Compare American Propaganda Film And German Propaganda Film In WWII

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Compare American Propaganda film to German Propaganda film in WWII and analyse what values each reflect about the respective country Propaganda Films purposely try to convince or influence the opinions or behavior of the viewer. Propaganda is defined as, “ideas, facts, or allegations spread deliberately to further one 's cause or to damage an opposing cause” In WWII American Propaganda Film and German Propaganda film had many similarities and differences, each reflecting the values of … about the respective country. Although there were various aims for propaganda films in WWII, including ones that aimed to psychologically prepare and mobilize audience for war and uphold and strengthen morale during war rations messages, attempted to enlist President Franklin D. Roosevelt 's Office of War Information (OWI) had considerable power over American motion picture content, from script approval, final cut and the ability to deny an export license for a movie. The main things they did was make sure the movie would portray an idealized image of a harmonious American society united in the fight against a common enemy and help the war effort. OWI were staffed by many people including some of America 's most famous intellectuals Elmer Davis, Robert Sherwood, and Archibald MacLeish whereas Hitler’s Propaganda Ministry and the Chamber of Films was led only by Joseph Goebbels, who worked directly under Hitler, and controlled every aspect of the industry. This contrast clearly shows the difference between America’s democratic style and the dictatorship of Germany. The Reich Chamber of Culture which focused on creative arts and included the creation of ‘proper’ Nazi films, was much stricter than OWI, with the membership compulsory for anyone wanting to work in creative arts. This meant artists censored their own work, knowing that, if they did not, they would lose their membership. Of the 1094 films released between 1933 and 1945, only about 14 per cent were overtly political but none Hollywood movies consistently glorified the achievements of the American soldier. After Pearl Harbor, the War Department asked Hollywood directors to make short documentaries that could be presented in theatres before the featured films. The creators often based it on a true story to show Americans what was at stake and give them a glimpse of what their soldiers were going through but twisted aspects of the truth to stir up patriotic feelings. A perfect example is Wake Island (1942), a film that while the documentary style and story of the onslaught by the Japanese to the United States military garrison on Wake Island following the attack on Pearl Harbor, appears true, it twists the truth, depicting the defenders fighting to the last man; when in reality, they surrendered after repelling the first wave of the

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