When someone hears the term "street poet" there is one rapper that are a few artists who come to mind such as rappers 2pac or Talib Kweli. These MCs tell us stories about everyday struggles, or a story where hope plays a factor into their songs. Big L is the perfect contrast to that. Invading the rap game with a villainous charisma and a natural talent in lyrics, Big L blazed through the rap scene like the devil himself. Big L, born and raised in Harlem, entered the rap game with his debut album Lifestylez ov da Poor and Dangerous, blowing everybody away with his dark style and amazing lyrics. The album gave Big L wide acclaim, making him a rising star in the rap world. Sadly Big L wouldn't live long to reach great heights, for he was shot and killed only blocks away from his home at the age of twenty-four. The news was a vicious blow to the hip-hop community. A prominent voice in rap world was sadly taken away. Fans of hip-hop were lucky to get five posthumous album releases from Big L though. But it's still a shame not knowing where his musical talents could've taken him over the years. Nevertheless, Big L's music revolves …show more content…
But there are very few who surpass him lyrically. The man is a monster on the microphone, destroying everyone's minds with his lyrical content. His voice brings listeners to a gloomy, crime-ridden world of Harlem where he paints a horrible image with lethal punch-lines. Every single track has incredible examples of how devastating his dark rhythms flow. "All Black" gives a perfect example of how menacing his imagery could get, "I was taught wise/ I'm known to extort guys/ This ain't Cali, It's Harlem n**** we do walkbys/ no one can match me/ tax me or wax me/." I have to stop here before I quote the entire song. His flow goes on and on, track after track. Big L pumps out so many sick lyrics to the point where the listener would have to take medicine to recover from his
Perry, Imani. 2004. Prophets of the hood: politics and poetics in hip hop. Durham: Duke University Press.
He describes the sensation of “measuring one’s soul by the tape of a world that looks on in amused contempt and pity” (2). West tackles double- consciousness in a lot of his songs, but more so I “Gorgeous” and “Power”. He does have slight elements in “Monster”, however. In “Gorgeous”, West is straight-forward in his approach, voicing his frustrations about appearing to fit in with the majority of popular artists (namely the white ones), yet when he does something stereotypically black he gets massive media attention and is berated for his actions. It is even in his clothes: if he is wearing the right clothing he is accepted, but is automatically perceived as ghetto when he is wearing sneakers and a white t-shirt. “As long as I’m in Polo’s smiling they think they got me/But they would try to crack me if they ever see a black me” (Lyrics On Demand). In “Power”, he discusses issues with fame and general concept of power, as well as being a minority with limited options. He talks about how education is limited and that minority children are eventually doomed to prison. “The system broken, the schools closed, the prison’s open” (Lyrics On Demand). His lyrics speak of how the world around him in controlled by the majority, and how minorities are forced to conform to the standards of the rest of the world. In “Monster”, the biggest hint at double- consciousness is the inclusion of Justin Vernon of Bon Iver, a white indie folk musician. Vernon’s appearance on such a quintessential rap track is impressive and jaw-dropping considering these types of songs (posse cuts”) are notorious for featuring all- black artists. His presence plays to the double-consciousness West expresses, by mixing black and white artists together for
On a lighter note, he explains his inspirations for his dream of making music in the song ‘Juicy.’ Biggie’s writing went in depth to show his audience where he came from and to also inspire other artists working their way up in the music industry. Lastly, Kendrick Lamar’s piece Good Kid m.A.A.d City is a coming of age story from the perspective of teenage Kendrick living in Compton, California. This album shows the dark side of Kendrick’s life, as well as his lighter moments of aspiration. There are vivid depictions of violence that he endured as a teen, as well as the influence of money and power.
First of all he calls the woman in the song, a bitch. It starts off with a skit and in this skit with the few lines it contains, the woman is completely disrespected because she does not provide the answer that was he wanted to hear. The script is “Yo let—let—let me ask you a question yo / Yo, would you kill for me? / Hmmm... yeah / What took you so long to answer motherfucker? / I don't know / The fuck wrong with you bitch?” he later on raps “And I admit, when the time is right, the wine is right / I treat you right, you talk slick, I beat you right / Just me and my bitch, me and my bitch.” Biggie says he beats his partner anytime she says something he does not like which promotes physical and emotional abuse to the people that listen to his music. People will think there is no problem with putting there hands on their partner cause Bigge does it. Biggie sends out the wrong type of message to people about how they should treat their partner in a
When looking at the landscape of Hip-Hop among African Americans, from the spawn of gangsta rap in the mid 1980s to current day, masculinity and an idea of hardness is central to their image and performance. Stereotypical to Black masculinity, the idea of a strong Black male - one who keeps it real, and is defiant to the point of violence - is prevalent in the genre. This resistant, or even compensatory masculinity, encompasses: the hyper masculinity rife in the Western world, misogyny, and homophobia, all noticeable in their lyrics, which is in part a result of their containment within the Black community. The link of masculinity and rap music was established due to this containment, early innovators remaking public spaces in their segregated neighbourhoods. A notion of authentic masculinity arose from the resistant nature of the genre, but the move to the mainstream in the 90s created a contradiction to their very image - resistance. Ultimately, this in part led to the construction of the masculinity defined earlier, one that prides itself on its authenticity. I’ll be exploring how gender is constructed and performed in Hip Hop, beginning with a historical framework, with the caveat of showing that differing masculine identities in the genre, including artists
Tupac Shakur was well known for positive lyrics in his music, but unfortunately had a life riddled with controversies and run-ins with the law. His history with the judicial system and the way he lived his life could not be covered up by the positivity themes his songs conveyed. Many of Shakur’s real life occurrences completely contradict the lyrics of his songs. Although he may have had a “do as I say, not as I do” mentality, and his songs were mostly uplifting and encouraging, he did not live up to those messages.
Previously I hinted above about his sexism and misogynistic ways, but now I will go in depth. Hip hop misogyny has been reignited since the history of Dr. Dre’s abuse appeared again with the debut album Straight Outta Compton. The history behind misogyny has dated back decades and has gained even more pushback due to artist like Rick Ross, Drake and Kanye West. These rappers have created songs that dehumanized women from them stripping, making money, and slapping them while having intercourse. However, Kanye West gained a great amount of pushback due to his Yeezus album that greatly dehumanized, influenced sexisim and exhibited a great amount of anger towards women. The release of Straight outta Compton created a huge controversy behind sexism and abuse as it should. Dr. Dre’s beating of Dee Barnes then created a dialogue within the media due to the huge success of the movie. The creator of Straight Outta compton then made a statement after her bragging on how successful the movie was. Ava DuVernay states “I saw the cavalier way that women were treated in hip hop spaces early on. To be a woman who loves hip hop at times is to be in love with your abuser. Because the music was and is that. And yet the culture is ours. From depictions of the origins of ‘Bye Felicia’ to watching Cube bring his wife Kim to business meetings. That’s hip hop. A curious thing”. The statement was a post made on Twitter and The Daily Beast brought it to our attention. Dr. Dre contribution to this movie shows how misogyny within hip hop has become a thing even greater than NWA. The movies and his contribution fits perfectly within hip hop because it created dialogue. Not only dialogue but as I previously stated recent artist who has come in contact with West Coast members, Dr. Dre and got their flow from NWA all have misogynist characteristics in their music. Kendrick has created music on his recent album
“Poetry is the rhythmical creation of beauty in words.” –Edgar Allan Poe. Poetry is one of the world’s greatest wonders. It is a way to tell a story, raise awareness of a social or political issue, an expression of emotions, an outlet, and last but not least it is an art. Famous poet Langston Hughes uses his poetry as a musical art form to raise awareness of social injustices towards African-Americans during the time of the Harlem Renaissance. Although many poets share similarities with one another, Hughes creatively crafted his poetry in a way that was only unique to him during the 1920’s. He implemented different techniques and styles in his poetry that not only helped him excel during the 1920’s, but has also kept him relative in modern times. Famous poems of his such as a “Dream Deferred,” and “I, Too, Sing America” are still being studied and discussed today. Due to the cultural and historical events occurring during the 1920’s Langston Hughes was able to implement unique writing characteristics such as such as irregular use of form, cultural and historical referenced themes and musical influences such as Jazz and the blues that is demonstrative of his writing style. Langston Hughes use of distinct characteristics such as irregular use of form, cultural and historical referenced themes and musical influences such as Jazz and the blues helped highlight the plights of African-Americans during the Harlem Renaissance Era.
Only nineteen at the time Illmatic came out, Nas proved to be ahead of his time. With his story telling, lyrical content, complex rhyme schemes, production and great album instantly put him at the top. “Even Nas' longtime nemesis, Jay-Z, frankly confesses that the first time he heard the album, "the shit was so ahead/thought we was all dead." (Serwer 2)
Prophets of the Hood is the most detailed and a brilliantly original study to date of hip hop as complicated and innovative literary story form. It is written with a refreshing harmonious combination savvy significance rigor as well as brave and creative narrative verve. Imani Perry’s research is an interesting analysis of late twentieth century in American great culture. Prophet of the hood is an excellent and unique book. It draws up a clear division between the negatives and positives involved in hip hop. She takes the discussions of rap to a deeper and greater levels with an insightful analysis of the poetic and political features of the art form. Being a fan and a scholar, Perry is aware the art, tradition of hip hop through an analysis of the song lyrics.
“Damn right I love the life I live, cause I went from negative, to positive.” This is one of the most well-known quotes stated by The Notorious B.I.G. He was an extremely talented rapper and person. Christopher Wallace, AKA Biggie Smalls was one of the most respected and successful artists worldwide. Though his career was short, it was extremely successful.
To say it lightly, Stanley Crouch does not like the hip-hop genre of music. The dreadlocks, the clothing style, and the "vulgar": gold chains are just a few things he does not approve of at all. (Crouch, 1 ) It astounds him to see how far African-American music has fallen since the days of the Motown. Stanley was quoted as saying this about rap, "It is rudeness, vulgarity, and pornography disguised as ‘keeping it real.'" (Crouch, 1) He also went on to say the hip-hop music genre has the worst impact of all music genres on our culture today. (Crouch, 2) Crouch believes one does not need much talent to become a successful rapper unlike the jazz greats he listens to all the time.
Shel Silverstein, though shaded from the public eye, was a well known author, poet, illustrator, songwriter, photographer and musician. His poems told the story of incredible people, places and animals from around the world of the imagination. He had a following of millions, yet was very secretive about his life. He had many tragedies take place in a short while, not affecting his professional life enough to hinder him from still creating some of the most unusual and wild poems and stories ever told. He is still recognized as one of America’s best poets and was honored by many awards. Shel Silverstein overcame a lot of struggles and still seemed to touch the lives of millions of children and adults all over the world. Shel Silverstein always encouraged his readers to make their own magic, though he was always making enough for all of us to share.
Lamar has been successfully achieving his dream by rapping about the stress and difficult situations he has encountered but strongly claims that we will all be alright in his song, “Alright.” He released a song called “i” that reflects how violence has increased in the cities and how he wishes everyone should love each other as humans. His last song on “To Pimp A Butterfly” called “Mortal Man” he states “only because you don’t wear the same color as mine, that doesn’t mean I can’t respect you as a human being.” He clearly states how he understands the reputations of other gang members may seem important but should all still respect others as people. Lamar has been a role model to several students from the city of Compton that was able to create a scholarship called “Be Alright” that is based off the same song called “Alright.” Kendrick Lamar has been respectively producing music for his fans without a doubt of impressive beats and
His writing style was spoke in an abstractive language. In relation to his poem I wrote one of my own I chose to use the same style of abstractive language and Anaphora. In this poem I expressed how I've had a few night's alongside battery park reflecting on life with the company of the ocean, moon, statue of liberty the friendship of drinking. Midnight