Comparing The Oresteia And John Locke's Second Treatise Of Government

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Aeschylus’s trilogy The Oresteia features turmoil in the house of Atreus following the Trojan war. After a cycle of violence presents itself, Aeschylus’s intended audience learns of the dichotomy between the “old gods” and the “new gods”. Where the original set of the divine believe in individual justice and seeking reparations for those who do wrong no matter what, the newer gods prefer justice by means that emulate the legislative process. Furthermore, in John Locke’s Second Treatise of Government, the “state of nature” of the human race is outlined; in a state where no civil system exists, beings under the state of nature live in perfect equality with only the fundamental urge to preserve their own species. This state of nature exists until
Distracted and mentally prodded by the Furies—ultimately seeking reparations for the murder of Clytaemnestra— Orestes makes the pilgrimage to the Acropolis in Athens to seek judgement from Athena (Eumenides, 241). The first piece of evidence in support of the parallel between The Oresteia and John Locke’s Second Treatise of Government arises when the audience learns that the Furies (the old, original divine) have motives to torment and ultimately kill Orestes as a means of forcible atonement: “-No, you’ll give me blood for blood, you must,” “-wither you alive, drag you down and there you pay, agony for mother-killing agony!” (243, lines 262-263, 265-267). This particular motive of revenge is validated in Locke’s original outline of the state of nature: “the execution of the law of nature is, in that state, put into every man’s hands, whereby every one has a right to punish the transgressors of that law to such a degree,” (9, II.7). Though Clytaemnestra is not able to justly kill her aggressor, the Furies believe (just as in the state of nature) that they are even-handed in the duty of seeking reparations from Orestes; in the eyes of the Furies, Orestes has challenged Clytaemnestra’s natural rights and sequentially the natural rights of mankind around him. This initial co-extension between the
Athena’s choice to bring in a set of impartial jurors due to her own bias—“No mother gave me birth. I honor the male, in all things but marriage.” (264, line 750)—is reflective of the judicial facet of civil government; moreover, John Locke states that an established judicial body is “bound to dispense justice, and decide the rights of the subject” by “known authorized judges” (Locke 71, XI.136). Athena’s introduction of a jury is the first demonstration of a civil government system. This progression can be seen as the transition of power from the old gods—who favor the rules of the state of nature—to the new gods, who prefer an organized structure of executed authority. Though Athena’s passage of a jury is a development towards modern democracy, the contrast between the gods manifests further when Athena states that, “I cannot set more store by the woman’s death—she killed her husband, guardian of their house. Even if the vote is equal, Orestes wins” (264, line 754). Upon this statement of hers, the Furies question whether her decision will be just or not; ultimately, the Furies threat to release anarchy on all should she choose the wrong resolution. “I, robbed of my birthright, suffering, great with wrath, I loose my poison over the soil, aieee! - poison to match my grief comes pouring out of my heart, cursing the land to burn it sterile”: in just these few

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