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American women in the progressive era
American women in the progressive era
American women in the progressive era
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The U.S. saw the rise of the many groups during the Progressive Era which began in 1890 and continued through 1920. Specifically, there was social activism associated with the women during this time period. This turn of the century was characterized by what are now considered great works of feminist literature. Examples of such are “The Yellow Wallpaper” by Charlotte Gillman and “A Jury of her Peers” by Susan Glaspell. Both short stories were written during this Progressive Era, during which feminism peaked. These two short stories are similar because they both present women within a patriarchal society but they differ in their presentation of sisterhood, process used to resist the patriarchy, and the political functions that take effect within. To begin, “The Yellow Wallpaper” is about a married woman, Jane, who is treated by …show more content…
The women in these two stories both rise against these norms in separate ways, but both so with a sense of sisterhood involved. In “The Yellow Wallpaper,” the narrator shows resistance in ways such as writing even though her husband thinks it’s “silly.” However, the event which demonstrates her resistance the most is when she decides to lock herself in her room and tear all of the wallpaper from the walls which had contained her. “Then I peeled off all the paper I could reach standing on the floor. It sticks horribly and the pattern just enjoys it! All those strangled heads and bulbous eyes and waddling fungus growths just shriek with derision!” (Gillman 146). The wallpaper symbolizes what trapped her, the women within it symbolize herself. When she removes this wallpaper, she frees herself from what was oppressing her: the patriarchal marriage which had dominated her life, actions, and character. “I’ve got out at last,” (Gillman 147) she exclaims as she meets her
'The Yellow Wallpaper';, by Charlotte Perkins Gilman, and 'The Story of an Hour';, by Kate Chopin, are alike in that both of the women in the stories were controlled by their husbands which caused them to feel an intense desire for freedom. Both stories were also written from a feminist point of view. However, the women in the stories had different life changes and different responses to their own freedom as a result of that change.
In “The Yellow Wallpaper,” Gilman recounts, by means of Jane’s journal, the story of Jane and her husband John, following the birth of their baby. Like Gilman, Jane suffers from post-partum depression, and, her husband, who is a physician, locks her in the nursery on the top floor of their summer home. After the first few weeks of her summer in isolation, Jane hides her journal, which contains her true thoughts, so that John will be unaware of...
As the narrator’s mental state changes so does the way she perceives things around the house. The most prominent example of this is the imagery of the wallpaper and the way the narrator’s opinion on the wallpaper slowly changes throughout the story; this directly reflects what is happening within the narrator’s mind. At the beginning of the story the narrator describes the wallpaper as “Repellent...revolting... a smoldering unclean yellow” (Gilman 377). As the story continues the narrator starts to become obsessed with the wallpaper and her opinion of it has completely changed than that of hers from the beginning. Symbolism plays a big part in “The Yellow Wallpaper” too. This short story has a multitude of symbols hidden in it but there are specific ones that stand out the most. The recurrence of the wallpaper definitely makes it a symbol. An interesting interpretation is that the wallpaper represents women, in the sense that the 18th century woman was considered almost decorative and that is exactly what the purpose of wallpaper is. Another prominent symbol that runs parallel with the wallpaper, are the women the narrator would see in the wallpaper. The women appear trapped behind bars in the paper and one could argue that the women the narrator sees represents all women of her time, continuously trapped in their gender
She finally escapes her life of depression and divorces her husband. The imagery the narrator gives this story lets you see how this woman uses the yellow wallpaper to show that not only was the narrator going through the imprisonment of her marriage and the psychological struggles in the late 1800’s but other women also was faced the same issues. “I 've got out at last ... in spite of you.... And I 've pulled off most of the paper so you can 't put me back!” (“The Yellow Wallpaper,” p. 53). The narrator uses metaphor in comparison of the wallpaper to the bars that held her captive in the room. One would say that the resolution of “The Yellow Wall paper” established a victory for women in the early twentieth century. After reading The Yellow Wallpaper Mitchell changed his treatment on women with and Gilman advocated for women
The story "The Yellow Wallpaper," by Charlotte Perkins Gilman is a story about control. In the time frame in which the story was written, the 1800’s, women were looked upon as having no effect on society other than bearing children, maintaining a clean house, and food on the table etc. etc. There was really no means for self expression as a woman, when men not only dominated society but the world. The story was written at a time when men held the jobs, knowledge, and society above their shoulders. The narrator on, "The Yellow Wallpaper" in being oppressed by her husband, John, even though many readers believe this story is about a woman who loses her mind, it is actually about a woman’s struggle to regain, something which she never had before, control of her life.
In seeing the story through the wife's eyes, we can see that her mental illness in "The Yellow Wallpaper" is inevitable. Between society's view of women at that time, the husband's attitude towards her, and his ineffective remedies, the wife's mental instability can only grow worse. The wallpaper lets the reader follow the woman's regression into insanity as the story progresses. Only with the first person point of view (the wife's) can the reader follow this regression of the mind. All in all, this is a sad story of a woman's struggle for sanity in an indifferent society.
The Yellow Wallpaper by Charlotte Perkins Gilman can be perceived in a few different ways. Greg Johnson wrote an article describing his own perception of what he believed the short story meant. In doing so, it can be noticed that his writing aligns well with what can be perceived from Charlotte Perkins Gilman’s story. The narrator Jane, experiences many things throughout Gilman’s story, which Johnson describes thoroughly. It is because of these descriptive points that allow Johnsons article to be a convincing argument. The main ideas that Johnson depicts that are supported and I agree with from the story include Janes developing imaginative insight, her husband and sister-in-law’s belief on domestic control, and her gained power through unconsciousness.
The Yellow Wallpaper is a very unique and odd story. In the first read through of the story, the reader is aware that the narrator is sick and losing her mind. Over the course of the story it becomes apparent that the treatment used to heal the narrator isn’t effective. As she begins to completely lose her mind the reader gets a glimpse into her mind. She believes that she is trapped inside of the wallpaper, and by ripping it off the wall she can escape. There are several topics that seem to occur in this story. These topics include Feminism, the role of women in the 1880’s period, and knowledge and understanding of mentally ill. Although these are some of the main points in the story, The Yellow Wallpaper has several topics that are direct
In a female oppressive story about a woman driven from postpartum depression to insanity, Charlotte Gilman uses great elements of literature in her short story, The Yellow Wallpaper. Her use of feminism and realism demonstrates how woman's thoughts and opinions were considered in the early 1900?s.
The yellow wallpaper is a symbol of oppression in a woman who felt her duties were limited as a wife and mother. The wallpaper shows a sign of female imprisonment. Since the wallpaper is always near her, the narrator begins to analyze the reasoning behind it. Over time, she begins to realize someone is behind the wallpaper that is trapped and is struggling to come through it(Gilman). After the fact, she believes she is also trapped along with the figure behind the wallpaper. The narrator claims her husband John, whom sees his wife as a “little girl”, has trapped her inside the wallpaper also(Gilman). When the narrator tears the wallpaper down, she concludes the wallpaper was the oppression of masculine sunlight and has given her a new identity. As the woman inside of the wallpaper crawled around, the narrator must crawl around her room because the result of “feminist uprising(Feldstein).”
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
“The Yellow Wallpaper” written by Charlotte Perkins-Gilman explores the oppression of women in the nineteenth century and the constant limitation of their freedom, which many times led to their confinement. The short story illustrates male superiority and the restriction of a woman’s choice regarding her own life. The author’s diction created a horrific and creepy tone to illustrate the supernatural elements that serve as metaphors to disguise the true meaning of the story. Through the use of imagery, the reader can see that the narrator is living within a social class, so even though the author is trying to create a universal voice for all women that have been similar situations, it is not possible. This is not possible because there are many
In conclusion, the yellow wallpaper is a brilliant work literature of which depicts a woman as a permissive and controlled by her dominant husband. While women now enjoyed freedom and peace in a liberal nation like America, we must not forget in the impoverish states like Afghanistan or Pakistan, women are still being enclosed behind the bars of the "Yellow Wallpaper." They, just like in the past, have no right in their society and have no idea that women can actually enjoy the kind of freedom like their male counterparts. "The Yellow Wallpaper" does not only serve as a witness of what has happened in the past, it has also served the purpose of a reminder of what we must be doing in the future to bring freedom and rights to women all over the world.
The title itself, The Yellow Wallpaper, is symbolizing the role men play in a patriarchal society, where men are the more dominant sex, and how women are 'trapped'; in a life of male control. For instance, At night in any kind of light, in twilight, candlelight, lamplight, and worst of all moonlight, it becomes bars!';(Gilman 211) This shows how the narrator feels trapped by the paper. Another symbol that refers to the role women play is, 'And she is all the time trying to climb through that pattern, it strangles so; I think that is why it has so many heads.';(Gilman 213) This is meaning that if a women tried to play a role in society she was just not taken seriously, or felt like trying to play a role was getting nowhere.
"The Yellow Wallpaper" motivated the female mind of creativity and mental strength through a patriarchal order of created gender roles and male power during the nineteenth century and into the twentieth century. While John represented characteristics of a typical male of his time, the yellow wallpaper represented a controlling patriarchal society; a sin of inequality that a righteous traitor needed to challenge and win. As the wallpaper deteriorates, so does the suppressing effect that male hierarchy imposed on women. Male belief in their own hierarchy was not deteriorating. Females began to think out of line, be aware of their suppression, and fight patriarchal rule. The progression of the yellow wallpaper and the narrator, through out the story, leads to a small win over John. This clearly represents and motivates the first steps of a feminist movement into the twentieth century.