Peoples’ personal life experiences usually affect the topic of their work. John Keats was a famous poet who grew up in an idyllic life until tragedy continuously stroked until his death at twenty-five years old. At eight years old, his father died in a tragic riding accident. Six years later, his mother died of tuberculosis (TB). In the midst of his troubles, his teacher strongly encouraged his reading and literacy ambitions. Living next to an insane asylum, Keats eventually started to develop physical and emotional problems. Diagnosed with TB, Keats helplessly watched his beloved brother die from the final stages of the same disease. Furthermore, he was unable to marry his fiancée, Fanny Brawne. Drawing from his individual experiences, Keats wrote very vividly about the pains and suffering he was going through. He expressed his unfulfillment as a writer, his love and struggles, the fleetingness of life and happiness, and his inner conflicts. Jack Stillinger writes, “It is this combined experience of suffering, death, and love all at once, against a background of serious conversation, reading, and thinking, that accounts for Keats's sudden rise to excellence in his poetry” (qtd. in Everett). All of Keats’s life experiences combined to make works of arts that could only be inspired by individual human experiences. John Keats’s background directly affects the topic of his works in order to realistically articulate his feelings in poetic form.
John Keats’s illness caused him to write about his unfulfillment as a writer. In an analysis of Keats’s works, Cody Brotter states that Keats’s poems are “conscious of itself as the poem[s] of a poet.” The poems are written in the context of Keats tragically short and painful life. In his ...
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...is Forever the Passionate Voice." Gale Virtual Reference Library. N.p., n.d. Web. 18 Dec. 2013.
Everett, Glenn. "John Keats---A Brief Biography." The Victorian Web. N.p., July 2000. Web. 21 Dec. 2013. .
"John Keats." British Literature 1780-1830. Comp. Anne K. Mellor and Richard E. Matlak. Boston: Heinle & Heinle, 1996. 1254-56. Print.
Powers, Elizabeth. Keat's World. N.p.: National Review, 2013. Opposing Viewpoints in Context. Gale Virtual Reference Library. Web. 18 Dec. 2013.
"To Autumn." Brooklyn College English Department. Brooklyn College, 19 Feb. 2009. Web. 18 Dec. 2013. .
Wilberg, Jonah. "Keats to Autumn Analysis." Humanities 360. N.p., 8 Jan. 2011. Web. 18 Dec. 2013.
Brotter, Cody. "Analysis of John Keats's "When I Have Fears": Death & The Freedom of
John Keats is a spell binding poet, who lived a short life of 25 years, but left behind a towering legacy in the Romantic period. His work “La Belle Dame Sans Merci” is an imaginative masterpiece written in 1819, which was near his death in 1821. During the time he wrote the ballad, his brother died of tuberculosis; an ailment that swept over many members of his family, including him. He also became devoted to young woman, Fanny Brawne, but struggled with his continuous meager ownerships. The time of darkness, disease, and depression were close reflected in the ballad, where love and death both reign as did in his personal life. The central idea in the writing was risking everything for a pleasure that can be intoxicating, and can aid in one’s own demise. A spontaneous obsession radiates from the ballad, leaving Keats readers under a mysterious trance. These romanticism ideas were a clear break from the pressing restraints of society in the nineteenth century.
Many literary critics have observed that over the course of W. B. Yeats’ poetic career, readers can perceive a distinct change in the style of his writing. Most notably, he appears to adopt a far more cynical tone in the poems he generated in the later half of his life than in his earlier pastoral works. This somewhat depressing trend is often attributed to the fact that he is simply becoming more conservative and pessimistic in his declining years, but in truth it represents a far more significant change in his life. Throughout Yeats’ career, the poet is constantly trying to determine exactly what inspires him; early on, in such poems as “The Lake Isle of Innisfree” and “The Wild Swans at Coole,” Yeats obviously looks towards nature to find his muse, thereby generating idyllic pastoral scenery that is reminiscent of the nature-based poetry of Wordsworth. However, his later works are darkened not by his own perspective, but by the fact that he is no longer certain that nature is truly the fountain that he taps for inspiration. A number of his later poems, such as “Leda and the Swan” and “The Circus Animals’ Desertion,” employ symbolism and metaphor in order to reflect the author’s battle to find his true source. Yeats spends his career dealing with this conflict, and he eventually concludes that while nature itself may have been the source of the general ideas for many of his poems, the works themselves came to life only after he reached into the depths of his heart and sought the fuel of pure human emotions and experiences. Ultimately, he discovers that the only true inspiration comes from the trivial and mundane influences found in everyday life; the purest poetic inspiration is humanity itself.
Through the se of metaphor, imagery, form, and rhyme scheme, John Keats crafts a message in this poem for all to hear, both young and old. To those who dread the aging onslaught of the coming years, he says to remember autumn. To those wishing again for the good old days of childhood, and feeling dissatisfied with their old age, he says to remember autumn. Age brings fruitfulness, stability, leisure, and harmony. It should be embraced for the natural and wonderful part of life that it is.
Keats, John. “The Eve of St. Agnes”. The Norton Anthology of English Literature: The Romantic
Throughout Keats’s work, there are clear connections between the effect of the senses on emotion. Keats tends to apply synesthetic to his analogies with the interactions with man and the world to create different views and understandings. By doing this, Keats can arouse different emotions to the work by which he intends for the reader to determine on their own, based on how they perceive it. This is most notable in Keats’s Ode to a Nightingale, for example, “Tasting of Flora, and Country Green” (827). Keats accentuates emotion also through his relationship with poetry, and death.
Keats, John. “La Belle Dame Sans Merci.” 100 Best-Loved Poems. Ed. By Philip Smith. New York: Dover Publications. 1995. 47-48. Print.
Jeffares, Norman A. A New Commentary on the Collected Poems of W.B. Yeats. Stanford, CA: Stanford University Press, 1984.
In order to experience true sorrow one must feel true joy to see the beauty of melancholy. However, Keats’s poem is not all dark imagery, for interwoven into this poem is an emerging possibility of resurrection and the chance at a new life. The speaker in this poem starts by strongly advising against the actions and as the poem continues urges a person to take different actions. In this poem, the speaker tells of how to embrace life by needing the experience of melancholy to appreciate the true joy and beauty of
In the poem “To Autumn” the initial impression that we get is that Keats is describing a typical Autumn day with all its colors and images. On deeper reading it becomes evident that it is more than just that. The poem is rather a celebration of the cycle of life and acceptance that death is part of life.
John Keats was one of the greatest poets of the Romantic Era. He wrote poetry of great sensual beauty and had a unique passion for details. In his lifetime he was not recognized with the senior poets. He didn’t receive the respect he deserved. He didn’t fit into the respected group because of his age, nor in the younger group because he was neither a lord nor in the upper class. He was in the middle class and at that time people were treated differently because of their social status.
Keats, John. “Letters: To George and Thomas Keats.” The Norton Anthology: English Literature. Ninth Edition. Stephen Greenblatt, eds. New York: W.W. Norton & Company, 2012. 967-968. Print.
Keats, John. Ode to Autumn. The Norton Anthology of English Lit. Ed. M. H. Abrams, et al. 7th ed. Vol 2. New York: Norton, 2000.
When talking about poetry and Romanticism, one of the most common names that come to mind is John Keats. Keats’ lifestyle was somewhat different from his contemporaries and did not fit the Romantic era framework, this is most likely the reason he stood out from the rest. Keats wrote many poems that are still relevant, amongst them Ode to a Nightingale, which was published for the very first time in July, 1819. The realistic depth and lyrical beauty that resonates in Ode to a Nightingale is astounding. Though, his career was rather short, Keats expressed a deep yearning to rise above misery and celebrate life via his consciousness and imagination. Themes of life and death play out in a number of his poems. This essay seeks to discuss Keats’s representation of mortality and immortality, specifically in his poem Ode to a Nightingale.
In “Ode to A Nightingale,” a prominent significance to Keats is his idea of the conflicted interplay in human life of living and death, mortal and immortal, and feeling versus the lack of feeling or inability to feel. “The ideal condition towards which Keats always strives because it is his ideal, is one in which mortal and immortal,…beauty and truth are one” (Wasserman). The narrator plunges into a dreamlike state when hearing a nightingale sing. As the nightingale sings, he shares its elation and feels the conflicting response of agony when he comes down from his dreamlike ecstasy and realizes that unlike the nightingale in his imagination, “Thou was not born for death, immortal Bird,” his life is finite (61). “Where palsy shakes a few, sad last gray hairs, where youth grows pale, and spectre-thin, and dies” (25-26).