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Mental illness within the yellow wallpaper
Mental illness within the yellow wallpaper
Yellow wallpaper essay comparing mental illness in modern times
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About 1 in 5 Americans suffer from mental illness and if these problems aren't treated properly it can lead to more issues and bad situations. In the three short stories, The Yellow Wallpaper written by Charlotte Perkins Gilman, Strawberry Spring and Tell Tale Heart written by Stephen King, the narrators all show signs of mental illness and due to this all three narrators are unreliable.
The narrator of “The Yellow Wallpaper” is a mentally ill woman living in a prison cell of a room. The mental illness, poor living conditions and abundance of boredom all contribute to her unreliability. During the story the woman describes her emotions towards her husband and caretaker John, “I get unreasonably angry with John sometimes. I’m sure I never used to be so sensitive. I think it’s due to this nervous condition” (Gilman 2). The fact that she gets so easily angry shows she's unreliable because when most people get angry they say things they don’t mean and exaggerate. So she could have been upset when retelling her day and changed details or exaggerated. We also do not know the state of her condition; she could be having hallucinations or have psychosis. Later
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At the beginning of the story, he tells the reader his reasoning and justifications for committing his heinous acts. “I loved the old man. He had never wronged me” (Poe 1). While he claims to feel warmly toward his ward it turns out that he kills him in cold blooded murder. It is impossible to believe that he is truly capable of love. When talking about his disease the narrator states, “The disease had sharpened my senses--not destroyed-- no dulled them” (Poe 1). No matter the disease, it’s highly unlikely that is heightened the narrator's senses.The fact that they think it does shows their perception on reality is altered and the narrator is insane. The evil, murdering caretaker in “Tell Tale Heart” is clearly
While on vacation for the summer, the narrator of "The Yellow Wallpaper" is, at the most, depressed at the beginning of their visit to a colonial mansion. Her husband John, however, thinks there is nothing wrong with her except temporary nervous depression (pg 391) and has her confined to a bedroom upstairs. I believe John loves her very much and is trying to help her get well, but he won’t believe there is an illness unless he can read about it or see something physical with his own eyes. "He has no patience with faith, an intense horror of superstition, and he scoffs openly at any talk of things not to be felt and seen and put down in figures." (pg 391) During the time of this writing it was the norm that men dominated women. Women were to be seen but not heard. They were not to argue with men, so she was forced to do as he said. Her husband has forbidden her to "work" until she is well again. (pg 392) She is held prisoner in her bedroom and has nothing to do to keep her mind active except stare at the wallpaper, although she did sneak in writing in her journal when possible.
In the first lines of “The Tell-Tale Heart”, the reader can tell that narrator is crazy, however the narrator claims the he is not crazy and is very much sane, because how could a crazy person come up with such a good plan. “How, then, am I mad? Hearken! And observer how healthily – how calmly I can tell you the whole story,” (Poe 74). The reader can see from this quote that narrator is claiming that he is not insane because he can tell anyone what happened without having a mental breakdown or any other problems that people associate with crazy people. This is the begging of the unreliability of the narrator. Here the reader is merely questioning the amount of details. The narrator then goes on to explain how he didn’t hate the old man but he hated his eye.
Poe’s character is clearly unwell from the beginning. The idea of the protagonist conflicting with something as mundane as an “Evil eye” suggest that the narrator may be a bit unstable, however the extent of that instability is not fleshed out until later. In “The Tell-Tale Heart” the violence is carried out against the
Charlotte Perkins Gilman’s "The Yellow Wall-Paper," does more than just tell the story of a woman who suffers at the hands of 19th century quack medicine. Gilman created a protagonist with real emotions and a real psych that can be examined and analyzed in the context of modern psychology. In fact, to understand the psychology of the unnamed protagonist is to be well on the way to understanding the story itself. "The Yellow Wall-Paper," written in first-person narrative, charts the psychological state of the protagonist as she slowly deteriorates into schizophrenia (a disintegration of the personality).
The narrator in “The Tell-Tale Heart,” the narrator realizes that he absences a reason for killing the old man he lives with. He even starts to admit having to love the man. He states, “There was no reason for what I did. I did not hate the old man; I even loved him. He had never hurt me. I did not want his money. I think it was his eye” (Poe 64). Psychosis is seen in the difficult rationality the narrator uses to defend his murder. The logic the narrator provides is that he thinks the desire to murder the old man results from the man’s eye, which bothers him. He says, “When the old man looked at me with his vulture eye a cold feeling went up and down my back; even my blood became cold. And so, I finally decided I had to kill the old man and close that eye forever!” (Poe 65). The fact that by this man’s eye is what makes him very angry is such a irrelevant reason for the narrator to kill him. This proves that he is not mentally stable, anyone in their right state of mind would not want to commit such a crime due to an irritation of someone’s eye. This represents the idea that this narrator expresses his complete lack of sanity through the premeditation and planning he put into committing the murder. In the beginning of the story, he says “vulture eye” giving the impression that he is uncertain that the eye is the reason for the murder, he also says how he thinks it’s the eye, he uses past tense as opposed to declaring with certainty that this is why the killing of the man. This shows the contrast to how as a sane person would be sure that this is their reason for killing another person before committing.
In this particular story, Poe decided to write it in the first person narrative. This technique is used to get inside the main character's head and view his thoughts and are often exciting. The narrator in the Tell-Tale Heart is telling the story on how he killed the old man while pleading his sanity. To quote a phrase from the first paragraph, "The disease had sharpened my senses, not destroyed, not dulled them. Above all was the sense of hearing acute. I heard all things in the heaven and in the earth. I heard many things in hell. How then am I mad? Hearken! and observe how healthily, how calmly, I can tell you the whole story." This shows that we are in his thou...
In Edgar Allan Poe’s “The Tell-Tale Heart” the narrator attempts to assert his sanity while describing a murder he carefully planned and executed. Despite his claims that he is not mad, it is very obvious that his actions are a result of his mental disorder. Hollie Pritchard writes in her article, “it has been suggested that it is not the idea but the form of his madness that is of importance to the story” (144). There is evidence in the text to support that the narrator suffers from paranoid schizophrenia and was experiencing the active phase of said disease when the murder happened. The narrator’s actions in “The Tell-Tale Heart” are a result of him succumbing to his paranoid schizophrenia.
“The Yellow Wallpaper” is the story of a woman descending into psychosis in a creepy tale which depicts the harm of an old therapy called “rest cure.” This therapy was used to treat women who had “slight hysterical tendencies” and depression, and basically it consisted of the inhibition of the mental processes. The label “slight hysterical tendency” indicates that it is not seen as a very important issue, and it is taken rather lightly. It is also ironic because her illness is obviously not “slight” by any means, especially towards the end when the images painted of her are reminiscent of a psychotic, maniacal person, while she aggressively tears off wallpaper and confuses the real world with her alternative world she has fabricated that includes a woman trapped in the wallpaper. The narrator of this story grows obsessed with the wallpaper in her room because her husband minimizes her exposure to the outside world and maximizes her rest. Academic essayists such as Susan M. Gilbert, Susan Gubar, and Elaine Showalter have a feminist reading of the story, however, this is not the most important reading. The author experienced the turmoil of the rest cure personally, which means that the story is most likely a comment on the great mistreatment of depression, hysteria and mental disorders in general. Despite the claims of Gilbert, Gubar, and Showalter that “The Yellow Wallpaper” is solely feminist propaganda, their analysis is often unnecessarily deep and their claims are often unwarranted, resulting in an inaccurate description of a story that is most importantly about the general mistreatment of psychosis and the descent into insanity regardless of gender.
Described as an “autobiographical account fictionalized in the first person,” Charlotte Perkins Gilman’s “The Yellow Wallpaper” chronicles the narrator as she is brought to a country house and put on rest cure, instructed by her physician husband to live in a room with yellow wallpaper (“The Yellow Wallpaper”). Throughout her stay there, the narrator appears to develop a sort of hysteria and falls into a deeper depression than when she arrived.
Poe writes “The Tell Tale Heart” from the perspective of the murderer of the old man. When an author creates a situation where the central character tells his own account, the overall impact of the story is heightened. The narrator, in this story, adds to the overall effect of horror by continually stressing to the reader that he or she is not mad, and tries to convince us of that fact by how carefully this brutal crime was planned and executed. The point of view helps communicate that the theme is madness to the audience because from the beginning the narrator uses repetition, onomatopoeias, similes, hyperboles, metaphors and irony.
Although both protagonists in the stories go through a psychological disorder that turns their lives upside down, they find ways to feel content once again. In Charlotte Gilman's "The Yellow Wallpaper," a nervous wife, an overprotective husband, and a large, damp room covered in musty wallpaper all play important roles in driving the wife insane. Gilman's masterful use of not only the setting, both time and place, but also of first person point of view, allows the reader to process the woman's growing insanity. The narrator develops a very intimate relationship with the yellow wallpaper throughout the story, as it is her constant companion. Her initial reaction to it is a feeling of hatred; she dislikes the color and despises the pattern, but does not attribute anything peculiar to it. Two weeks into their stay she begins to project a sort of personality onto the paper, so she studies the pattern more closely, noticing for the first time “a strange, provoking, formless sort of figure that seems to skulk about behind that silly and conspicuous front design” (Gilman). At this point, her madness is vague, but becoming more defined, because although the figure that she sees behind the pattern has no solid shape, she dwells on it and
Charlotte Perkins Gilman experienced a relatively similar life story to the life of the narrator in “The Yellow Wallpaper”. She was prescribed the same “rest cure” as the narrator that subsequently led to a mental breakdown. The prescribed “rest cure” entails minimal human contact, repressed imagination, and female confinement. Comparatively, persistently being told that you are insane especially if you’re not, may drive someone to actually become psychotic.
At the end of “The Tell-Tale Heart”, Poe’s fascination with death is apparent when the narrator ruthlessly killed an old man with a disturbing eye, but felt so guilty that he confessed to the police. The narrator dismembered the old man’s body and hid them in the floor, confident that they were concealed. However, when the police came to investigate, the narrator heard a heart beating and began to crack under the pressure. Overcome with guilt, he confessed that he murdered him and pulled up the floorboards. The narrator exclaimed, “But anything was better than this agony! Anything was more tolerable than this derision!” (“Heart” 4). Although the narrator was calm and confident at first, the guilt he experienced drove him mad, causing...
Through the first person narrator, Edgar Allan Poe's "The Tell-Tale Heart" illustrates how man's imagination is capable of being so vivid that it profoundly affects people's lives. The manifestation of the narrator's imagination unconsciously plants seeds in his mind, and those seeds grow into an unmanageable situation for which there is no room for reason and which culminates in murder. The narrator takes care of an old man with whom the relationship is unclear, although the narrator's comment of "For his gold I had no desire" (Poe 34) lends itself to the fact that the old man may be a family member whose death would monetarily benefit the narrator. Moreover, the narrator also intimates a caring relationship when he says, "I loved the old man. He had never wronged me. He had never given me insult" (34). The narrator's obsession with the old man's eye culminates in his own undoing as he is engulfed with internal conflict and his own transformation from confidence to guilt.
On the surface, the physical setting of The Tell Tale Heart is typical of the period and exceedingly typical of Poe. The narrator and the old man live in an old, dark house: '(for the shutters were close fastened, through fear of robbers)'; (Poe 778). Most of the story takes place at night: 'And this I did for seven long nights-every night just at midnight?'; (778). The physical aspect is not the most important component of setting for this analysis. More important are the mental and emotional settings. This clearly explains the personality of the narrator. One can assume the narrator is insane. He freely admits to his listener that he is '?-nervous-very, very dreadfully nervous?'; (777). But he then asks, '?but why will you say that I am mad?'; (777). He also admits that, 'The disease had sharpened my senses?'; (777). If not insanity, what disease does he speak of? The reason for his actions was one of the old man's eyes: '?-a pale blue eye, with a film over it'; (777). This is easily recognizable to the reader as an eye with cataract on it. This is nothin...