Comedy In The Importance Of Being Earnest

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‘The Importance of Being Earnest’ is often represented as being a comedy of manners- Wilde defines the text as ‘a trivial comedy for serious people’, which instantly raises questions on the purpose of the play itself. Dr Tracy Sanders states that “the comedy of manners is a style of comedy that reflects the life, ideals and manners of upper class society”, which undoubtedly links to the play. On the surface ‘The Importance of Being Earnest’ could be classed as a sophisticated comedy of manners which disregards any sincerity, it is characterised by sarcasm, stock characters and the typical comedic resolution which is marriage. Yet in opposition to this, hidden amongst the humour are underlying principles of the play which arguably portray fundamental elements of darker humour, concerning gender, society, and marriage, which have invoked the questions of the true intention of the play. Many critics have claimed that the play is Wilde’s criticisms of society in the Victorian era and is mainly a sharp attack to convey serious social messages.
Arguably Wilde uses Lady Bracknell as a representation of upper class society. She is a stock character who is used as an obstacle in the four lovers’ quest to be married. When she is informed of her daughter’s engagement she instantly abolishes the idea, “when you do become engaged, I or your father…will inform you on the fact”, therefore her daughter’s future is ultimately chosen by her parents and based on the wealth and status of Gwendolyn’s potential husband. This emphasises the younger generation’s lack of control in their own life, which raises the idea of underlying, serious factors within the play. Lady Bracknell is employed to epitomise the older generation in the Victorian era, Wilde ...

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... they then agree to be married. The concept of serious situations being negligible is also distinct in Miss Prism’s character. She is the cause of Jack’s abandonment and when this is discovered, rather than advancing to the consequences of her action, he embraces her. “Mother, I forgive you,” without even understanding the circumstances and the reason for Miss Prism’s behaviour, he treats the abandonment as insignificant. Due to their behaviour being classed as completely irrelevant therefore reinstates the lack of change in the characters morals. This is therefore key evidence of the play being a comedy of manners, although the characters ultimately commit an amoral act, it is effectively seen as unimportant and meaningless. Ultimately the play therefore favours the idea that the conventions of comedy used are employed to convey serious social messages in the play.

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