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Art history
Art history
O The art of portraiture – from Early Renaissance to Neo-Classicism
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The artist Fred Tomaselli arranged an assortment of objects “Airborne Event” in 2003, and the talented Bettye Saar, “The Liberation of Aunt Jemima” in 1972. I will be comparing these two pieces. This essay will consist of the explanation of each piece of artwork, and the comparison of each piece in my own opinion.
The American artist Fred Tomaselli arranges pills, leaves, insects and cutouts of animals and body parts to create his pieces of art. His incorporation of items are arranged to suggest a level of perception along with a heightened visual experience. This gives me, the viewer, a sense of Energy. The perception of color that Fred uses gives a gravitating feel. If you take a look at the heart of this piece you can instantly visualize the different items Fred incorporates into the piece.
The artist Bettye Saar uses belittling derogatory images of African Americans, which are now called black collectables. She tries to challenge stereotypes and racists myths. In the Saar’s assemblage “The Liberation of Aunt Jemima” she uses images of Aunt Jemima. Aunt Jemima was considered a domestic servant, which has been used to sell commercially prepared pancake mix. In the above mentioned piece, Saar uses three versions of Aunt Jemima to turnaround such images. The first image you would probably see is the largest image of Jemima’s figure, this Jemima holds a rifle and pistol as well as a broom. A Black power fist at first glance may not be seen, but as you gaze at the image you may notice that it is something you should not have missed. The next image is the one of Jemima holding up a crying child. In the background there is an image of a lighter complexioned Jemima, this image can be interpreted as a thinner lighter more appealing more marketable Jemima.
Each viewer’s interpretation of these two different pieces would be based on their own inner feelings. The reason I chose these two pieces is that I see them as total opposites. Each of these artists chooses to portray an image of a human like object in two different ways. In one side you have Fred Tomaselli using different items to express openness while you have Bettye Saar using her artistic skills to express a struggle of freedom. Since these images defined how Blacks were often perceived by Whites and were often times the source of how Blacks saw themselves.
Wayne, transforms this painting into a three dimensional abstract piece of art. The focal point of the painting are the figures that look like letters and numbers that are in the front of the piece of art. This is where your eyes expend more time, also sometimes forgiving the background. The way the artist is trying to present this piece is showing happiness, excitement, and dreams. Happiness because he transmits with the bright colours. After probably 15 minutes on front of the painting I can feel that the artist tries to show his happiness, but in serene calm. The excitement that he presents with the letters, numbers and figures is a signal that he feels anxious about what the future is going to bring. Also in the way that the colors in the background are present he is showing that no matter how dark our day can be always will be light to
Detrimental stereotypes of minorities affect everyone today as they did during the antebellum period. Walker’s subject matter reminds people of this, as does her symbolic use of stark black and white. Her work shocks. It disgusts. The important part is: her work elicits a reaction from the viewer; it reminds them of a dark time in history and represents that time in the most fantastically nightmarish way possible. In her own words, Walker has said, “I didn’t want a completely passive viewer, I wanted to make work where the viewer wouldn’t walk away; he would either giggle nervously, get pulled into history, into fiction, into something totally demeaning and possibly very beautiful”. Certainly, her usage of controversial cultural signifiers serve not only to remind the viewer of the way blacks were viewed, but that they were cast in that image by people like the viewer. Thus, the viewer is implicated in the injustices within her work. In a way, the scenes she creates are a subversive display of the slim power of slave over owner, of woman over man, of viewed over
I observed a very unique series of photographs by Vik Muniz called Seeing is Believing. Vik Muniz’s images are not simply photography but are pictures of complicated pieces of art he has produced at earlier times. Utilizing an array of unorthodox materials including granulated sugar, chocolate syrup, sewing thread, cotton, wire, and soil Muniz first creates an image, sculpturally manipulates it and then photographs it. Muniz’s pictures include portraits, landscapes, x-rays, and historical images.
When Saar was a teacher at the University of California including Otis Art Institute since then has been changed to Otis College of Art and Design. When Saar started she used larger, room-size scale, which she created specific installations that may had altered shrines exploring the relationship among the technology and spirituality, also including the interests in mysticism and Voodoo. Saar discussed while continues to challenge the negative ideas of African Americans. Saar had done of the master a piece that is titled “The Liberations of Aunt Jemima.” This is a picture that was originally made out of a wooden box that had a full-figured, smiling black mammy, in a kerchief wrapped around her head. It shows Mammy holding broom in one hand and a gun in the other. Yet, Saar still resides and works in Los Angeles; she is the mother of Alison and Lezley Saar, both who are artists. In the Saar shop or known as studio is scattered with art all over the place. Tables and shelf are all scattered with mysterious objects and materials, pickanninny dolls, tiny minstrels, including slices of watermelon made from painted wood.
How does one embrace the message and soul of artwork when you can’t get passed the color of skin in the portraits? Two barrier breaking retrospective artists born with more than 2,899 miles between them have beat down the walls in the art world opening up endless opportunities for female artist today. Carrie Mae Weems and Lorna Simpson specialize in catching the viewer’s eye and penetrating their feelings towards issues of culture, politics, equality, and feminism. It is well established that these woman specialize in identifying problems in their artwork, both artists seem to struggle with not being able to avoid the ignorant eye of stereotyping because they use African American Models in their artwork. Carrie Mae Weems doesn’t see her artwork
Rutt and Underwood used many different ways to exploit this new image. They used posters, live appearances, memorabilia, and of course on the product itself. These two men practiced advertising in a way where it quickly linked image and product in such a way that a lasting impression is created in the public's mind. They used a clever promotion strategy that promoted the idea that Aunt Jemima was a real cook who made the best pancakes in the south. To know the history of the stereotype about African American women and why they spent so much time in the kitchen there has to be an understanding of how African American women were thought to be able to handle heat better because of their darker skin, so that that is why they were assigned the jobs closest to the furnaces and stoves. Aunt Jemima's relationship with the South was intentionally full of romanticism and intrinsic values. She was made to represent the splendor of the Old and New South. Those who might have been prone to believe that the New South had nothing of quality left to contribute after war and slavery needed to look no further than Aunt Jemima's pancake mix to see otherwise The way they did this was by taking the image of a stereotypical depiction of African American women as servants, and portrayed these servants as fat, unattractive, but happy. Aunt Jemima is a characteristic ...
Art has always been considered the effervescent universal tool of communication. Art does not require a concrete directive . One sculpture,drawing or written creative piece, can evoke a myriad of emotions and meaning . Artistic pieces can sometimes be considered the regurgitation of the artist's internal sanctum. In Richard Hooks graphic painting,Adoption of the Human Race, the effect of the imagery,symbols ,color and emotional content projects a profound unification of a spiritual edict.
Starting with visual elements I saw lines, implied depth, and texture. I see lines by him using lines created by an edge. Each line is curved not straight but it works with the piece. By using this he creates the piece to make it whole. He uses many curved lines within the painting I don’t know if there is a straight line in the whole thing. The next element I saw was implied depth. Using linear perspective you can see the mountains but they look smaller than the rest of the piece. They are the vanishing point in the back making it look as if you can walk down and they will get closer and closer to you. The last element that I saw was texture. They talk about Van Gogh’s painting, The Starry Night having texture through a two- dimensional surface, in which this painting has that similar feel. Van Gogh uses thick brush stokes on his paintings to show his feelings. There is actually a name for this called, Impasto,
Jackson, P. (1992). (in)Forming the Visual: (re)Presenting Women of African Descent. International Review of African American Art. 14 (3), 31-7.
The top piece gives a more somber feeling, with the black face staring blankly forward, showing no emotion. The portion of Ntozake Shange’s poem, no more love poems #3, lady in blue, for which the piece was painted, states “we deal wit emotion too much/ so why don’t we go on ahead, & be white then/”. This blank, emotionless stare shows the expectations for black women to be stoic, whereas it is acceptable for white women to display emotion without being labeled as overreacting or crazy. The ropes, tied around the woman’s waist, signify the restrictions this places on black women; at the bottom of the piece, the ropes appear to be loosening slightly, representing women breaking free of these constraints placed on them by
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
She is supposed to be representing freedom for the whites and making it known that the blacks have none. The naked woman symbolized a form of freedom. The white men brought in a naked woman with an American flag painted on her and if any of the black boys looked at her they were going to be in a lot of trouble. A lot of the black boys couldn’t look because unlike the white men staring and drooling the black boys had feeling and they felt her pain. The white men used her as a toy just like they were using the black boys for their own enjoyment. When the narrator finally was able to look up at her he saw the pain in her eyes. He knew she was dying inside and was trapped and had no escape just like him. Even though she was a white woman she had no freedom she was like a slave, a show for the white men. Written below it shows how one guy took control over the naked women and had his way with her unlike the black boys. They had more decency to look away and try to treat her with the respect she deserved. Unlike the white man who took control over the white women the grandson stated that “I noticed a certain merchant who followed her hungrily, his lips loose and drooling”. The white women even though they were white they were slaves to the white men just like the black boys were. The white women were only good for certain things like cooking, cleaning and waiting hand and foot for the white males. The worst part of it all was that the white males talked down upon and treated them like sex objects rather than human beings. Not only blacks had it bad so did the women they surely didn’t have the life they truly
Blacks have become the most often targeted in hate crime. The slightly covered moon might be an indirect indication that there will be some kind of transformation going on at night. For example, the little African boy grew horns at night which makes him look like a devil after catching a duck by the river or lake. There is a white man lifting a black woman on the end of this artwork. It looks like he is about to throw her off to ground. The broom she is carrying in her hand may be a signal that she is a witch for the reason that she is high up above the ground. To whites, these slaves from Africa are portrayed as devils in disguise and witches who practice witchcraft. In the 21st century, our society still has stereotypes remain rooted for African Americans. Those stereotypes are often created during our first impression. However, most of our negative stereotypes are created by advertising, media, and our society. The problem is we are developing an image of African Americans based on generalizations and not our encounter or first impression of them.
Both novels demonstrate the characteristics of gender, race, and family relations. Black culture has endured through challenges as represented in these books. Both books present the struggle that individuals go through regarding slavery or society changing. They present diverse stories regarding things actually falling apart in both books.
When viewing Georges Seurat’s, A Sunday on La Grande Jatte (Fig. 31-37), perception is changed vastly depending on the viewer 's proximity to the piece. At close range, all that is visible is a mass array of countless circular dots and tiny lines in a vast range of colors. Greens, blues, reds, oranges, yellows, white, browns, black and purples are all visible in a multitude of intensities. The Divisionism technique utilized causes this piece to appear as an abstract collection of colors when viewed at close range. Yet when distance is between the piece and the viewer, these seemingly sporadic dots come together to create a complete and detailed scene. Primarily consisting of biomorphic shapes, Seurat’s incorporates in every inch of the canvas