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Now and then character analysis
Now and then character analysis
Obsession theme in literature
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It is said that human beings are flawed creatures, and this unfortunately means that their actions are often inclined to have unintended, tragic consequences that cause suffering. A desire to prevent this human suffering sometimes leads authors to produce works that depict the punishments for letting fatal flaws, such as greed, lust, or obsession, control one’s life in order to effectively warn of how flaws can cause suffering and misery. Some of these authors are Edgar Allan Poe, Nathaniel Hawthorne, and Toni Morrison. Poe’s “The Raven,” Hawthorne’s “The Minister’s Black Veil,” and Morrison’s Song of Solomon illustrate characters whose obsessive tendencies create torment in their lives and the lives of their loved ones. These pieces of literature …show more content…
An analysis of the reading reveals that Hawthorne presents human nature as obsessive. The story tells of a respected Puritan minister, Mr. Hooper, who decides to wear a black veil over his face. He refuses to tell his congregants his reasons for wearing the veil, and he never removes the garment. His congregants and his fiancée, Elizabeth, become fixated upon the mask and what he might be hiding underneath it. The congregants proceed to alienate Mr. Hooper. Later, Elizabeth breaks off her engagement with the minister and leaves him after he denied her request to remove his black veil. As she is about to abandon him, he says, “It is but a mortal veil – it is not for eternity! Oh! You know not how lonely I am, and how frightened to be alone behind my black veil. Do not leave me in this miserable obscurity forever!” (22). In other words, Mr. Hooper entreats Elizabeth to stay with him and tells her how he is suffering from the alienation that his former congregants forced upon him. The words “lonely,” “frightened,” and “miserable” all work to convey the depression, fear, and anguish that he felt since his ex-congregants shunned him. The phrase “mortal veil” is a metaphor that compares the veil to a human, a being who is also known as a “mortal.” It implies that, like a human, the veil is impermanent, making it a minor object that doesn’t have much importance in “eternity,” a word that emphasizes the vastness of time. This shows that the congregants and Elizabeth caused Mr. Hooper to suffer by obsessing over an insignificant object, his black veil. Thus, Hawthorne supports his claim that human nature is obsessive and that obsession creates tragedy and suffering. A book that shares Hawthorne’s view on human nature is Song of Solomon by Toni
Throughout Hawthorne’s short stories which examine secret sin based in Puritan societies, the protagonist, Mr. Hooper, a preacher in Milford, describes to his wife “Do not desert me though this veil must be between us here on earth” (32). Hooper who has arrived at a point where his community and wife have abandoned him while on his deathbed realizes that he is deserted because of his secret sin. This description of utter loneliness is in contrast with Hawthorne’s portrayal of Hooper, who once was a prominent priest in the Milford area. Hawthorne’s depiction of Mr. Hooper’s secret sin, taking form in the black veil alters his life indefinetely. In Nathaniel Hawthorne’s short stories, the author identifies secret sin as the cause of isolation, relationship struggles, and the community’s behavior.
...bsession eventually leads to tragedy. The main male characters are obsessed with the idea of perfection, and seek to find it in their wives. But they fail to see their own imperfections, instead focusing on their wives’ imperfections. Their inability to accept this is the direct cause of their wives’ deaths. Hawthorne and Poe’s stories speak of a dark truth: man’s judgment of others’ imperfections and blindness to his own faults. These stories show the danger of obsession and the impossibility of perfection in this life.
Nathaniel Hawthorne in “The Minister’s Black Veil” is able to show the hypocrisy and the overemphasis of the Puritan people and their beliefs by engaging the reader in this short story by using “a gentlemanly person” (409) who decides to start wearing a black veil over his face. As Milford’s finest gather on “the porch of [the] meeting house” (409) and enjoy the hope of another Sunday service, the townspeople’s sunny disposition and picturesque setting soon changes as Parson Hooper emerges with a “simple piece of crape” covering his face. This unusual appearance of the Reverend to the townspeople even has some of them feeling faint and forcing some women “of delicate nerves to leave the service” (410). Even though Parson Hooper’s demeanor and his polite and gracious behavior is the same as always, and his preaching is much more interesting and entertaining, the townspeople perceive their minister far differently. As Parson Hooper continues to don the veil, people start to stare at him and rumors begin to fly, especially since his sermon dealt with the topic of secret sin. As the people make him a social pariah, Parson Hooper becomes a representation of hidden sin and an object of dread. Even as death knocks on his door, Parson Hooper still will not allow himself to be unveiled, in fact, Hooper finally reveals that no one should be afraid of him, but of one another because “men avoided me, and women shown no pity, and children screamed and fled” (417) all because of a simple black veil. Through the use of symbols, Hawthorne is able to use this short story to prove that the community people and the Puritan’s religion and their beliefs are hypocritical and over zealous.
The gothic characteristics that are found in Edgar Allan Poe’s “The Fall of the House of Usher” and Nathaniel Hawthorne’s “The Minister’s Black Veil” delve into the dark side of the human mind where secret sin shrouds the main characters in self anguish and insanity. Both Poe and Hawthorne focus on how much of a burden hiding sins from people can be, and how the human mind grows weak and tired from carrying such a burden. Poe illustrates that with his perturbed character Roderick Usher who was rotting from the inside like his “mansion of gloom” (Poe 323). Hawthorne dives deep into the mind of one Mr. Hooper, a minister, a man admired by all, until he starts wearing a black veil to conceal his face because “ The subject had reference to secret sin” (Hawthorne 311) . An analysis of both Mr. Hooper and Roderick Usher show through their speech, actions, behaviors, and interaction with other humans, the daily strain of hiding sin from one another.
In addition, he also used very offensive word by telling the audience that “...hell is gaping for them”(Edwards 8-9). Hawthorne goes on to show his Puritans that no matter how righteous a person might look, everyone has a sin that knocks them down to the same level as everyone else, Hawthorne does this by having his main character, Rev. Hooper say, “ I look around me, and lo! On every visage a Black Veil”(Hawthorne 492). Hawthorne’s choice of diction also helped develop a well-structured
The human psyche has a desire for seeing others in pain. The dark romantics used this to create a legacy of literature that terrified their readers to the core. The dark romantics were individuals who used their pessimistic view of the world and incorporated it into their literature to invoke terror and fear into their readers. In contrast to the transcendentalists, dark romantics saw the world as evil and decaying. In Nathaniel Hawthorne’s “The Minister’s Black Veil” and Edgar Allan Poe’s “The Raven” both authors use symbolism, suspense, and irony to emphasize the importance of tragedy as a theme throughout dark romantic literature.
Doing things you can't see or comprehend make you doubting or anxious? A few individuals fear the obscure. Actually, the unexplainable frequently puts unreasonable trepidation into the hearts of numerous. In "The Minister's Black Veil" by Nathaniel Hawthorne, Reverend Hooper reasons disagreement by wearing a shroud before his assembly. Never clarifying his reasons, he keeps on wearing the shroud each and every day. His kin start to evade him, supposing it is peculiar and uncivilized. He wears it whatever remains of his life, and upon his deathbed clarifies it is an image of the cover everybody is wearing to cover his mystery sin. The creator accentuates fixation, seclusion, and hidden blame as parts of man's concealed sins by displaying the battle between the disguised side of man and the beliefs of society. The clergyman gets to be fixated on his quest for demonstrating men's internal personalities. As his lady to-be Elizabeth defies him about evacuating the cover, his reaction is not to her preferring.
Nathaniel Hawthorne’s works often have parallel themes and similar characters. His approach is quite gloomy and the atmosphere for his stories is many times sad and depressing. Hawthorne concentrates his novel and short stories around the Puritan community, which adds to the tense and unforgiving atmosphere. One of his most renowned novels, The Scarlet Letter and his short story, The Minister’s Black Veil contain many of his typical elements and are many times referred synonymously. Although The Scarlet Letter and The Minister’s Black Veil share the common theme of alienation from society, the purpose behind the symbol both main characters are wearing is different.
It is no secret that Nathaniel Hawthorne’s “The Minister’s Black Veil” is a parable. Hawthorne intended it as such and even gave the story the subtitle “a parable.” “The Minister’s Black Veil,” however, was not Hawthorne’s only parable. Hawthorne often used symbols and figurative language to give added meaning to the literal interpretations of his work. His Puritan ancestry also influenced much of Hawthorne’s work. Instead of agreeing with Puritanism however, Hawthorne would criticize it through the symbols and themes in his stories and parables. Several of these symbols and themes reoccur in Hawthorne’s “The Minister’s Black Veil,” “Young Goodman Brown”, and The Scarlet Letter.
In this short story “The Minister's Black Veil” Hawthorne delves into the idea of societal righteousness and highlights how one is able to see pass this. This story follows Parson Hooper - a Puritan reverend who throws his town into confusion when he appears one day with a black veil around his face. Which he reveals to his parishioners as a representation of his sin and leads to him being ostracized while also gaining a new perspective. This story is told in third person narration and focuses less on Rev. Hooper himself, but more on the people around him. As put by Baker “ Rev. Hooper wears a black veil in order to hide his face from the gaze of others and from himself just as everyone else in the community puts on a façade of righteousness and innocence in order to hide his sinfulness from the knowledge of everyone else in the community and even divulge one's inner self righteousness from themselves” This is further exemplified by his last dying
By this well-known quote of Mark Twain, it is clearly depicted that humans have a dark side that is mysterious. This dark side, not so rarely can take us to erroneous and threatening path that can end many times even to fatality. This is where we meet the concept of Anti- Transcendentalism. It is generally known as dark and ambiguous and most of the times something disastrous happens at the finale stage of the story and these concepts of writing are identified as Anti-Transcendentalism. This elucidation way of conveying the story to the reader sometimes leads to critical thinking of what the story’s connotation was and even scariness. This is where we face two dark-romanticists stories that are ambiguous and have the significance of the human dark side. On one side we have the story of The Minister’s black Veil by Hawthorne, where Mr. Hooper decides to put a veil on his face for unidentified motives. On the other hand we have the story of The Tell-Tale Heart by Poe, where an unnamed narrator starts telling us about a crime he has committed. I will argue the motives behind the black veil and the old mans paled eye, the assassination of old man and the death of the young lady, and finally the endings of both characters.
Ray Bradbury once said “You grow ravenous. You run fevers. You know exhilarations. You can 't sleep at night, because your beast-creature ideas want out and turn you in your bed. It is a grand way to live.” Bradbury is expressing that our demons can inspire us. Perhaps one of the greatest artists to use his demons to inspire and create is Edgar Allan Poe. Poe used his tragic past, depression, and awareness of the darker side of life, to fuel pioneering and dark new style of writing. This caused Poe to be hated and rejected by other writers. However in popular culture today Poe’s haunting influence, fueled by his emotional past, is not only found, but celebrated!
I think this story shows a more negative view of humanity because of the effect of a little black piece of fabric that changed the attitude the townspeople had for the priest.The parishioners were confused and disturbed that they can no longer see the face of the priest. The veil dehumanizes the priest because the crepe shields his eyes and brings a mysterious tone to the priest himself. The townspeople automatically assumed negativity and that the priest had “changed himself into something awful,…by hiding his face”(Hawthorne 410) even though he had still kept his same demeanor of gentle kindness. This assumption that something evil had arisen from the priest despite his normal behavior and kindness shows that humanity is scared of the unknown and thus will disregard it. I think it was very smart of Hawthorne to use a priest as a subject to the veil because in religion a priest is regarded as pure, heavenly, and divine and thought of with suspicion that the Minister
In the short story, “The Minister’s Black Veil,” Nathaniel Hawthorne tells the Mr. Hooper’s black veil and the words that can describe between him and the veil. Hawthorne demonstrates how a black veil can describe as many words. Through the story, Hawthorne introduces the reader to Mr. Hooper, a parson in Milford meeting-house and a gentlemanly person, who wears a black veil. Therefore, Mr. Hooper rejects from his finance and his people, because they ask him to move the veil, but he does not want to do it. In Nathaniel Hawthorne’s “The Minister’s Black Veil”, Mr. Hooper’s black veil symbolizes sins, darkness, and secrecy in order to determine sins that he cannot tell to anyone, darkness around his face and neighbors, and secrecy about the black veil.
Most contemporary authors lack the creativity, or simply the desire to construct a story that focuses on the evil and sinful ways of humans. But during the Dark Romantics period, several writers openly embraced this new style of writing. Edgar Allan Poe was one such writer. His view on man’s inherent evilness is evident in his stories, “The Fall of the House of Usher” and “The Masque of the Red Death.” Although the characters in each of the stories are in different settings, their prevalent trait represents the hedonistic, obsessive, and deranged beings humans are.