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Twenty-one love poems analyzing
To his coy mistress by Andrew Maviel
First love poem analysis
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Comparing To his Coy Mistress by Andrew Marvell and To his Mistress Going to Bed by John Donne
In recent times I have compared and contrasted two pieces of love
poetry, both of which are exceptionally lyrical and full of
intellectual language that bring the poems alive with elaborated
metaphors that compare dissimilar things, as they Inare equally, yet
somehow individually both metaphysical poems. The first of these poems
that I comprehended was 'To his Coy Mistress;' (written by Andrew
Marvell during the 17th century), it reflects the epic of a man who is
striving to entice a unadulterated woman into going to bed with him;
he does this by using a lot of romantic flattery and surreal imagery,
positive as well as negative. The second of the two is 'To his
Mistress going to bed;' (written in the 16th century by one of the
best known metaphysical writers, John Donne), this poem also beholds
an abundance of imagery and adulation, however it differs from 'To his
coy Mistress' for the reason that, it has more reference to sex
throughout the poem, and it is a lot more explicit all round.
Andrew Marvell was born on March 31, 1621, at Winestead-in-Holderness,
Yorkshire. Though in poems written between 1645 and 1649 he had
evinced royalist sympathies, Marvell seems to have been attracted by
the strong personality of Oliver Cromwell, and in 1650 he wrote "An
Horatian Ode upon Cromwell's Return from Ireland." Commonly
acknowledged a masterful piece of political poetry, this ode has
occasioned some controversy as to the degree of unqualified admiration
with which the poet regards the military harshness of the Puritan
general. Most of the finest ...
... middle of paper ...
... you should do the same; so it's
easy to say that really, he was always in charge of what was
happening.
In conclusion I found both Donne's and Marvell's poetry quite amusing
and in some ways comical, I say this for the reason that, you wouldn't
find many men writing love letters and poems to the girl they may
adore or even love nowadays, because over time or even five centuries,
people change, peoples' habits change and so do the way of their love
life. However, as a female, I still find a love letter or even a poem,
is far more affectionate than a box of chocolates ever could be, and I
also believe that behind every successful man is a woman, as Donne and
Marvell have marked their places in history by writing about the
mysterious mistress that they fell in love with, and we're reading
about in the 21st century.
There are two sides to every story. Where one might see love and passion another sees burden and indifference. Such is the case with Peter de Vries “To His Importunate Mistress”, a comedic parody of the 17th century work by Andrew Marvell, “To His Coy Mistress”. Peter de Vries uses satire and rhyme as a way to present a humorous approach to the reality and consequence of a modern day extra-marital affair.
to be scared out of her state of mind and into his beliefs. He starts
to lure a woman into bed the true theme of the poem being more lust
In order to have a better appreciation and understanding of literature, it must be viewed from the context of its time. Novels such as The Secret Agent by Joseph Conrad and Mrs. Dalloway by Virginia Woolf, can be better (or only) understood by the characteristics, ideas and social structure of the society at the time they were written. Three of those ideas, or pseudosciences, that were present during the publication of the books are Social Darwinism, Eugenics and Scientific Racism. Pseudoscience refers “to any work that appeals to the authority of science despite being methodologically flawed or incompetently reasoned, even if carried out by credentialed scientists” . Each of them complements and/or enforces the other, also used to bring forth justification for social strata, discrimination, racism, and social policies toward the “undesirables”, working class, women, “simple-minded”, invalids, and disables. In both novels, especially in The Secret Agent, tenets of these ideas are present when physical descriptions and deductions are made. Conrad’s description of Verloc, Stevie, Yundt, Michaelis, and the Doctor exemplifies these tenets while in Mrs. Dalloway, it is Septimus, the women characters, and the society itself who are subject to them. The novels cannot escape or criticize the ideas of their time.
New Criticism is described to focus on values on the individual’s work’s meaning. This approach which is a close analytic reading of the text, is the approach I will be using. I chose to analyze both stories Life of a sensuous women and Hedda Gabbler. I will apply these texts to compare/contrast in terms of character and how it affects the themes in the story.
The first similarity I encountered is that, in both short stories, the protagonists seem condemned to a perpetual state of confinement. In Odour of Chrysanthemums, Elizabeth Bates is imprisoned as a woman in society; she is reliant on her husband, as she has no social or financial independence. She is extremely vulnerable, and the parochial society requires she be subservient and docile. Despite the era’s dictate and her paucity of autonomy, Elizabeth is an intransigent, resolute, rational and astute woman. Walter was little more to her than a stranger, as we see in “She felt that in the next world he would be a stranger to her. If they met, in the beyond, they would be ashamed of what had been before”. Walter is merely a source of sustenance, and Elizabeth never demonstrated amorous intentions or utter compliance to him. Ultimately, however, she becomes submissive to death, her new master. Elizabeth is delivered as a captive from society and Man to death. This condition of incarceration also relates to the recurring illustration and notion of suffocation; not only was Walter asphyxiated, but Elizabeth, too, seems to suffocate and drown progressively, immersed in such a suppressing environment. In A Painful Case, Mr Duffy is encompassed in the prosaic lemniscate of...
After I read “ A Handbook of Critical Approaches to Literature” I was able to get a different perspective on the poem. Once I read the poem again I saw the difference in my opinion from the first intial writing to this paper. Being able to read and able to open my eyes; to not judge a poem by its title. To be able to see a different outlook to the poem. It helped being able to see the different educational opions about “ To His Coy Mistress.”
In reading, one finds that a common thread runs through the fabric of the material that one encounters within the pages of literary works. Zora Neale Hurston’s Sweat, A Jury of Her Peers by Susan Glaspell, and The Yellow Wallpaper, penned by Charlotte Perkins Gilman, all deal with the interpersonal relationships shared by a man and wife. The three selections shared a familiar theme and, as it turned out, characters with similar circumstances hosted the tales. While each couple came from different backgrounds, Sykes and Delia, Minnie and John Wright, and Ann and John managed to turn the concept of wedded bliss inside out. Perhaps love is universal, but spouses rarely survive in a perfect manner.
(A Comparing of To His Coy Mistress by Andrew Marvell and To the Virgins, to Make Much of Time by Robert Herrick)
Imagery and over exaggerations in both My Last Duchess and To His Coy Mistress reveal similar pessimistic attitudes toward women. For example, when the speaker in “My Last Duchess” says, “Her looks went everywhere,” in Line 24, it is evident that this is an over-exaggeration. The duchess’ looks did not surely go everywhere and the speaker more than likely used this exaggeration to emphasize his discontentment with what some readers might call friendliness. In the speaker’s eyes, his duchess was incessantly flirtatious with other men, when in reality, the woman was likely being merely friendly. This reveals that the man distrusted his wife because of this trait. In “To His Coy Mistress”, lines 27-30 provide grim imagery to reveal a similar yet
“To the Virgins, to Make Much of Time” by Rober Herrick and Andrew Marvell’s “To His Coy Mistress” have many similarities and differences. The tone of the speakers, the audience each poem is directed to, and the theme make up some of the literary elements that help fit this description.
Abrams, M.H. and Greenblatt, Stephen eds. The Norton Anthology of English Literature: Seventh Edition. New York: W.W. Norton & Company, Inc., 2001.
The poem “My Mistress’ Eyes are Nothing like the Sun” by William Shakespeare is about the love towards an imperfect woman. He explains that although his mistress is imperfect, he finds his love special and rare. To clear things up mistress in this poem holds a completely different meaning than that of the modern-day term we are used to. The word mistress now refers to a woman having a sexual relationship outside of marriage, especially with a married man however, in Shakespeare's time, it meant a woman who rules others or has control. The reader can focus on some important aspects of this poem such as imagery, and tone to better understand the poem.
The Flea and To His Coy Mistress are two poems written by poets living during the Renaissance Period. To His Coy Mistress was written by Andrew Marvell and The Flea was written by John Donne. Both of these poets were well-educated 'metaphysical poets', and these poems illustrate metaphysical concerns, highly abstract and theoretical ideas, that the poets would have been interested in. Both poems are based around the same idea of trying to reason with a 'mistress' as to why they should give up their virginity to the poet.
In both stories there is an abundance of similarities and differences. However, in the end, the underlying theme is the same. What women want is power over their husbands