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Citizen kane analysis essay
Citizen kane analysis essay
Citizen kane character analysis
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1. In the movie Citizen Kane, there are so many important facts to remember such as, when Charles Kane was eight years old, his own mother signed custody of him over to a banker named, Walter Thatcher. Because his mother signed custody over, Kane did not have a normal childhood and he built up a sense of animosity towards Mr. Thatcher and as a result everything Charles did was an attempt to antagonize Mr. Thatcher. At a young age Charles Became extremely wealthy; when he was twenty-five years old he was set to inherit a fortune; none the less, he only wanted the struggling New York Daily Inquirer because he thought it would be fun to run a newspaper. Charles never truly cared for his wealth and in one scene said that the purpose of money is …show more content…
Together, Emily and Charles had one child who dies in a tragic car accident. Kane’s alleged affair with “singer” Susan Alexander led to the divorce of Kane and Emily however, one could only speculate whether or not Kane truly loved Emily or even if Emily really loved Kane. After their divorce Kane married Susan Alexander; Susan was the closest Kane ever got to loving someone or being loved. Kane built a forty-nine thousand acre palisade in Florida called Xanadu for Susan after her attempted suicide. Xanadu was a pleasure ground that included a golf course, manmade mountains, and a zoo. Susan accuses Kane of trying to buy love which infuriates Kane to the point that he slaps. The slap leads to Susan walking out on their marriage. In a violent rage, Kane tears apart their bedroom; he halts the destruction when he sees the snow-globe. In his final living moment he uttered “Rosebud” while dropping a snow globe. The last scene of the movie is the most important because it ties everything together; this scene tells you want “Rosebud” was and what the snow globe …show more content…
There are really no true resolutions for the conflicts Kane endured. Kane never got over his mother signing over custody of him to Mr. Thatcher. He carried the feeling of being unloved throughout his life and let it destroy all his personal relationships. With Mr. Thatcher, Kane enjoyed antagonizing every aspect of his life, he wanted to be everything Mr. Thatcher hated. With Kane’s wives, he found ways to destroy their relationships. One example of this is a scene very close to the end of the movie when Susan is walking out of their home on Xanadu, and Kane is begging her not to go and that things will change, then he shifts the argument back to being all about him and says “you can’t do this to
Citizen Kane, is a 1941 American film, written, produced, and starred by Orson Welles. This film is often proclaimed by critics,filmmakers, and fans as one of the best if not the best film ever made. Citizen Kane is an unbelievable film becuase of how advanced it is compared to other films of its time. In the film, the producer used many different narrative elements to capture the audiences imagination. It truly is astounding how the filmmakers used certain editing techniques, sounds, and different narrative elements to illustrate the story and the plot. Although the plot isnt exactly captivating to the present day audience, this film is still amazing due to how much work and effort went into making it.
In your view, how does Welles’ portrayal of the complex nature of happiness contribute to the enduring value of Citizen Kane?
I am not surprised that that Killer Kane's returned. Every book I have read, that is like this, always has a plot twist and this is it. It all started in chapter 13. American Chop Suey. When Max is requested at the office and it all spirals downhill from there. When Mrs. Addison, the principal, mentions that Killer Kane is going on parole Max freaks out. From that point on you can figure that Kane is going to appear sometime. I feel that Killer Kane is a control freak. This started in Chapter 5 when Gwen says, “He made it... difficult for your mother to have any friends.” That told me that Kane is a control freak, and in chapter 16 that pretty much followed up my hypothesis. Kane and Max were walking over to the New Testaments he asked if
In the sequence, Wells uses low angles to showcase his characters and their status in the film, especially the shots with Mr.Carter and Kane. These shots are filmed at a low angle to depict how powerful Kane really is, with these shots they portray him towering over Carter, making it appear that he is capable of taking out whoever stands in his way. The low angles in this film are meant to isolate Kane and those who are around him to express that he is the king. Low angles shot are also seen when Leland confronts Kane about his egocentric personality after losing the election. This shot creates dramatic tension, but it still does not fail to make the shot about Kane because of the streamers and posters that surround them, which are a reminder of Kane and his loss. Though conflict arises from this scene, it is easy to see that even if Kane is being criticized, he still holds dominance.
The story of Charles Foster Kane was truly one that could go on as timeless. Born in poverty Kane was given away with the promise of having a better life. In a material point of view Kane lived a very fulfilling life filled with anything he ever wanted. Although throughout the movie, Kane despised the situation in which he was brought up in. Being placed under the care of his mother’s banker really influenced the way he viewed the world. He considered himself a people’s person a sort of hero for those in worse situations than his own. The mass appeal for this character along with the truly original storyline and plenty other factors led many people everywhere to gain a huge appreciation of this movie. Despise its early failure following its
Throughout the course of a lifetime, a common phrase heard is “don’t judge a book by its cover”. This phrase indicates the fact that it is nearly impossible to truly evaluate the life and feelings of a person just by what can be seen about them. This is the case in the film Citizen Kane, directed by Orson Welles. Charles Foster Kane is a man who would appear to the general public as having it all. A very popular man, Kane owns a successful newspaper company for which he is known worldwide. He builds a gigantic mansion for his second wife and himself, surrounded by intricate and expensive statues. Kane seems to be perfect in every single way, and one may think that he is the happiest man alive. However, Charles never had the things that
Citizen Kane, directed and produced by Orson Welles, defies the conventional style of classic Hollywood films. The film introduced a variety of radical techniques and cinematography way ahead of its time such as shadowing and deep focus. Told through the memories of his associates in a flashback form, Citizen Kane follows an idealistic man with principles Charles Foster Kane, played by Orson Welles, who becomes changed and misguided by wealth and what accompanies wealth. Through the story telling of Kane 's life, we are able to see how wealth changes, not only Kane 's ideals, but his actions and how he perceives the world. Through his choice of shadowing, deep focus, and wardrobe, Orson Wells portrays the transformation of Charles Foster Kane
Orson Welles ' introduced innovating editing and sound design in the 1940s with Citizen Kane (1941). Welles uses editing and sound to show the audience the passing of time, this is seen the breakfast montage. Welles uses sound bridges during the transitional wipes of fast moving images which fade into the next shot. The sound bridges act as links between the two scenes and make the time difference apparent to the audience. At the beginning of the montage Welles uses a slow zoom combined with romantic music to show the love between Kane and Emily. Both characters appear in the frame together with deep focus and slow paced editing which shows the closeness of the couple in the early years. This is juxtaposed by the end of the montage showing
I really found the concept of the “Rosebud” to be very interesting throughout the film. In the beginning of the film it seems as if it has so much significance, representing Charles Foster Kane’s last words. However throughout the next parts of the film it seems to decimate in importance until it is finally revealed that “Rosebud” is actually just the name of the sled that Kane would use when he was young. While this may be where the film ends I still believe that the “rosebud” carries a greater importance and meaning for Charles Foster Kane and the film as a whole. In addition, another riveting aspect of the film to me was the role cinematography played in the developing the overall plot of the film. The use of deep focus cinematography added
In CK, Welles conveys how the social concerns of wealth and power has resulted Kane’s sense of vanity and arrogance which led to his corruption of his moral integrity. Initially, through the deep focus throughout the negotiation between Mrs Kane and Mr Thatcher highlights Kane’s
Orson Welles’ career took place in the mid-thirties to late eighties in the twentieth century. He began his career at age fifteen, starting in Ireland, making his acting debut in the Gate Theater in Dublin. By eighteen, Welles started to appear in off-Broadway productions. It was then that he also launched his radio career. By age twenty, he had presented alternate interpretations of certain well-known plays and movies. At age twenty-two he was the most notable Broadway star from Mercury Theater and, because of this, BBC radio gave him an hour each week to broadcast whatever he pleased. That’s when, at age twenty-five, he broadcast War of the Worlds, which caused panic due to the “Martian invasions”. By the time he came into Hollywood, Welles could write, direct, cast, star, and edit movies without disturbance from the studios. It was during this time he created Citizen Kane- the only movie he completely finished. He retired from Hollywood at age thirty-three in 1948, but still continued to create his own films.
The movie Citizen Kane uses several form of narration. Because of this the audience gets to see Mr. Kane in different point of views. Citizen Kane has a nonlinear storyline, meaning that the events happen out of order. The movie uses first hand flashbacks portrayed by the people who knew him to show different times in Charles Kane's life. This narration style creates a mystery to Charles Kane character giving the audience a puzzle to figure out. In addition, when Charles Kane said "rosebud" in the beginning as he was dying, it created an enigma around his life and death. It was interesting that the characters in the film never solved the mystery in the end, the audience were the ones that got to solve it.
Also, Welles furthers the image of how demanding Kane is of Susan and many others. Mr. Welles conveys the message that Kane has suffered a hard life, and will continue until death. Welles conveys many stylistic features as well as fundamentals of cinematography through use of light and darkness, staging and proxemics, personal theme development and materialism within the film, Citizen Kane. Welles prominently portrays his figures with a specific amount of light or darkness, stunningly affecting whole scenes stylistically. The scene at Xanadu establishes Mr. Kane as an overbearing, controlling character.
In a particularly odd method of presenting a story, the movie Citizen Kane takes place mostly within the past, not in the sense of being placed before our current time, but rather through the use of flashbacks. Viewers follow a young reporter as he as he interviews people about a recently deceased Mr. Kane, who led a long life as a business tycoon and a politician in the United States. . Orson Wells, the writer of this 1940’s classic, depicts Kane as what many would consider the perfect example of who it means to be an American. He is an intelligent, well raised man, who both pursues and gains greatness in all aspects of life. Upon his death bed Kane whispers the words “Rosebud” while holding a glass snow globe, a phrase that is quickly snapped
‘Our interest in the parallels between the adaptation inter-texts is further enhanced by consideration of their marked differences in textual form,’