a very different life than that of young Robert but the writings held numerous resemblances. The four stories depict humanity through the life stories of their developing characters. In comparing and contrasting the literary works written by Wolfe, James, Hemingway and Twain the student develops as certain appreciation for the literary community.
Hemingway uses a unique style of writing to communicate his ideas to the reader. Like most of his works, Hemmingway uses very simple language to build suspense, but he does not explicitly resolve the conflict. The words not said by the characters play a crucial role in describing their conflict. Jig's smiles, or the times Hemingway tells us "The girl did not say anything" suggest that there is a much deeper story in the background. Critics like Hilary Justice have written many in-depth analyses of the meanings of Jig's smiles throughout the story (3). David Wyche devotes half a pa...
"After a while I went out and left the hospital and walked back to the hotel in the rain" (332). This last line of the novel gives an understanding of Ernest Hemingway's style and tone. The overall tone of the book is much different than that of The Sun Also Rises. The characters in the book are propelled by outside forces, in this case WWI, where the characters in The Sun Also Rises seemed to have no direction. Frederick's actions are determined by his position until he deserts the army. Floating down the river with barely a hold on a piece of wood his life, he abandons everything except Catherine and lets the river take him to a new life that becomes increasing difficult to understand. Nevertheless, Hemingway's style and tone make A Farewell to Arms one of the great American novels. Critics usually describe Hemingway's style as simple, spare, and journalistic. These are all good words they all apply. Perhaps because of his training as a newspaperman, Hemingway is a master of the declarative, subject-verb-object sentence. His writing has been likened to a boxer's punches--combinations of lefts and rights coming at us without pause. As illustrated on page 145 "She went down the hall. The porter carried the sack. He knew what was in it," one can see that Hemingway's style is to-the-point and easy to understand. The simplicity and the sensory richness flow directly from Hemingway's and his characters' beliefs. The punchy, vivid language has the immediacy of a news bulletin: these are facts, Hemingway is telling us, and they can't be ignored. And just as Frederic Henry comes to distrust abstractions like "patriotism," so does Hemingway distrust them. Instead he seeks the concrete and the tangible. A simple "good" becomes higher praise than another writer's string of decorative adjectives. Hemingway's style changes, too, when it reflects his characters' changing states of mind. Writing from Frederic Henry's point of view, he sometimes uses a modified stream-of-consciousness technique, a method for spilling out on paper the inner thoughts of a character. Usually Henry's thoughts are choppy, staccato, but when he becomes drunk the language does too, as in the passage on page 13, "I had gone to no such place but to the smoke of cafes and nights when the room whirled and you
Jake and his friends (all veterans) wander aimlessly throughout the entire novel. Their only goal seems to be finding an exciting restaurant or club where they can spend their time. Every night consists of drinking and dancing, which serves as a distraction from their very empty lives. The alcohol helps the characters escape from their memories from the war, but in the end, it just causes more commotion and even evokes anger in the characters. Their years at war not only made their lives unfulfilling but also caused the men to have anxiety about their masculinity, especially the narrator Jake, who “gave more than his life” in the war (Hemingway).
Jake Barnes, as the narrator and supposed hero of the novel, fell in love with Brett some years ago and is still powerfully and uncontrollably in love with her. However, Jake is unfortunately a casualty of the war, having been emasculated in a freak accident. Still adjusting to his impotence at the beginning of the novel, Jake has lost all power and desire to have sex. Because of this, Jake and Brett cannot be lovers and all attempts at a relationship that is sexually fulfilling are simply futile. Brett is a passionate, lustful woman who is driven by the most intimate and loving act two may share, something that Jake just cannot provide her with. Jake's emasculation only puts the two in a grandly ironic situation. Brett is an extremely passionate woman but is denied the first man she feels true love and admiration for. Jake has loved Brett for years and cannot have her because of his inability to have sex. It is obvious that their love is mutual when Jake tries to kiss Brett in their cab ride home: "'You mustn't.
...g with two of her lovers which were Pedro and Robert. He takes on a role of a female character when he is there for Brett after each affair of hers fails. Even when Robert attacks Jake over Brett he is unable to fight back and stand up for himself which questions his masculinity. Jake still ends up talking to Cohn and compromising his pride when Robert asks for his forgiveness. Although Jake simply replies with “sure”, it is clear that he seems to have lost all sense of self and his masculinity depreciates. Jake feels connected to bull fighting and sees it as the best means to live life. “I can’t stand it to think my life is going so fast and I’m not really living it. Nobody ever lives their life all the way except bull fighters” (Hemmingway 18). The underlying meaning Hemingway is trying to reveal to his readers is that Jake feels envious of the macho lifestyle the