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Paradise lost Satan‘s character
Analysis of the satan in paradise lost
Analysis of the satan in paradise lost
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Recommended: Paradise lost Satan‘s character
As seen in the writings and works of others, authors display the attributes of their characters. Protagonists in these stories display admirable characteristics of bravery, purity, and strength while others exhibit qualities such as pride, ruthlessness, and impatience. Antagonists also play important roles as the ones who oppose the protagonists, and they normally include characters with deplorable elements. Paradise Lost and Beowulf not only portray similarities, they also contain differences. As epic poems, they include lengthy narratives concerning serious subjects and heroic deeds and significant events, but these poems have very different stories. Stories have their protagonists, and they also have their antagonists who show similarities …show more content…
Beowulf contains an Anglo-Saxon epic about a powerful warrior and leader facing many trials where the readers can find strength from his courage. Paradise Lost includes a Christian epic poem where the readers can understand the fall of Adam and Eve in a different light and become familiar with Satan’s side of the argument. Beowulf, the protagonist in the Anglo-Saxon poem, displays a very admirable hero and leader. Unlike Beowulf, the attention leads directly toward the antagonist, Satan in Paradise Lost. In this poem, Satan almost seems pitiful, the opposite of the courageous Beowulf. Instead of finding inspiration and bravery, readers learn from the mistakes Satan makes. Although these poems contain many similarities, their storyline and purposes have many …show more content…
Both of them include great evils, Satan in Paradise Lost and Grendel in Beowulf. They each start disturbing the peace in their own way. Grendel, a bloodthirsty and hideous monster, enjoys tearing unfortunate people to pieces while Satan takes pleasure in seeing the fall of man through his manipulative and sly strategies. During both poems, these corrupted characters lose to their enemies. Satan ends up in lake of fire that provides darkness instead of light, but he refuses to repent to God of his rebellion. Grendel also fails against his battle with his enemy, Beowulf. In this battle, Beowulf’s strength overpowers Grendel’s, and he loses an arm from this fight for, “in all his days he had never been clamped or cornered like this” (755-756). He flees, mortally wounded, as he leaves a trail of blood. In these epic poems, the antagonists suffer many losses from their terrible actions and relate to each other because of their evil
When deciphering between what it considered to be heroic or monstrous, it is important to keep in mind the angle in which a story is being told. While reading Beowulf, the protagonist of the epic poem could be considered either heroic or monstrous through the eyes of different characters. Beowulf can be classified as a hero according to The Hero’s Journey through the eyes of Hrothgar and Hygelac. On the other hand, Beowulf could be viewed as being monstrous according to Monster Theory through the eyes of Unferth and Grendel’s Mother.
He lives in solitude in a cave at the bottom of the lake and is angered by the parties in the mead hall. To further emphasize the archetype, he is said to go on raids only during the nighttime. This shows more of his loneliness because he can not show his face in broad daylight. When his arm is ripped off, Grendel runs away. This shows his cowardice since he runs instead of finishing the fight on the spot. For the Anglo-Saxons, death in battle was the most glorious type of death, Thus Grendel running away would have been mocked by the crowd and re enforced the quality of courage. When the battle itself begins, Beowulf decides to fight Grendel bare handed. His comrades however stay to help him fight. This reveals the theme of loyalty. This theme is prominent during the main battle because Beowulf is shown to be, “Surrounded closely by his powerful thanes” (98). This ties into the theme of loyalty to one’s kin because although the weapons do no damage, Beowulf’s brethren stay by his side to help. This is also used to emphasize the Anglo-Saxon warrior culture, the battles serve as a way to show the listener the deep cultural significance of the kinship of the warriors. They are treated as one group,
Macbeth is a story about a tragic hero; the fallen one or the man who brought misery upon himself. The monster can be identified as guilt. This guilt built stronger and stronger and led him to be his worst enemy. Beowulf is an epic about a hero (men) who takes on great challenges and adventures. His worst enemies are all the monsters that took place over the course of the story.
This essay is the comparison between Beowulf and a modern day hero. I consider any American soldier to be my modern day hero. In this essay I will explain in three paragraphs of how my modern day hero is like Beowulf. With in these three paragraphs I will go over how they are both fighting for a good cause, how they are both rewarded for what they do, and how they are both treated with much respect.
Most of us have heard of modern day heroes such as Spiderman, Superman, and the Hulk. Each is a hero to many children. Heroes are introduced to people early on in life usually as fictional characters, but as children grow older their perceptions of heroes alter. The characteristics of a hero are usually based around the ideas of a society or culture. In the epic Beowulf, the main character is thought of as a hero. Beowulf, a pagan warrior and the main character of the epic, shows certain characteristics such as bravery, loyalty, and generosity, which portray him as a hero. It is interesting how modern day heroes show the much of the same qualities as Beowulf.
Throughout the story, Beowulf fights three battles against frightening monsters. Beowulf, the prince of the Geats, was a well known warrior with extreme strength who makes a promise to protect his people under any circumstance. In the poem, his strength is tested, but he uses it to save many people in battles against: Grendel, Grendel 's mother, and a dragon. Before, during, and after each of these battles Beowulf shows many similarities and differences in his actions.
In this reimagining of the roles of good and evil, we see that there is a similar struggle in both stories. Beowulf mirrors it so closely, in fact, that careful consideration of the information plainly available can cause the lines of good and evil to blur perceptually. It is clear that the author of Beowulf had a deep understanding of the concepts of the Biblical creation story and took great care to recreate the struggle of good and evil in his epic.
Paradise Lost and Beowulf are both intricate pieces of literature. The constant disagreement and combat of the protagonist and antagonist is the main focus in both of these works. Many people interpret the deep meaning of the poem very differently, however there is no mistaking the recurring theme of good versus evil.
Milton’s Satan in Paradise Lost is a complex character meant to be the evil figure in the epic poem. Whenever possible Satan attempts to undermine God and the Son of God who is the true hero of the story. Throughout the story Milton tells the readers that Satan is an evil character, he is meant not to have any redeeming qualities, and to be shown completely as an unsympathetic figure. Satan’s greatest sins are pride and vanity in thinking he can overthrow God, and in the early part of the poem he is portrayed as selfish while in Heaven where all of God’s angels are loved and happy. Satan’s journey starts out as a fallen angel with great stature, has the ability to reason and argue, but by Book X the anguish and pain he goes through is more reason for him to follow an evil path instead. Even so, Milton uses literal and figurative imagery in the description of Satan’s character to manipulate the reader’s response to the possibility that Satan may actually be a heroic figure. As the plot of the story unfolds there are moments where the reader can identify with Satan’s desires and relate to his disappointments.
Anger then yields itself to insecurity and low self-esteem. The moment Grendel realizes that there is someone just as strong as him, he tries to run away, ". . . Grendel's one thought was to run / From Beowulf, flee back to his marsh and hide there:" (437-438), but it is too late. Just like when the average bully meets his match, he runs in fear of not being able to win. Grendel does not have the audacity to stand up to Beowulf with all his might and therefore falls to Beowulf.
For a time, the main characters in a story, poem, or narrative were easily classified as either being a hero or a villain. A hero would be easy to identify by the traits he'd possess, such as bravery, honesty, selflessness, trustworthiness, courage, leadership, and more. The villain would be easy to identify as well, possessing traits such as maliciousness, deceitfulness, immorality, dark, wishing harm upon others, and more. But what if the character lacked the natural heroic qualities but wasn't a villain either? What if the person displayed personality flaws that would traditionally be associated with a villain, but has heroic intentions? These questions were finally answered with the emergence of the anti-hero in literature.
The great debate whether Satan is the hero of Milton’s Epic Poem, Paradise Lost, has been speculated for hundreds of years. Milton, a writer devoted to theology and the appraisal of God, may not have intended for his portrayal of Satan to be marked as heroic. Yet, this argument is valid and shares just how remarkable the study of literature can be. Milton wrote his tale of the fall of man in the 1674. His masterpiece is an example of how ideas of a society change with time. This is because it wasn’t until the 1800’s during the Romantic era, that people no longer saw the hero of literary works as perfect in every way. It started to become more popular to develop the flawed character similar to the ones written in the classics. A literary criterion that is based on a protagonist, who undergoes conflict on the outside and from within and is prevented by a specific flaw to accomplish their main goal, creates an epic Hero. In Paradise Lost, God does not face conflict because he is perfect and all-knowing, and Adam’s conflict is not presented from the very start, Satan’s is. Because Satan is the main character of the work and possesses qualities that would deem him heroic, such as his determination against tough odds, his ability to lead, and his human-like nature to error, he can be seen has the Hero of the famous poem.
Beowulf’s first accomplishment as an epic hero was his battle with Grendel. Grendel was a huge beast, a descendent of Cain, who ruthlessly murdered innocent Danes because he felt pity for himself. Upon hearing of the Dane’s problem, Beowulf set off to help the Danish without having been called upon. Even though Beowulf had men backing him, He drew battle with Grendel alone and without armor or weapons. Yet, Beowulf emerged victorious with the arm of Grendel as his trophy. Beowulf then went on to kill Grendel’s vengeful mother and a huge fire-breathing dragon who thought it had been done wrong by the Geats. Alas, the killing of the dragon would be Beowulf’s last great battle for the dragon took Beowulf’s life in the struggle for his own.
In Milton's Paradise Lost, he writes the story of the fall of Satan, his followers, and mankind. Many critics often view Satan as the unlikely or tragic hero of the epic poem. Satan is, obviously, the main character throughout most of the poem, but not necessarily the hero. Satan's main purpose is to fight G-d, and try to be on the same level as Him. The important thing is to realize that Satan is sin, and being humans, who are all born into sin, we can easily relate to a sinful character. G-d is holy and perfect. This is something which we, being fallible humans, cannot begin to comprehend. Satan does, at the beginning, follow many of the attributes which coincide with Aristotle's definition of a tragic hero; however, after the first few Books, Satan looses his status as a tragic hero rather rapidly. Along with this, Satan's thoughts parallel the idea of "Evil, be thou my good," (p76, line 110) which is the opposite of what G-d intends.
Paradise Lost is one of the finest examples of the epic tradition in all of literature. In composing this extraordinary work, John Milton was, for the most part, following in the manner of epic poets of past centuries: Barbara Lewalski notes that Paradise Lost is an "epic whose closest structural affinities are to Virgil's Aeneid . . . "; she continues, however, to state that we now recognize as well the influence of epic traditions and the presence of epic features other than Virgilian. Among the poem's Homeric elements are its Iliadic subject, the death and woe resulting from an act of disobedience; the portrayal of Satan as an Archillean hero motivated by a sense of injured merit and also as an Odyssean hero of wiles and craft; the description of Satan's perilous Odyssey to find a new homeland; and the battle scenes in heaven. . . . The poem also incorporates a Hesiodic gigantomachy; numerous Ovidian metamorphoses; an Ariostan Paradise of Fools; [and] Spenserian allegorical figures (Sin and Death) . . . . (3)