The Salem Witch Trials and Modern Satanic Trials Cotton Mather, in his The Wonders of the Invisible World, preserved for posterity a very dark period in Puritanical American society through his account of the Salem witch trials in 1692. His description is immediately recognizable as being of the same viewpoint as those who were swept up in the hysteria of the moment. Mather viewed Salem as a battleground between the devil and the Puritans. "The New Englanders are a people of God settled in those which were once the devil's territories. . . . The devil thus irritated, immediately tried all sorts of methods to overturn this poor plantation" (Mather 421). Here Mather is alluding to the Native Americans as being a people associated with the devil rather than with their God, a common point of view held towards all savage people. Mather saw the witches of Salem as being "his [the devil's] incarnate legions" sent to Salem "to persecute us. . ." (Mather 421). The Salem witch trials have become a part of American mythology which has been passed down to each succeeding generation for over 300 years after the village of Salem sent its last witch to the gallows. However, it is the witch trials relevance to modern society more than any other factor that has contributed to its legendary place in American history and mythology. The witch trials that occurred in Salem, Massachusetts, are the precursor to the modern trials where adults are accused of crimes including ritualistic sexual molestation of children. These types of ritualized abuse are commonly linked to Satanic cults. Modern beliefs in Satanists mirror similar beliefs held of colonial witches. However comforting it is to look back at the Salem witch trials as a ... ... middle of paper ... ...ct that the same social forces that were in place in Salem in 1692 are still present and at work in modern era courtrooms across the country where innocent people stand accused of horrific acts. Works Cited Mather, Cotton. "The Wonders of the Invisible World." The Heath Anthology Of American Literature. Third Edition. Vol I. ed. Paul Lauter. New York: Houghton Mifflin Co. 1997, 421-424. Rosenthal. Bernard. Salem Story: Reading the Witch Trials of 1692. Cambridge Mass: Cambridge University Press, 1995. Sebald, Hans, Ph.D. Witch-Children: from Salem Witch-Hunts to Modern Courtrooms. New York: Prometheus Books, 1995. Starkey, Marion L. The Devil In Massachusetts: A Modern Inquiry Into The Salem Witch Trials. London: Robert Hale Limited. Victor, Jeffrey S. Satanic Panic: The Creation of a Contemporary Legend. Chicago: Open Court, 1993.
When one evokes The Salem Witch Trials of 1692, the image that comes to most peoples minds are that of witches with pointed hats riding broomsticks. This is not helped by the current town of Salem, Massachusetts, which profits from the hundreds of thousands of tourists a year by mythologizing the trials and those who were participants. While there have been countless books, papers, essays, and dissertations done on this subject, there never seems to be a shortage in curiosity from historians on these events. Thus, we have Bernard Rosenthal's book, Salem Story: Reading the Witch Trials of 1692, another entry in the historiographical landscape of the Salem Witch Trials. This book, however, is different from most that precede it in that it does not focus on one single aspect, character, or event; rather Rosenthal tells the story of Salem in 1692 as a narrative, piecing together information principally from primary documents, while commenting on others ideas and assessments. By doing so, the audience sees that there is much more to the individual stories within the trials, and chips away at the mythology that has pervaded the subject since its happening. Instead of a typical thesis, Rosenthal writes the book as he sees the events fold out through the primary documents, so the book becomes more of an account of what happened according to primary sources in 1692 rather than a retelling under a new light.
Mather, C. (2008). From the Wonders of the Invisible World. In N. Baym (Ed.), The Norton Anthology of American Literature Volume 1 (pp. 147). New York: W.W. Norton & Company.
Introduction: Walt Whitman was an American poet from West Hills, Long Island New York. He wrote plenty of poems for the New York Times Journal newspaper also known for the famous book Leaves of Grass that had nine editions and is more than one book. The book Leaves of Grass was published in 1888 when he was finally done with all nine editions and he had passed after publishing the ninth edition.
Walter Dean Myers expresses a lot of wisdom throughout his stories. In many of his stories he gives the wisdom of fighting for what you believe in. Two such stories are “The Glory Field” and “Ida Wells.” Both stories “warmed in my mind” to help me discover this wisdom.
Mosley serves on the board of TransAfrica, the National BookFoundation, the Poetry Society of America, Manhattan Theater Club, and is past president of the Mystery Writers of America.
Walt Whitman is an American poet, journalist, and essayist whose Versace collection Leaves of Grass is a landmark in the history of American literature.
Walt Whitman’s hard childhood influenced his work greatly, he was an uneducated man but he managed to become one of the most known poets. Whitman changed poetry through his work and is now often called the father of free verse. Especially through Leaves of Grass he expressed his feelings and sexuality to world and was proud of it. He had a different view at life, his hard childhood, and his sexuality that almost no one understood made him introduce a new universal theme to the world. Almost all critics agree that Walt Whitman was one of the most influential and innovative poet. Karl Shapiro says it best, “The movement of his verses is the sweeping movement of great currents of living people with general government and state”.
John M. Murrin’s essay Coming to Terms with the Salem Witch Trials helps detail the events of these trials and explains why they might have occurred. The witch trials happened during a “particularly turbulent time in the history of colonial Massachusetts and the early modern atlantic world” (Murrin, 339). Salem came to be in 1629 and less than seventy years later found itself in a mess of witch craft.
“The Wonders of the Invisible World”, written by Cotton Mather, is an account of the Salem Witch Trials. He retells information that has been passed down to him without actually being present at the trial and simultaneously explains his theory to why witches were suddenly emerging in Salem, Massachusetts. There were quite a few holes in the Salem Witch Trials, especially regarding whether or not these events occurred the way they are said to. Mather’s book shows us how intense the Puritan ideals were, attaching anything out of the ordinary to a higher power and in doing this shows the flaws of the religion which caused to Salem Witch Trials.
Walt Whitman was 1 of the first true American poets. Whitman wrote a lot of poems that nobody would ever touch. Whitman believed in Universe brotherhood. Whitman was very patriotic(The rape and rot of graft, and stealth and lies). he wrote in freeverse. Whitman wrote a poem called I Hear America Singing”. Walt Whitman was Consider among the greatest figures in America literature
The purpose of my paper is to compare and contrast Arthur Miller’s The Crucible with the actual witch trials that took place in Salem in the 17th Century. Although many of the characters and events in the play were non-fictional, many details were changed by the playwright to add intrigue to the story. While there isn’t one specific cause or event that led to the Salem witch trials, it was a combination of events and factors that contributed to the birth and growth of the trials. Some of these events included: a small pox outbreak that was happening at the time, the revocation of the Massachusetts Bay Colony charter by Charles II, and the constant fear of Native attacks. These helped in creating anxiety among the early Puritans that they were being punished by God himself.
Whitman got his influence from the extensive cadences and rhetorical approaches of Biblical poetry. After publishing Leaves of Grass, Whitman lost his job. He was working with the Department of the Interior. In spite of his mixed critical welcome in the US, he received a warm welcome in England, with Algernon Cha...
Whitman’s work has an arguable style that makes his work appear as an egotistical piece of literature for some and others may find a different deeper meaning within his work. This work is an excellent example of patriotic work that attempts better its audience throughout by making revelations and comparisons of different idea and thoughts about the nation's people. Whitman illustrates his interpretation of what a kind of person is a great person is and how they go about life. He intends to make his audience better as a whole and understand the underlying problem that some have. Whitman's writing truly expresses his feelings about his time and what he expects from them for a better
Walt Whitman was a poet born on May 31, 1819 in West Hills, Long Island, New York. His first published work came in 1855; called Leaves of Grass, it is now a landmark in American literature. The second oldest of eight surviving children, Walt grew up in a democratic family, with his parents showing their love for America by naming his younger brothers after great American heroes. Walt and his family moved from Long Island to Brooklyn when he was just three years old. When he was eleven years old, Walt’s father took him out of school to help support his family, and he got into the business of printing. At age seventeen, he started teaching at a one-room schoolhouse in Long Island. After five years, Whitman turned to journalism, starting a paper called the Long-Islander, and later continuing his newspaper career in New York City. He became the editor of the Brooklyn Daily Eagle in 1846, and “proved to be a volatile editor, with a sharp pen and a set of opinions that didn’t always align with his bosses or his readers. He backed what some considered radical positions on women’s propert...
Walt Whitman’s writing is often argued about how he exhibits very little style, due to his free form sense of poetry. Though the structure he writes with is unconventional to say the least, he definitely has a sense of style and form that he writes with, and his style isn’t nearly as messy and thoughtless as most pundits would suggest. Whitman’s writing does not have an arrangement that can be easily confined, and give credit that he does not conform to the usual realm of literary style (much like Dickinson). Even though Whitman’s poetry doesn’t follow the conventional poetic protocol, the way other poets like Bradstreet and Longfellow do, it definitely has a certain structure and general themes that he tries incorporating , in spite of it’s sometimes hectic looking technique.