“She Walks in Beauty” by Lord Byron and “Song of Solomon” (4: 1-7 KJV) are both strong powerful poems about the physical beauty of a woman. The reader catches onto the emotional side and the absolute beauty of the women being delineated in the poems. They are alike in the sense that they both use an immense amount of imagery to describe the amazing woman that they love. Lord Byron wrote this poem hundreds of years after the Old Testament, so as a reader we can see time has no essence for love and chivalry. The poems, alike, have a religious background. The rhyme scheme and meter may be different, but the message is still relayed the same. “She Walks in Beauty” and “Song of Solomon” (4:1-7) seem to naturally fit together through the expressions …show more content…
The poem is in iambic tetrameter, in which, means there are four syllables that stand out on each line. For example, “one shade the more, one ray the less.” (Line 7) The rhyme scheme is as simple ABAB, “And all that’s best of dark and bright; Meet her in her aspect and her eyes; Thus mellowed to that tender light; Which heaven to gaudy day denies.” (Lines 3-6) However, when we look at the passage from the Old Testament we can see that there is no organization into lines or stanzas; instead, they are organized into chapters and verses. The author of these compiles of passages is still unknown to this date, so we do not know exactly who the author is. However, from context clues we can identify that they were called “Solomon’s” but we cannot exactly identify that. The poem has been translated so many different times we don’t have form, meter, or even a rhyme scheme. Whether that is because it was lost over time and translations, but these passages are also so old the author may not have been able to identify or educated enough to know what those were. Yet one thing is for certain, the love for this woman was still well portrayed even without the form and …show more content…
Each of them generously uses imagery throughout their words. “He implies that nature is also in motion, walking in an unearthly beauty that is without limits. An individual inspire the poem. Byron gives her a lofty radiance, with refined intelligence, composure, and emotions.” (Llanas) Byron notices the beauty of her by comparing her to the night which would usually give off a dark and gloomy impression, yet Byron means something completely different. He says the night is beautiful, like her, because it is cloudless and starry. He also displays imagery to describe the woman’s beauty in lines nine and ten, “Which waves in every raven tress, Or softly lightens o’er her face.” He tells the reader about how her hair is as black as a raven, which in return lightens her face. As we move onto the passage from Song of Solomon the reader gets an overabundance of imagery! In almost every verse we get a glimpse of visual description of the woman’s beauty. The first verse begins, “Behold, thou art fair, my love; behold, thou art fair.” (4:1 KJV) which is a poetical way of saying, “How beautiful you are, my darling! Oh, how beautiful!” (4:1 NIV) The author repeats those phrases on purpose because he wants to emphasize her pure beauty. The author begins describing in close details the features of her hair, face, neck, and breasts. As we read, it is very obvious the author is
The alliteration used is to emphasize rhythm in the poem. On the other hand, the poet also depicts a certain rhyme scheme across each stanza. For example, the first stanza has a rhyme scheme of this manner a, b, c, d, e, a. With this, the rhyme scheme depicted is an irregular manner. Hence, the poem does not have a regular rhythm. Moreover, the poet uses a specific deign of consonance, which is present in the poem (Ahmed & Ayesha, p. 11). The poet also uses the assonance style depicted in the seventh stanza, “Seven whole days I have not seen my beloved.” The letter ‘o’ has been repeated to create rhythm and to show despair in the poem. On the second last line of the seventh stanza, the poet uses the style of consonance, “If I hug her, she’ll drive illness from me. By this, the letter ‘l’ is repeated across the line. The poet’s aim of using this style of Consonance is to establish rhythm in the poem and add aural
The poem I have chosen to compare with “ Valentine” is “ She walks in beauty” by Lord Byron. I chose SWIB because it is very different to valentine as it is about Byron expressing his love and celebrating his love for his cousin.
The diction and imagery prevalent within both poems by Poe and Doolittle help emphasize the extreme contrast between the speakers’ views of Helen. Poe, who chooses Helen as an allusion for his love Jane Stanard, portrays Helen with high admiration and regard through the incorporation of tremendous diction including the following: beauty, classic face, and statue-like. There is a simile that compares Helen’s beauty to “those Nicean barks of yore,” (2) which was a divine city near the city of Troy. Moreover, her “classic face” (7) further elucidates to her extreme beauty. Poe provides sensory elements to emphasize her physical beauty i.e. hyacinth, a bold smelling flower. The speaker noting Helen as “statue-like” serves as a way to say her beauty will last forever, seeing her as perfection. Furthermore, Helen is compared to Psyche, who was turned a goddess by her beauty that infatuated Cupid. Helen’s beauty is as brilliant as the “grandeur” (10) of Rome and to compare to even Psyche. However, H.D.’s “Helen” depicts Helen as a more sinister and vile ...
There are many different themes that can be used to make a poem both successful and memorable. Such is that of the universal theme of love. This theme can be developed throughout a poem through an authors use of form and content. “She Walks in Beauty,” by George Gordon, Lord Byron, is a poem that contains an intriguing form with captivating content. Lord Byron, a nineteenth-century poet, writes this poem through the use of similes and metaphors to describe a beautiful woman. His patterns and rhyme scheme enthrall the reader into the poem. Another poem with the theme of love is John Keats' “La Belle Dame sans Merci,” meaning “the beautiful lady without mercy.” Keats, another nineteenth-century writer, uses progression and compelling language throughout this poem to engage the reader. While both of these poems revolve around the theme of love, they are incongruous to each other in many ways.
This poem does not have a specific rhyme scheme, or really a poetic meter. It is an open poem, but the readers can see throughout the poem that this poem is being spoken by a women with high diction. The tone of the poem would be cheery for the readers because the speaker is being lively on how she looks at death. Some imagery that is told in this poem is when the poet is telling the reader about what girl is wearing. You can mentally see the way the clothes she wears but you can also feel the way they are.
...ur lines each. Each line ends with a vertical line that marks the feet. The rhyme isn't but there is rhyme in this poem like "Me" rhymes with "Immortality" and, farther down the poem, with "Civility" and "Eternity." This poem repeated the phrase, "We passed," which is changed a bit in the fifth stanza to, "We paused." This repetition of a word or phrase throughout a poem is called anaphora. The use of these poetic elements allows the words to flow as they describe an event.
To begin, the poem, “Eve’s Apology,” uses many different poetic devices such as alliteration, assonance, rhyme scheme, and simile. The author uses a great number of alliteration, which is the repetition of constant sounds generally at the beginnings of words. Alliteration can be seen in the words “what” and “weakness” in line 3. Some more examples of alliteration throughout the poem are “subtle serpent’s” (23), “he had him” (24), and “with words which” (30). Assonance, the repetition of the same or similar vowel sounds in stressed syllables that end with different consonant sounds, is another poetic device that the author uses greatly. Some examples of assonance are found in lines 10 “ The ‘p...
“Beauty is not in the face; beauty is a light in the heart.”- Kahlil Gibran. I am going to compare and contrast between “Sonnet 130”, by William Shakespeare and “The Harlem Dancer”, by Claude McKay. Both poems and sonnets are English and have fourteen lines or stanzas, and the rhyme scheme of ABABCDCDEFEFGG, which points out beauty in women.
At the start, the first stanza of the poem is full of flattery. This is the appeal to pathos. The speaker is using the mistress's emotions and vanity to gain her attention. By complimenting her on her beauty and the kind of love she deserves, he's getting her attention. In this first stanza, the speaker claims to agree with the mistress - he says he knows waiting for love provides the best relationships. It feels quasi-Rogerian, as the man is giving credit to the woman's claim, he's trying to see her point of view, he's seemingly compliant. He appears to know what she wants and how she should be loved. This is the appeal to ethos. The speaker seems to understand how relationships work, how much time they can take, and the effort that should be put forth. The woman, if only reading stanza one, would think her and the speaker are in total agreement.
The first stanza is rhymed abcb and the second defe. Wolosky mentions that Emily Dickinson wrote almost all of her poetry in this hymnal verse form – but almost always for purposes other than those of the church hymn. In this poem, Dickinson used various meters: the common iambic and even hymn meter, it shows that “Dickinson was a consummate metrist” (Cooley 84). For example, verse one, three, five, and seven have the hymnal feet ux ux uux ux, whereas u is the unstressed and x the stressed syllable. The feet of line two and six is an iambic tetrameter (ux ux ux ux) where an unstressed syllable is followed by a stressed. The fourth and eighth line follow the feet ux ux ux (u), whereas the last unstressed syllable appears only in the fourth and the last verse therefore is a trimeter (Meyer 46). Her usage of dashes and the different meters in this poem furnishes evidence for her reasoning is not finalized or even inscribed and that the lines must proceed. With the help of the reader’s imagination the line of thought can be accomplished in different possible ways. Through these incomplete rhyme schemes and abrupt stress patterns the openness of Emily Dickinson’s poems are supported. Because of the poem’s brevity they seem simple to interpret at first glance but exactly that is what makes it difficult to grasp. Emily Dickinson let it open therefore it could signify
Wilson, Ben. "She Walks in Beauty by Byron: Analysis, Theme & Interpretation." Education-Portal.com. Portal Education, 2002. Web. 28 Feb. 2014.
forced to watch one of his men die after failing to put his gas mask
Lord Byron is often regarded as a prominent leader in the Romantic Movement that is associated with early 19th century England. His unconventional lifestyle, along with his literary works, has contributed significantly to this title he has been given. Through his notorious sexual escapades and his extravagant adventures, his literature was born.
“The Divine Image” has five ballad stanzas that, with the use of repetition throughout each stanza and a meter that alternates between iambic tetrameter and iambic trimeter, has a hymn-like quality; making the poem seem very simplistic and natural. He pairs repetitive diction with a flowing syntax to charac...
The poetic conventions used by this poet include two half-lines in each verse, separated by a caesura or pause. The half-lines are joined by the oral stressing of alliterative words in the half-lines, both consonants and vowels (Tharaud 34). “At least one of the two stressed words in the first half-line, and usually both of them, begin with the same sound as the first stressed word of the second half-line” (Donaldson 67). When a word was stressed in the first half-line, its alliterative counterpart was stressed in the following half-line; the words could either complement each other, like holy/heaven or sin/enemy, or they could contrast each other like happy/wretched or warm/winter.