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Women in literature
Women's voices in literature
Women in literature
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Analysis of “The Chrysanthemums” and “The Yellow Wallpaper” Steinbeck’s The Chrysanthemums and Gilman’s The Yellow Wallpaper each portrays a married woman who feels trapped and utterly isolated by the gender oppression of her time. Although the characters and events in both stories are vividly depicted through ordinary verbal descriptions, the most distinctive and effective element in both stories is the use of symbolism in delineating character, conflict, and the underlying theme. Written in third person, objective point of view, Steinbeck narrates The Chrysanthemums as an outsider describing the events and circumstances of the story in a non-intrusive, objective manner. The central symbol of story is the flowers themselves, which symbolizes the character of the protagonist, Elisa. Like the strong ten-inch Chrysanthemums she grows, Elisa is herself full of strength and energy: “Her face was lean and strong and her eyes were as clear as water. (Guth 222)” As she takes pride in growing her Chrysanthemums “bigger than anybody around here” (225), Elisa is herself “over-eager, …show more content…
However, whereas the chrysanthemum is used to symbolize Elisa’s character, the yellow wallpaper is used to depict the mental state of the unnamed narrator as she deteriorates from a state of depression to ever worsening episodes of schizophrenia. In her initial description of the yellow wallpaper, the woman writes: “It has stripped off...in great patches all around the head of my bed, about as far as I can reach…one of those sprawling flamboyant patterns committing every artistic sin.” (235) Here begins her sickly obsession with the wallpaper: “It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study…the color is repellent, almost revolting; a smouldering unclean yellow…I should hate it myself if I had to live in this room
The wallpaper in her bedroom is a hideous yellow. "It is a dull yet lurid orange in some places, a sickly sulphur tint in others" (pg 393) The wallpaper is symbolic of the sickness the author has by the end of the story. Yellow is often a color associated with illness. It’s been suggested that she herself was clawing at the paper during moments of insanity. But there are many times when she is sane, and sees the marks on the wallpaper, and she writes about how others who had spent time in this room tried to remove the paper as well.
Within Steinbeck's story, "Chrysanthemums," the main character, Elisa Allen, is confronted with many instances of conflict. Steinbeck uses chrysanthemums to symbolize this conflict and Elisa's self-worth. By examining these points of conflict and the symbolism presented by the chrysanthemums, the meaning of the story can be better determined.
“There are things in that paper which nobody knows but me, or ever will. Behind that outside pattern the dim shapes get clearer every day. It is always the same shape, only very numerous. And it is like a woman stooping down and creeping about behind that pattern. I don’t like it a bit. I wonder—I begin to think—I wish John would take me away from here!” The late 19th century hosted a hardship for women in our society. “The Yellow Wallpaper” by Charlotte Perkins Gilman expressed a form of patriarchy within the story. Gilman never addressed the woman in the “The Yellow Wallpaper” by a name, demonstrating her deficiency of individual identity. The author crafted for the narrator to hold an insignificant role in civilization and to live by the direction of man. Representing a hierarchy between men and women in the 19th century, the wallpaper submerged the concentration of the woman and began compelling her into a more profound insanity.
John Steinbeck's "The Chrysanthemums" shows the true feelings of the main character, Elisa Allen, through the use of setting and her interactions with other characters in the story. By way of vivid descriptions, Elisa's feelings of dissatisfaction over the lack of excitement in her life are portrayed. Her role as a mere housewife and then the subsequent change to feelings of a self-assured woman are clearly seen. These inner feelings are most apparent with the portrayal of Elisa working in the garden with the chrysanthemums, the conversation she has with the man passing through, and finally, when she and her husband are going out to dinner.
At the time Charlotte Perkins Gilman wrote “The Yellow Wallpaper” she was considered a prominent feminist writer. This piece of background information allows the readers to see Gilman’s views on women’s rights and roles in the 18th century; “The Yellow Wallpaper” suggests that women in the 18th century were suppressed into society’s marital gender roles. Gilman uses the setting and figurative language, such as symbolism, imagery, and metaphors to convey the theme across.
During this time period women did not encompass the same rights as their male counterparts, nor where they encouraged to participate in the same activities as they. Gillman describes the yellow wallpaper to the readers as a rationalization of what it means to be a woman during this time period. Women were expected to be child-like and fragile as noted, within the text, “What is it child(Gilman, 1998)?” The color yellow is often associated with sickness; in Gilman’s case her sudden illness refers to oppression. She notes as the story, progresses the wallpaper makes her feel sick. Gilman notes, “I never saw a worse paper in my life,” as a symbol in which refers to the restrictions and norms society places on women. Within her literature she addresses restrictions placed on women. Gilman states, “The color is hideous enough, and unreliable enough, and infuriating enough, but the pattern is torturing.” Meaning, she believed men denying women the right to equality was absurd, and when they did grant women’s freedom it was not equivalent rather a “slap in the face [it knocks] you down and tramples you (Gilman, 1998).” Through her essay she consistently refers to a figure behind the wallpaper. “The faint figure behind seemed to shake the pattern, just as if she wanted to get out (Gilman, 1998).” Meaning, women during this time period seek to feel free from oppression. The women behind the wallpaper represents the need to speak out, “you have to creep on the ground, and everything is green instead of yellow (Gilman,1998).” Creeping placed significance on the experience of being a woman in regards to, how they should think, feel, act, dress, and express themselves. Gilman notes, “And I 've pulled off most of the paper, so you can 't put me back! " The author used this quote to signify, the woman realized she was
In the short story “The Chrysanthemums” John Steinbeck uses symbolism to reflect the characteristics of his main character Elisa Allen. Elisa, a married woman uncovers her deeply smothered femininity in an inconspicuous sense. Her life in the valley had become limited to housewife duties and the only sustenance that seemed to exist could merely be found in her chrysanthemum garden. Not until she becomes encountered with a remote tinker-man out and about seeking for work, does she begin to reach many of the internal emotions that had long inhibited her femininity. The tinker subtlety engages an interest in Elisa’s chrysanthemum garden that encourages Elisa to react radically. When Elisa realizes that there are other ways to live she attempts to lift the lid off of the Salinas Valley, but unfortunately the tinker’s insincere actions resort Elisa back to her old self and leaves Elisa without any optimism for her hollow breakthrough. Steinbeck’s somber details of the setting, strong description of the chrysanthemums and meaningful illustration of the red flower-pot reveal the distant, natural, ambitions Elisa Allen desired to attain.
The first theme present in the horrific and heart wrenching story is the subordinate position of women within marriage. “The Yellow Wallpaper” begins with the narrator’s wish that her house were haunted like those in which “frightened heroines suffer Gothic horrors” (DeLamotte 5). However, this wish is in essence to empower herself. The narrator is already afraid of her husband and is suffering mentally and emotionally. She desperately wishes for an escape “through fantasy, into a symbolic version of her own plight: a version in which she would have a measure of distance and control” (DeLamotte 6). Throughout the text, Gilman reveals to the reader that during the time in which the story was written, men acquired the working role while women were accustomed to working within the boundaries of their “woman sphere”. This gender division meritoriously kept women in a childlike state of obliviousness and prevented them from reaching any scholastic or professional goals. John, the narrator’s husband, establishes a treatment for his wife through the assumption of his own superior wisdom and maturity. This narrow minded thinking leads him to patronize and control his wife, all in the name of “helping her”. The narrator soon begins to feel suffocated as she is “physically and emotionally trapped by her husband” (Korb). The narrator has zero control in the smallest details of her life and is consequently forced to retreat into her fantasies...
The woman in "The Yellow Wallpaper" is slowly deteriorating in mental state. When she first moves into the room in the old house, the wallpaper intrigues her. Its pattern entrances her and makes her wonder about its makeup. But slowly her obsession with the wallpaper grows, taking over all of her time. She starts to see the pattern moving, and imagines it to be a woman trapped behind the wallpaper. The total deterioration of her sanity is reached when she becomes the woman she imagined in the wallpaper and begins creeping around the room.
Many readers who analyze Steinbeck's short story, "The Chrysanthemums", feel Elisa's flowers represent her repressed sexuality, and her anger and resentment towards men. Some even push the symbolism of the flowers, and Elisa's masculine actions, to suggest she is unable to establish a true relationship between herself and another. Her masculine traits and her chrysanthemums are enough to fulfill her entirely. This essay will discuss an opposing viewpoint. Instead, it will argue that Elisa's chrysanthemums, and her masculine qualities are natural manifestations of a male dominated world. Pertinent examples from "The Chrysanthemums" will be given in an attempt to illustrate that Elisa's character qualities, and gardening skills, are the survival traits she's adopted in order to survive, and keep her femininity and vulnerability in a man's world.
Elisa Allen and the narrator of “The Yellow Wallpaper” are both trapped in various ways and the sexuality leads to this entrapment. Elisa feels confined and limited; “the high grey-flannel fog of winter closed off the Salinas Valley from the sky and from all the rest of the world” (226). Trapped inside the house and feels isolated from the world outside. The chrysanthemums symbolize her scope of life where she devotes most of her time with this activity. The chrysanthemums, strong and thriving, portray Elisa’s current physical condition. She treats the chrysanthemums like her children; “she held the flower po...
In this short the Chrysanthemums, written by John stein beck. The author tells a character who is in need of love. Stein back reflects the charazteratiom of Elisa in the story because he shows us how Elisa character changes threw out the story. The traits of Elisa’s show us that Elisa is strong and want affection and resorts to the chrysanthemums as a way to show herself.
In the 19th century society was from different from what it is today. Women were not in the workforce, could not vote, or even have a say in anything. Women were not permitted to give evidence in court, nor, did they have the right to speak in public before an audience. When a woman married, her husband legally owned all she had (including her earnings, her clothes and jewelry, and her children). If he died, she was entitled to only a third of her husband’s estate. Charlotte Perkins Gilman wanted to change this. She wanted people to understand the plight of women in the 19th century. In her short story The Yellow Wallpaper she tries to convey this to the reader not just on a literal level, but through various symbols in the story. In The Yellow Wallpaper the author uses symbols to show restrictions on women, lack of public interaction, the struggle for equality, and the possibilities of the female sex during the 1800s.
Charlotte Perkins Gilman uses her short story “The Yellow Wallpaper” to express her opinions about feminism and originality. Gilman does so by taking the reader through the terrors of one woman's psychological disorder, her entire mental state characterized by her encounters with the wallpaper in her room. She incorporates imagery and symbolism to show how confined the narrator is because of her gender and mental illness.
Feminism in John Steinbeck’s The Chrysanthemums. At first glance, John Steinbeck’s "The Chrysanthemums" seems to be a story about a woman whose niche is in the garden. Upon deeper inspection, the story has strong notes of feminism in the central character, Elisa Allen. Elisa’s actions and feelings reflect her struggle as a woman trying and failing to emasculate herself in a male-dominated society.