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Bronze age iron age
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1. In this week’s comparison, we are analyzing the faces of sculpted heads. The first face is Mask of Agamemnon, which dates to c. 1600 – 1550 BCE. This head is sculpted out of gold and is roughly 12” in height. It is located at the National Archaeological Museum in Athens. The second face sculpture is Hip Pendant, which dates to the Middle Period, c. 1550 CE. It is composed of ivory, iron, and copper and measures at 9 3/8”. It is located at the Metropolitan Museum of Art in New York. 2. Mask of Agamemnon has very simple detailing. It is sculpted as a traditional face structure that is round. This face is male with eyes closed, a closed mouth, and a slender nose. It has a handlebar mustache with a slight goatee and beard. The surface of the …show more content…
The obvious difference in both faces is that Mask of Agamemnon is wider versus the taller face of Hip Pendant, pointing out the ethnic differences. Another difference is the mediums that were used the show in what color the face is. With the mixed elements used to create Hip Pendant, it has a brownish cream hue unlike the solid gold of Mask of Agamemnon. Mask of Agamemnon is also bigger in size considering it was used to cover an actual face of a deceased person. Hip Pendant’s eyes are open, whereas Mask of Agamemnon’s is closed. Hip Pendant also represents a face in 3-D more accurately than Mask of Agamemnon. There is no facial hair on Hip Pendant, making it easier to depict it is a female’s face. Mask of Agamemnon is a male’s face and Hip Pendant is a …show more content…
With Mask of Agamemnon, lines and shapes are used to create the image of a realistic face. There is the round circular shape of the face itself as well as some of the features. Range sequences are used in the nose and mouth to make them more anatomically correct. There is also curvature in the ears and arches of the eyebrows. 6. Hip Pendant uses lines and shapes to allow the structure to not only be 3-D but more lifelike. The most prominent features of his face are the parallel markings on the forehead that emphasize the culture of the era. The form of the headpiece and necklace show how the pieces were not only worn but the way they would fall on the shape of the head. Arches are used in the nose, lips, eyes, and ears. Because of the build, it makes the face more symmetrical. 7. Agamemnon was the king of either Mycenae or of Argos. He led the Greek forces during the Trojan War and was also the son of Atreus and brother of Menelaus. He was significant because he was royalty in Greek mythology. Although he was an enigmatic leader, he also had some home issues. He was the victim of adultery and murdered by his wife’s lover after coming home from war. The sculptured face shows his importance based on the fact that it is composed of gold and that represents wealth and status.
Foyatier succeeded in producing a vivid and convincing figure by using the techniques of shape, texture and details. His techniques suggest and appeal to a sense of intense power and vigor. The brooding stance and overall shape of Spartacus gives the sculpture the appearance of exuding energy; the use of curves and lines gives Spartacus a distinct structure and aids in achieving a greater degree of realism. Curvature in the upper body is represented by the downward sloping arch visible across the shoulders and muscular arms. Another visible curve is the one in the opposite direction dire...
The Guanyin sculpture depicts a male, interpretable by his male chest, seating in a royal-ease pose. He has a crown, which has a person in the meditative position carved on it. That person could be Buddha. Underneath the crown, the hair looks as though it is nicely braided along the edges of the crown. The eyes are partially closed. There are two pieces of objects, perhaps used to depict jewelry, attached to
First, the portrait of Menkaure and a Queen was made in the Old Kingdom Egypt. The two figures are locked in place together in the frontal poses. They can be viewed from the front and the sides, but the back is flat and has no carved details. Although they do not stand in composite pose, their proportions are following the Egyptian canon. Thus, they have athletic bodies which are idealized from the shoulders to the waist to the hips. They were made to be the perfect symbol of human beings at that time to Egyptians’ belief. For this sculpture portray a royal family in a formal state, the two figures do not have face
The Assyrian Winged Protective Deity is a low relief sculpture, so it does not stand out as much against the stone it was carved out off, but the viewer can easily distinguish the outline of the figure portrayed. One foot of the figure is stepping forward, which could symbolize a continuation with life even after death to protect the king. The stance of this figure greatly resembles Egyptian reliefs, since they would often have their statues have one foot forward. They did this because it symbolized eternity through the afterlife, which the ka of the person needed. The ka ...
Gudea wears a long garment that does not cover one of his shoulders and contains inscriptions written by Gudea himself. In the inscription he dedicates the statue to Geshtinanna, a goddess who interpreted dreams. Because the garment leaves the shoulder bare, viewers are able to see Gudea’s well-defined muscles. His eyes are wide open, symbolic of intense concentration, and he wears a wide brimmed hat. In the work, Gudea is seen as an amicable, strong, and righteous leader.
Aegean art is very simple and plain but very beautiful. Their sculpture has very little detail carved into the art but that maybe because originally their statue was painted in very bright colors. The female figures are plainer and more compact the arms and legs are folded in there no gap in between their arms and legs. While the male figures like the “male harp player from keros, c. 260—2300 B.C.E., Early Cycladic period, marble, 22.5 cm high”, are more detailed but not by much. They are more rounded they aren’t as straight and stiff looking, like the female sculpture, the male statues head is tilted back like is he is singing along to the music he plays with his harp, the leg and arm are open and apart unlike in the female sculpture who is compacted into a rectangle like shape. But they must have looked much different and more alive when they were painted than they do now. But even without the paint they still look beautiful.
Although the portrait does not show a realistic representation of Wadj-shemsi-su himself, the Egyptians instead identified him with glyphs located on the back of the lid and concentrated on creating an idealistic image that symbolized the kingdom’s power. The lid functioned to protect the king’s mummified corpse, but the portrait itself functioned to symbolize the wealth of the kingdom through the figure’s powerful face, strong bone structure, and painted ornate
...with similar characteristics to the bearded man in the other images. This distinct bearding is seen on two sculptures (61, 63) one of which was scaled up to be bigger than real men, this also indicates that the man held some special status, either king or priest.
Both pieces to me seem to represent godlike features. For example, in the palette the king is shown as larger than his enemies and in the stele the king is standing over the people and is much higher than them. As rulers, they are both depicted as strong and heroic and as humans, they are depicted as
The trip to the metropolitan museum was a great trip to learn and to study art. What is art you may ask, well art is an expression you use to show a visual picture. It can be through painting or through sculptures. Some other example of art is music, literature and dancing. For today 's paper we will be talking about art as a sculpture. The two sculptures in this photo are King Sahure and a Nome God and Marble Statue of Dionysos leaning on archaistic female figure (Hope Dionysos). You can find these statues in the Metropolitan Museum of Art. King Sahure and a Nome God is an Egyptian art that was made in 2458-2446 BCE. The artist is unknown. It was during the 5th dynasty and it also belong to the old kingdom. The Marble statue of Dionysos Leaning in the archaistic female figure is a Greco-Roman art. Belonging to the Roman imperial period of the late first century A.D. Augustan or Julio-Claudian period 27 B.C., to 68 AD. It is classified as a stone sculpture and it is made out of marble. The height of the statues is 82 ¾ inches. There is no evidence who was the original artist.
In regards to subject matter, both pieces of sculpture are of leaders, Mycerinus and Kha-merer-nebty II were the pharaoh and queen of Egypt around 2500 BCE., and Caesar Augustus was the Emperor of Rome from September 23, 63 BCE to August 19, 14 CE., shown in this work as a general from Primaport, Italy.
The heralds mask was a more detailed in the fact that it was also golden. It even was adorned with a golden ivy crown, which has symbolized a ruler or leader. His mask also reflects the look full of hope and shock and awe. Another example of how the use of masks displays power and rank would be that of Agamemnon. Agamemnon’s dramatically peaked helmet that glimmers with every slight movement of
It is in the style of many sculptures of the pharaohs of the Egyptian New Kingdom, with simple idealized beauty instead of accurate depiction.
The round frame has a large-curved forehead with a rounded chin, thus making the face look full with very few angles. The cheekbones are undoubtedly wider than the eyebrow bone and jaw line. When measuring a round face there is little difference between the width of the face and the vertical measurement. The face is almost as wide as it is long.
This stone sculpture is a naked human-like figure standing six feet tall. The body is in chiasmos stance with the left leg slightly bent and the left foot slightly behind the right. The head is turned slightly downward and to the right, and its size is approximately 1/6 of the body. The hair is cropped closely to the head with no part. The body has a defined musculature, however the forearms appear to be missing. There is an object behind and to the right of the right leg that is about 2 feet tall and 10 inches wide.