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Color theory in literature essay
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Madison McDonald Dr. Jeann Owens English 2110 November 25, 2016 Color Symbolism Colors hold a great significance for many people around the world, varying throughout cultures, religions, and ethnic groups. Colors are also used to evoke different emotions in our soul such as; red for power and aggression, bright colors like yellow and orange representing warmth and happiness while blue and black portray sadness and depression. Along these same lines, do authors compose their symbolistic work. Throughout history authors have used color to express a deeper level of intellectual thinking to their audience, we refer to this as color symbolism. Charlotte Perkins Gilman chose an ordinary color in one of the most well known examples of color symbolism, …show more content…
She spends most of her time now examining the murky yellow wallpaper in the room, she is being treated in, "half the time now, am awfully lazy and lie down ever so much." Could her eyes be tired and weak from constantly being smothered by this color and the patterns it hides in its dingy crevices? Medically, can the narrators negative attitudes toward her physician husband be caused by the dreadful color? "Yellow can also create feelings of frustration and anger. While it is considered a cheerful color, people are more likely to lose their tempers in yellow rooms and babies are more likely to cry in yellow rooms." (Cherry) Why does the narrator begin to obsess over the repetitive patterns though? According to Kendra Cherry, yellow is also an "attention getting color used to draw notice". So, not only is the narrator physically in a yellow room, but psychologically her mind is drawn to the yellow walls. Thus, the wallpaper is mentally holding the narrator captive as well as her demanding physician husband. However, we never see the narrator push her luck with the husband. Time and time again we see the narrator justify his reasoning for keeping her, but does she really want to leave? Soon after, Gilman comes to the conclusion that she is a part of the wallpaper, and it apart of her. The woman in the wallpaper is in fact her own self, "I have found out another funny thing, but I shan't tell it this time! It does not due to trust people too …show more content…
So, the prince rounds up 1,000 of his courtiers who have not been inflicted by the plague into his abbey to protect them from this illness. After several months the prince decides to throw a grand ball. Decorating every room a different color, the last completely black with stained red windows, "A deep blood color" (Poe) The night of the grand ball when the clock struck twelve, a giant figure appeared. Killing the prince the figure reveals to the townspeople it is death, and the party-goers are doomed. There are many symbolic figures in "The Mask of the Red Death" but the few that stuck out to me most were the clock, Prince Prospero, and the rooms. The Ebony clock is placed in the black room, signifing death. The clock represents the idea of death getting near and nearer each passing minute. The seven rooms run east to west, much like the sun rises and its each day, demonstrating the cycle of life. Each room represents a new stage of our life according to the color. Room one is blue for birth. Room one is associate with a new beginning for all. Room two is purple, a mixture of blue (birth) and red (life), this room is suggested to represent growth and moving forward. Room three is green for the spring of life and youthfulness. Room four is bright orange for the summers of life. The fifth room is white, mimicking age, white hair and frail bones.
In many stories, authors use symbolism, which is using symbols to represent something, to show a moral. “The Masque of the Red Death,” is a fictionalized story about a deadly disease that pervades through a country, killing many people. A young prince, in an effort to save himself and his elite friends and family, he withholds them all in his grand castle. The castle is unique in that it has seven very distinct rooms, that all seem to represent something important. In the short story “The Masque of the Red Death” by Edgar Allan Poe, the seven colored chambers symbolize the cycle of human life, from birth to death.
All through the story, the yellow wallpaper acts as an antagonist, causing her to become very annoyed and disturbed. There is nothing to do in the secluded room but stare at the wallpaper. The narrator tells of the haphazard pattern having no organization or symmetrical plot. Her constant examination of and reflection on the wallpaper caused her much distress.... ...
In The Yellow Wallpaper, the narrator weaves a tale of a woman with deep seeded feelings of depression. Her husband, a physician, takes her to a house for a span of three months where he puts her in a room to recuperate. That “recuperation” becomes her nemesis. She is so fixated on the “yellow wallpaper” that it seems to serve as the definition of her bondage. She gradually over time begins to realize what the wallpaper seems to represents and goes about plotting ways to overcome it. In a discussion concerning the wallpaper she states, “If only that top pattern could be gotten off from the under one! I mean to try it, little by little.” “There are only two more days to get this paper off, and I believe John is beginning to notice. I don’t like the look in his eyes.”
In the "Masque of the Red Death," the first sentence, "The Red Death had long devastated the country," sets the tone for the whole story. Poe describes the horrors of the disease, stressing the redness of the blood and the scarlet stains. The disease kills so quickly that one can die within thirty minutes of being infected with the disease. To create a frightening effect of the revulsion of this disease, Poe uses words such as "devastated," "fatal," "horror of blood," and "sharp pains and profuse bleeding." In summary, the story relates the prince, trying to be safe and away from the horrible death, invites a thousand friends to be in seclusion in his abbey away from the disease. During a celebration , a masked ball at the abbey - with incredible described rooms and moods - a surprise masked intruder causes death to all.
“The Yellow Wallpaper” is a story about an anonymous female narrator and her husband John who is a physician who has rented a colonial manner in the summer. Living in that house, the narrator felt odd living there. Her husband, john who is a physician and also a doctor to his wife felt that the narrator is under nervous depression. He further mentions that when a person is under depression, every feeling is an odd feeling. Therefore, the narrator was not given permission by John to work but just to take medication and get well fast. This made the narrator to become so fixated with the yellow wallpaper in the former nursery in which she located. She was depressed for a long time and became even more depressed. This ha...
...at could these five pieces of literature possibly have in common?’ The answer to this question is very simple, these pieces of literature each possess symbolic colors that represent something different. Yellow wallpaper represents a deteriorating mind, a shabby, black box represents a gruesome, sacrificial death, green is the physical representation of power and wealth in society, a mixture of blue and yellow represents the confusion of a clear sky with dead grass and ‘Blue Roses’ and Blue Mountain represent the longing someone feels for something they can never have. Perhaps a paining is not the only symbol for the universe. Perhaps every piece of literature is related to each other in such a way that by reading each piece of literature, one can connect the different symbols an author chooses to use and recognize the complex harmony that binds the literature world.
Throughout the short story The Masque of the Red Death, Edgar Allen Poe uses various symbols to convey the idea that death is inevitable. Prince Prospero uses his wealth and status to attempt to elude death by secluding himself and others in his castle. The prince himself represents mankind and its inability to handle the realities of death. Therefore, Prince Prospero throws a magnificent masquerade since “the external world could take care of itself. In the meantime, it was folly to grieve, or to think” (Poe 37).
There is far more meanings behind the yellow wallpaper than just its own color. The pattern plays an immense role in causing the woman to become so entranced and obsessed with the wallpaper, as well as the source of her ever diminishing mental health. Gilman narrates, “I never saw a worse [wall] paper in my life. One of those sprawling flamboyant patterns
It drives her to the extent that she sees a woman trapped in the wallpaper and she rips the paper down trying to save her. The yellow wallpaper is the representation of the woman’s declining mental state. This is proven when the woman writes, “...when you follow the lame uncertain curves for a little distance they suddenly commit suicide… The color is repellant, almost revolting; a smouldering unclean yellow, strangely faded by the slow-turning sunlight” (Gilman 1068). It is Gilman’s unusual description of the wallpaper as “committing suicide,” “repellant,” “revolting,” and “smouldering unclean” that foreshadows the eventual downward spiral of the woman’s mental
The narrator first describes the wallpaper as “repellent, almost revolting” but she cannot ignore it. Her attraction to the yellow wallpaper grows as she attempts to figure out its pattern. She keeps looking at the yellow wallpaper and determines that the pattern is a woman trapped within the wallpaper, “shaking [the bars] hard”, trying to escape (542). This ultimately leads to the climatic ending with the narrator ripping the wallpaper apart, crawling on the floor alongside the rooms’ walls, and completely “losing it”. Even though the narrator’s obsession of figuring out the wallpaper’s pattern is the primary impetus that causes her to go insane, there is a greater underlying reason as to why this happened. The yellow wallpaper, combined, with the rest of the room, serves as a symbol of Gilman’s critique of confinement of both women in marriage and the mentally ill, which the narrator suffers
However, I think the most important is the yellow wallpaper itself. The wallpaper symbolizes the narrator’s mind. Due to her postpartum depression, she feels very trapped inside her own head. The pattern on the paper is and endless pattern, according to the narrator. It twists and turns, much like her own mind, with no end in sight.
Although both protagonists in the stories go through a psychological disorder that turns their lives upside down, they find ways to feel content once again. In Charlotte Gilman's "The Yellow Wallpaper," a nervous wife, an overprotective husband, and a large, damp room covered in musty wallpaper all play important roles in driving the wife insane. Gilman's masterful use of not only the setting, both time and place, but also of first person point of view, allows the reader to process the woman's growing insanity. The narrator develops a very intimate relationship with the yellow wallpaper throughout the story, as it is her constant companion. Her initial reaction to it is a feeling of hatred; she dislikes the color and despises the pattern, but does not attribute anything peculiar to it. Two weeks into their stay she begins to project a sort of personality onto the paper, so she studies the pattern more closely, noticing for the first time “a strange, provoking, formless sort of figure that seems to skulk about behind that silly and conspicuous front design” (Gilman). At this point, her madness is vague, but becoming more defined, because although the figure that she sees behind the pattern has no solid shape, she dwells on it and
Thus, she is left in the room all day with nothing but her thoughts and the ugly wallpaper that disturbs her greatly. Throughout the short story, the reader can see the narrator's deterioration in the singular focus on the wallpaper. The wallpaper and its secrets become very important to the narrator, but the wallpaper is also very important because of what it represents. The wallpaper becomes a reflection of what her mind is becoming. The color yellow is usually likened to happiness and sunshine, but in this story, the color is seen as more of a sickly yellow "the color is repellant, almost revolting; a smouldering unclean yellow, strangely faded by the slow-turning sun.
Gilman incorporates strong imagery throughout "The Yellow Wallpaper" to set the scene for the story and foreshadow the certain madness that is to come of the narrator. As the story progresses, so does the woman's declining mental status. An example of how imagery is used to display the inferiority of women is the fact that the woman in the story is confined to the old nursery room for most of her time. Gilman describes the room as "It was nursery first and then playroom and gymnasium...windows barred for little children" (Gilman 311). The woman focuses often on the wallpaper of the nursery. It is described as, "flamboyant patterns committing every artistic sin..the color is repellent...a smoldering unclean yellow, strangely faded by the slow-turning sunlight." The fact that she focuses so meticulously on the yellow wallpaper shows her crazed psyche. Later in the story, the narrator writes, "There is a recurrent spot where the pattern lolls like a broken neck and two bulbous eyes stare at you upside down...up and down and sideways they crawl...those absurd unblinking eyes everywhere" This makes the reader feel uneasy and explicitly details the madness of her neurosis.
Upon moving in to her home she is captivated, enthralled with the luscious garden, stunning greenhouse and well crafted colonial estate. This was a place she fantasized about, qualifying it as a home in which she seemed comfortable and free. These thoughts don’t last for long, however, when she is prescribed bed rest. She begins to think that the wallpaper, or someone in the wallpaper is watching her making her feel crazy. She finally abandons her positivity towards what now can be considered her husband’s home, and only labels negative features of the home. For example, the narrator rants about the wallpaper being, “the strangest yellow…wallpaper! It makes me think of… foul, bad yellow things” (Gilman). One can only imagine the mental torture that the narrator is experiencing, staring at the lifeless, repulsive yellow hue of ripping