More handpicked essays just for you.
Similarities of greek and roman artworks
Greek and roman sculpture comparison essay
Renaissance and medieval paintings
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Similarities of greek and roman artworks
If you were to look at the Calf-Bearer and the Good Shepherd, you would immediately be able to point out some similarities. They have the same form and both figures are carrying a lamb on their shoulders. These qualities alone make the connection between these two statues ,and the influence of ancient Greek art on early Christian art, unarguable. However, by truly scrutinizing each facet of these two sculptures, one can see in detail the exact characteristics that have been carried over from the classical Greek art to the more modern Christian art. The Calf-Bearer, according to Gloria K. Fiero, was an ancient Greek statue that was created around 575-550 B.C.E. It depicts a young man that “ carries on his shoulders a handsome, young sacrifices
Another example of Christian iconography is The Transfiguration. It is located in the Church of Saint Catherine’s monaster...
The Statue of a kouros and the Portrait statue of a boy both depict similar subjects, however are greatly different in how they accomplish this task. Through detail, or lack there of, the Greeks and Romans are able to display a certain value they have in its members. These two statues were made about 500 years apart and approach the sculpting process quit differently. The Greek statue seems to use geometric exaggerated lines to form the body while the Romans use a more realistic approach and sculpt the body with a more rounded finish. Statue of a kouros, from about 590 B.C and Portrait of a boy, from about the first century, do not share any great technical aspects and are basically nothing alike.
In my examination of the works, I came across a particular sculpture that portrayed both beauty and craftsmanship. A 15th century sculpture (1490), made in Venice, Italy by Tullio Lombardo, shows a life-size figure of Adam. Titled Adam, the work is the most prominent in the gallery mostly because of its 6-foot standing. It immediately caught my attention and gave me a very realistic impression. One beige color and made of marble, Adam is depicted simply, yet the statue has intense emotions. His meaningful glance is seen in the upward and tilted head position. Adam has almost lifeless looking eyes and seems to be staring into the distance. With these sagging eyes, parted lips, and lacking posture I feel Adam’s guilt is displayed in this figure.
Where one is a bronze statue with a singular figure, the other is a painting with a central figure, from which the story is built. However, their contrasts go beyond what they are made of, to their different subjects and their complexity. Donatello’s David shows youthful beauty and strength, which he confidently exudes through his body language. Standing with one foot atop Goliath’s severed head while turning his body to balance his weight to the other leg, this statue is a clear example of Contrapposto, which the Greeks invented and introduced into their sculptures. Donatello’s statue of David stands triumphant and proudly atop his trophy, while telling the audience I am the conqueror of Giants. His expression is stern to match his
A common topic of artwork throughout history has been the crucifixion of Christ. Since it is such a common topic, it makes it very easy to see how artwork changed and developed from the Middle Ages to the Renaissance. The painting on the left, The Crucifixion by Pietro Lorenzetti, shows the usual characteristics of a painting from the Middle Ages. The facial expressions are not varied or very in depth, Jesus and the other saints have the typical halo that is used very often, and the colors are mostly all bright, making nothing in particular stand out. The second painting, on the right, is by Caravaggio and is titled The Flagellation of Christ. There is an obvious shift from one painting to the next. Caravaggio’s piece is much more realistic.
2. Tomasso Portinari wanted this piece to be displayed in his family's chapel in Florence and was intended to be a representation of the writing of the birth of Jesus by St. Bridget (Stokstad, 2011). Portinari and his family are represented in the piece. Located on the side panels of the piece Portinari, his wife, and children can be seen kneeling beneath the depiction of Patron Saints. They are represented much smaller than the Saints, Mary and Joseph, and the shepherds. The family is instead similar to the size of the Angels. The artist, Hugo van der Goes, I feel is also represented in this painting through his style. Besides the subtle symbolic parts of the painting, like the flowers or jar decorated with grapes used to represent the blood of Christ, royalty, and purity, van der Goes painted the shepherds in an uncommon way for the period. This style may have been
One of the themes of Byzantine art was to portray abstraction, representation and spirituality in mosaics and icons. For example the “Emperor Justinian and His Attendants” from San Vitale, Ravenna, Italy ca. 547 CE. In Medieval art books were created to make “material the word of God” and support the spread of Christianity. An example of this being the Chi Rho Iota page, from the book of Kells ca. 800. Probably from Iona, Scotland, Tempera on Vellum. These two artworks both serve as a symbolic function, both portraying in a way the name of Christ.
As I look at the painting of The Adoration of The Shepherds, two artists, Andrea Mantegna and El Greco, showed it different ways with same subjects. First, the title of the paintings is about Jesus's birth. Andrea mantegna artist had lived from ca 1430 to 1506. He established his reputation when he was 20 years old. This painting is the evident of his highly individual style. He worked it during ca 1451 to 1453. He painted it in horizontal format with 153/4x217/8(40x55.6). He used tempera on a canvas that transferred from a wood. In difference, El Greco(Spain 141-1641) worked it with oil color on canvas by vertical format. The size is 125 5/8x707/8(319x180cm). In Greco's painting, the objects are full on the canvas that big two angels and others are placed on top of the middle place, and the people are placed in triangle position based on the landscape. The landscape is very detail. The people I find it that Holy Maria is standing in the middle and the mountain is placed behind of Maria among the landscape things.
The art from the Middle Ages reflected a great deal on the relationship between God and humans. Many of the art that was done, was of Jesus' life as a child to death and of religious beliefs. "The art from the middle Ages not only pointed the way to salvation; they worked to link temporal and transcendental realms." (115) The art that was done could be found everywhere from a person house all the way up to a side of a cathedral. A lot of the art would also have to do with what was in ...
With construction of grand cathedrals, churches and monasteries comes the opportunity for grand art. In keeping with earlier traditions of the Roman Church, paintings, sculptures, frescoes, and reliquaries figured heavily as ornamentation. These “material expressions” of faith were important to Justinian and many other powerful leaders in the Church. An
One of the most striking features of a Byzantine style church is the extensive use of iconography, with images often covering most if not all of the walls inside the sanctuary. Upon entering this sacred space, we see the scriptures come to life through the imagery, colors, and events that are depicted. The icons speak to us in a theologically correct way and convey deep meaning about spiritual realities that are often beyond our comprehension. And while the cumulative effect of so many images is quite powerful, each individual icon offers us the same experience. A good example can be seen in the icon of the Annunciation.
The story in The Giver by Lois Lowry takes place in a community that is not normal. People cannot see color, it is an offense for somebody to touch others, and the community assigns people jobs and children. This unnamed community shown through Jonas’ eye, the main character in this novel, is a perfect society. There is no war, crime, and hunger. Most readers might take it for granted that the community in The Giver differs from the real society. However, there are several affinities between the society in present day and that in this fiction: estrangement of elderly people, suffering of surrogate mothers, and wanting of euthanasia.
Michelangelo’s sculpture, pieta demonstrates both Hellenic and Hellenistic qualities. For Hellenic qualities Pieta shows the theme of humanism, by focusing on bring the marble to life by having muscle, bone, and veins within Jesus’s body as he is being held by mother Mary. Through this detail has the entire focus of this sculpture as a creation of humanity. As for Hellenistic qualities Pieta shows examples of individualism and emotionalism. The theme of individualism defines the interest and in the individual and individual characteristics of a human being, which I believe is capture by the in-depth detail within the soft facial expression and the smooth contour of the body of Christ showing muscles and bone structure, bring a real sense of
These Byzantine icons are more than paintings, they are a creation made with a deeper meaning. The icon is not a box. The icon does not represent what the artist has before his eyes, but a model to which he must adhere.
Before the bible became the bestselling book in the world, there was a time when most people reply on art for getting knowledge about the bible. Since in the early ages people are mostly illiterate, art is used to illustrate biblical stories in order to further spread religion. However, some pieces of artwork are served as instruments for artists to express their own faith and devotion. Being the most affluent group, church sometimes pay artists to produce art works for the church’s use. Many common forms of religion influenced art consist of sculpture, oil painting, fresco painting as well as poetry. It is almost impossible to study the Western culture without taking religious influences into account.