Coffered ceilings are an option to add visual and architectural interest and instant personality to any space, no matter a large or a smaller one.
Actually, coffers are repeated sunken panels, usually yet not necessarily square or rectangular, trimmed with boxed beams.
This ceiling treatment, which can be traced back in architectural history to ancient Rome, was reinvented by the 1800s.
Whether using wood, including reclaimed panels and beams, drywall, plaster, tin tiles, moldings, hand-painted motifs, or bold geometric patterns to a make a coffered ceiling, this architectural feature is definitely an opportunity to add a sense of unexpectedness and create a unique space.
Coffered ceilings are used for both decorative and functional reasons.
…show more content…
In rooms with white walls, a coffered ceiling in a hue, which matches the flooring and some of the furniture pieces is a way to create a balanced, harmonious look.
For extra doses of visual interest, with painted panels and trims kept white/or vice versa/, any homeowner can go a step further and come up with a coffered ceiling design solution that offers contrast within itself.
Using wallpaper instead of paint, flat boards, drywall to create minimal beam design, an asymmetrical beam arrangement, and bold, modern lighting are options for a contemporary twist on the traditional-style coffered ceilings.
As for lighting, usually, a hanging fixture dropped from the center of the ceiling is complemented by recessed lighting. In darker spaces, installing lighting into the trim is a creative way to add more artificial light. When and where possible, consider combining a coffered ceiling with a skylight. This approach is definitely a stunning option, which provides some extra natural light, brings visual interest, and creates a space with tons of personality.
For a harmonious, cohesive look, especially in living rooms, a coffered ceiling can be paired with wall paneling that mirrors the coffers.
...lling device, which was opened up usually in the summertime, the ceiling however was covered in fabric from wall to wall.
This carried on in to the 18th century where more and more people dabbled in the gothic style with out a full understanding of how gothic architecture worked as a structural system. They confused stages of the gothic period, which were later defined by Thomas Rickman in is writing, and also used Classical forms such as pilaster and venetian windows. Many interiors were of a classical form a layout and some times other style were thrown in. Some gothic forms were even used on the exterior of building where they didn’t perform the function they were meant to. This shows how little the architects of the 18th century studied the mediaeval and how little they understood it.
Many of Frank Gehry’s early works reflect a refined manipulation of shapes and structures, whereby many of his buildings present distorted shapes or apparent structures. From the Guggenheim museum to the Walt Disney concert hall, Frank Gehry’s architecture is close to none. He cleverly plays with shapes and geometries. In this essay, I shall start with a brief analysis of Gehry’s house and the influences in the design of the house. I shall then analyze the extent to which Frank Lloyd Wright has inspired and influenced Gehry in the design of his house through a comparison with Frank Lloyd Wright’s Jacob’s house.
Although theres other studies that show that theres no need for the room to have ceiling or walls. This happens because the ames room can have am horizontal division but in reality is not horizontal against an appropriate background and the eye relies on the apparent relative height of an object above that horizon. However, this effect can be seen in many movies now a days. It is basically to confuse people in what they looking at in the room. Not until the curios people research and discovers it is only a trick and an allusion. They might try to do a 3-D model in order to find out how is it possible to see two different figures while one was bigger than the other figure or person. An Ames room is constructed by plotting the visual rays from the chosen view point to the various points of the notional orthogonal room. Points in the Ames room can then be established on the same visual rays, either closer or further from the view point. As mention before the principles of the Ames room is commonly use to create spatial illusionin films, movies ,etc. This effect was used in the movie Lord of the Rings trilogy so that the hobbits would appear smaller than the other tales or characters that are shown in the movie. Ame’s original room also incorporated an anti-gravity ilusion, that took advantage of the apparently flat floot that actually sloped. A ball would be appear to roll upwards along a grooved track that was positioned
The stained-glass ceiling was designed and made by Leonard French. What I realize first when the first I came to this room is a light shine through the glass which brings a nice colourful shadow to the floor that looks like a rainbow. Another thing that I realised was the ceiling is held up by a series of slim steel columns, so I assumed that the glass is really heavy because there are a lot of steel columns that support the glass. Then I tried to lie down on one of the round-shape sofa and look up, it reminds me of St. Patrick Cathedral because the cathedral also have this kind of piece but the picture is different. In the Cathedral, the Lord Jesus depicted in the form of glass while in The
Smith, C. Ray. Interior Design in 20th-century America: A History. New York: Harper & Row, 1987. Web. 26 Mar. 2014. .
Utzon, J. (2002). Sydney Opera House Design Principles (Publication). Retrieved October 1, 2011, from http://www.heritage.nsw.gov.au/docs/nominations/operahouse_designprinciples.pdf
Choosing the right primer product and taking the time to prepare your wall or ceiling properly helps ensure a paint job you're proud of. Best of all, it was last longer, so you can stay proud.
The rustic cathedral ceiling contains numerous individually, interlocking ash colored planks, each with a well-planned placement. At first glance, it resembles a children’s vintage wooden puzzle. Each and every piece adds a unique element of old-fashioned warmth and charm to an otherwise sleepy, serene room. Each board signifies a perfectly landscaped map; flowing rivers, rippling streams weaving through an endless span of knotty trees, woody forests and up over sun-glistening hillsides looking into an endless dark indigo sky. Colors of chocolate and butterscotch accent the natural beauty of each slender piece of uneven rough-finished lumber. Smooth blades of mahogany adorn the antique copper colored ceiling fan. A thin layer of dust dwells on the top of each of the six powerful blades.
...t the chimneys with the use of strong vertical lines and obvious energy saving properties.
...erior images show that both buildings highlight the horizontal, are free of ornamentation, and define volume rather than mass. . The architectural style of both Wright and Le Corbusier was to be achieved through standardization, which meant the separation of building elements into independent systems. These included the tendency to create spaces that flow together, rather than being compartmentalized to a particular function. Interior images indicate that both buildings have eroded the box for a space that flows without partitions between them. Additionally they shared attributes include a trend toward simplification of form, the elimination of unnecessary and decorative elements, and a marriage of form and function.
My dorm room is highlighted by a loft I built myself. The loft was not purchased from a hardware store or from a designer catalog. I used my carpentry knowledge and my own two hands to carefully construct the perfect loft. The loft does not symbolize convenience or organization as most may think. It is a symbol of my incredible independence, even to a fault.
The further you go back in history, it can be seen how interior design has blended with artistic societies such as during the Italian Renaissance. It has
A mixture of endearingly vibrant colours, makes this modern, multi functional living room come to life in an instant. The colours of choice used impose a delightful air of trendy sophistication. Cotton white walls and dark wood floors acts as a blank canvas allowing colour to be introduced by its furnishings and accessories.