Compare And Contrast Michelangelo's David And Pieta

110 Words1 Page

For Michelangelo sculpture was much more gratifying and he loved getting his hands dirty and laboring in his works. He could apply his beliefs of Neo-Platonism to sculpting simply, out of what began as a meaningless piece of marble. Michelangelo also showed his neo-platonic ideas through the use of proportions and mathematical views, to make the sculpture appear perfect to the eye. Through two of his greatest sculptures are his David, and Pieta. You can see this in his portrayal of David; Michelangelo depicted him as the strong but stead king he would become. Michelangelo also fused Pagan and Christian beliefs by portraying the biblical David as being entirely

Show More
Related

  • Michelangelo 's Influence On The Italian Renaissance

    788 Words  | 2 Pages

    Michelangelo was born in Caprese, Italy on March 6th 1475. His family was politically prominent as his family had large land property. His father was a banker and was looking to his son to engage in his businesses. As a young boy, he has ambitions of becoming a sculptor, but his father was very discouraging of this. He wanted his son to live up to the family name and take up his father’s businesses. Michelangelo became friends with Francesco Granacci, who introduced him to Domenico Ghirlandio(biography.com). Michelangelo and his father got into a series of arguments until eventually they arranged for him to study under Ghirlandaio at the age of thirteen. Ghirlandaio watched Michelangelo work and recognized his talent for the art and recommended him into an apprenticeship for the Medici family palace studio after only one year of at the workshop. The Medici’s were very rich from making the finest cloths. Lorenzo, which was one of the most famous of the family had a soft side for art and is credited for helping the Italian Renaissance become a time of illustrious art and sculpting. At ...

    Read More

  • Compare And Contrast Michelangelo And Bernini's David

    616 Words  | 2 Pages

    The Biblical Story of David, a young Israeli shepherd boy who slayed the Philistine giant, Goliath has been artistically portrayed in many different ways throughout the centuries. During the Baroque and Renaissance eras, three famous artists sculpted their own interpretation of what the Israelite King may have looked like. These men were Gianlorenzo Bernini, Michelangelo di Lodovico Buonarroti Simoni and Donato Di Niccolo di Betto Bardi, otherwise known as Donatello.

    Read More

  • A Comparison Of Donatello's Statue Of David?

    921 Words  | 2 Pages

    The early Renaissance, which had begun in Quattrocento Italy, was sparked by the beginnings of the Humanist movement. Considered a return to classical ideals, harkening to an early time when art, philosophy and architecture focused more on men’s achievements rather than entirely concern with his salvation, which dominated the Middle Ages. Although piety was still a predominant part of everyday life, the nostalgia, which became inspiration during this period, initiated a rediscovery of the ideals from the classical Roman and Greek eras. Whose art and architecture could be seen throughout Italy and Sicily. Thus, higher education became the predominant theme among influential families. From this an immergence of forgotten manuscripts and treatise

    Read More

  • Comparing the Three Statues of David

    957 Words  | 2 Pages

    The pieces of art I will be comparing and contrasting are the three statues of David, by Donatello (Donato di Niccolò di Betto Bardi), Michelangelo (Michelangelo di Lodovico Buonarroti Simoni), and Bernini (Gian Lorenzo Bernini). The statues are modeled after the biblical David, who was destined to become the second king of Israel. Also most famously known as the slayer of the Philistine giant Goliath with a stone and a sling. The sculptures are all based on the same biblical hero, but differ from one another. Each David is unique in its own certain way.

    Read More

  • Michelangelo And The Pope's Ceiliing

    1459 Words  | 3 Pages

    In Michelangelo and the Pope's Ceiling Ross King gives a penetrating look into the life of Michelangelo Buonarroti during the four years he spends painting the ceiling of the Sistine Chapel. At a scale of nearly five thousand and eight hundred square feet and almost seventy feet above the ground, this would be an incredible task for the artist. He faces many challenges, mentally and physically, during the process, but still finishes the ceiling in an incredibly short amount of time considering the size of his work. Michelangelo is renowned for his moody temper and reclusive lifestyle. Most people find him to be an extremely difficult person, due partially to his lack of concern for anyone but himself, and to his undaunted stubborn nature. The one man with whom he will despise and contend with all his life was Pope Julius II; he is also the man who commissions him to paint the ceiling. Ross King's purpose in writing this book is to detail Michelangelo's magnificent struggle with personal, political, and artistic difficulties during the painting of the Sistine ceiling. He also gives an engaging portrait of society and politics during the early sixteenth century.

    Read More

  • Compare And Contrast Italian Art And The Renaissance

    1091 Words  | 3 Pages

    The renaissance was an age of recovery from the catastrophic 14th century, a time for the slow process of recovering from the effects of the Black Death, political disorder, and the economic recession. This recovery was accompanied by a rediscovery of the Greco-Roman culture and civilization. The renaissance began in Italy. There are plenty of reasons why Italy was the main location for revival of antiquity. The first one being the plague was the first to leave Italy. Therefore, they had more time to recover and grow. Another being that Italy was the main power during the past Greco-Roman culture, especially where it flourished in Rome. The rebirth in Italy led to the revival of three characteristics; an emergence of humanist attitudes, art,

    Read More

  • The Pieta and David by Michelangelo Buonarroti

    1044 Words  | 3 Pages

    Michelangelo Buonarroti is one of the greatest artists of the Renaissance times, as well as one of the greatest of all time. He did was a painter, a sculptor as well as an architect, excelling in all areas from a young age. Michelangelo’s art was a symbol of the Florence people’s cultural and political power and superiority. Michelangelo thought of himself as a divine being, meaning he thought he was perfection and no one could ever compare. To this day through, in terms of his art, this may hold some truth depending mostly on opinion. He created some of the most magnificent, and most sought after pieces of all time. Some of them are still around today for us to witness including Michelangelo’s Pieta, and one of his most famous Michelangelo’s David.

    Read More

  • A Comparison of Michelangelo's and Donatello's Sculptures of David

    1280 Words  | 3 Pages

    Michelangelo and Donatello were the most respected and inspiring artists of their time. Michelangelo of the High Renaissance and Donatello of the Early Renaissance both hailed from Italy. Both tell the biblical story of David versus Goliath, as told in I Samuel 17:28-51, in their sculptures "David." David was a Shepherd boy who killed the giant Goliath with nothing but a slingshot in his hands. Michelangelo displays David before the battle while Donatello shows David after the battle with Goliath. Michelangelo and Donatello were two of four famous artists who have created a statue depicting their image of David; Bernini and Andrea del Verrocchio were the others, but Michelangelo's and Donatello's were far more famous.

    Read More

  • Sistine Chapel Ceiling and The Last Judgment

    2042 Words  | 5 Pages

    Michelangelo was born in a time in which the church had a great influence on most things that people did in their everyday life. He grew up in a wealthy family and was exposed to people of high position. The paintings and sculptures that Michelangelo created were strongly related to the Bible, and showed his respect and knowledge of the religion and culture he was brought up in. Starting with the Sistine Chapel ceiling, it has paintings that start with the creation of the world all the way to the flood and drunkenness of Noah. Michelangelo took four years to paint the ceiling and broke down different aspects of the earlier parts of the Bible throughout the ceiling. The most prominent paintings that are on the ceiling would have to be where God’s hand reaches out to Adam’s hand. This shows that Michelangelo views man and God as having a relationship where they know each other. Man can reach out to God, while God reaches down to man. With that being said, I believe this shows that the way in which man encounters God in this painting was a form of the ontological type. In ...

    Read More

  • Comparing Bernini's David And The Ecstasy Of Saint Teresa

    929 Words  | 2 Pages

    This invention distinguish his David from any other David Statue before him. At Bernini’s ear, David was a popular subject in Italy. At that time Italy did not have a powerful central government, and cities were seeking for their independence. The story of David killed Goliath and won the independence of Israel was understand as a symbol of independent. Therefore the statue of David also had political meanings. The two most famous David were from Donatello and Michelangelo. Donatello made two David, one was marble and one was bronze, but the ideas behind them are same. Donatello’s David stood still. He had successfully achieve his goal and killed Goliath, whose head lying at his feet. Michelangelo’s David was nude and had perfect athletic muscles and proportion, and fairly smooth flesh. His body was so perfect that made him immortal and divine. He had not yet embarked on the actual combat but would departure instantly. He stood still confidently. Michelangelo’s David was actually much more vivid than Donatello’s. Nevertheless, when compared to Bernini’s David, even the former seems lack the sense of motion. Bernini made his David a mortal. Bernini expressed a man in the middle of his ferocious action in an ultra realistic

    Read More

  • Compare And Contrast Michelangelo's Creation Of Adam

    1472 Words  | 3 Pages

    In the early 1400s, Italian engineer and architect, Filippo Brunelleschi, rediscovered the system of perspective as a mathematical technique to replicate depth and form within a picture plane. According to the principles, establishing one or more vanishing points can enable an artist to draw the parallels of an object to recede and converge, thus disappearing into a “distance”. In 1412, Brunelleschi demonstrated this technique to the public when he used a picture of the Florence Baptistery painted on a panel with a small hole in the centre.3 In his other hand, he held a mirror to reflect the painting itself, in which the reflected view seen through the hole depicted the correct perspective of the baptistery. It was confirmed that the image

    Read More

  • Michelangelo Buonarroti

    1052 Words  | 3 Pages

    The Renaissance encouraged everyone to express their human potential and become a master of their universe. In contrast to the dark middle age ideas of a supernatural orientation to life, the Renaissance encouraged a more natural world and human life orientation. Michelangelo reflected the Renaissance ideals through his works of art; such as, the Sistine Chapel, many sculptures including David and the Pieta, and architecture including Capitoline Hill in Rome. In these forms of art, Michelangelo lived up to being the universal man, which meant developing yourself into an individual genious. Michelangelo reflected the Renaissance in the central panels on the Sistine Chapel ceiling. A particular piece of art showed how Adam and God became members of the same race of super beings, reflecting a mixture of Greek mythology and Christianity. The concept of combining pagan and Christianity is clearly shown in the central panel the Creation of Adam. God’s finger reaching out to Adam is transferring his godly powers to Adam .which depicts the Universal Man. Whereas Medieval art would consider placing man and God as equals to be wickedness, whereas the Renaissance ideal consider art depicting that men as gods was not evil. The Sistine Chapel showed that Michelangelo reflected the Renaissance, because he portrayed his paintings using shadows, boldness, depicting three dimensional objects.

    Read More

  • Italian Baroque Characteristics

    498 Words  | 1 Pages

    Michelangelo’s David does not react with the surroundings but it stands alone with the little movements disguised behind it. The sculpture brings out David as a soldier preparing for war and not a person engaged in a battle (Miller, Vandome, & McBrewster, 2010). The hands are larger than normal and the arms are longer than his body. This is meant to illustrate the renaissance period. In contrast, the Bernini’s David has aspects of motion, showing that he was already engaged in the battle with Goliath. The idea of movement is enhanced by the loosely flowing robes. In addition, the sculpture demonstrates that unlike Michelangelo’s David that has longer hands, Bernini’s David has contracted muscles. The Michelangelo’s sculpture was created during Renascence period while the Bernini’s sculpture was done during the Baroque period.

    Read More

  • “The Pieta” by Michelangelo

    1239 Words  | 3 Pages

    Just as other works that reflect art, pieces in the category of fine arts serve the important message of passing certain messages or portraying a special feeling towards a particular person, function or activity. At times due to the nature of a particular work, it can become so valuable that its viewers cannot place a price on it. It is not the nature or texture of an art that qualifies it, but the appreciation by those who look at it (Lewis & Lewis, 2008).

    Read More

  • Similarities Between Michelangelo And Caravaggio

    1093 Words  | 3 Pages

    Michelangelo and Caravaggio at some point in history were the most famous artists in Rome, Italy. Michelangelo a prominent architect, poet, sculptor, and painter found his success in Italy during the High Renaissance period (1490-1527). While Caravaggio was the most popular painter in Rome and spearheaded the Baroque period (1650-1750). Artists like Caravaggio in the Baroque period turned to a powerful and dramatic realism, intensified by bold contrasts of light and dark. Michelangelo’s reputation as a painter fluctuated during the High Renaissance, but his devotion to his art and his genius undoubtedly influenced artists such as Caravaggio during the Baroque Period. However, each artist had incredibly different styles, and utilized different mediums in their most popular works of art. Despite that there are also many similarities which indicate Michaelangelo’s heavy influences on Caravaggio and Baroque Period art. The comparison will be between Michelangelo, Ceiling of the Sistine Chapel, Vatican City, Rome, Fresco. c. 1508-1512 and Caravaggio, Calling of St. Matthew, Contarelli Chapel, San Luigi dei Francesi, Rome, Oil

    Read More

More about Compare And Contrast Michelangelo's David And Pieta

Open Document