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Cindy Sherman Essay
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Cindy Sherman is a well known American photographer and film director. She was born in Glen Ridge, New Jersey, but soon after her birth her family moved to Huntington, Long Island. Cindy first became interested in visual arts when she was studying at the Buffalo State College. Sherman at first was more into painting than photography but when she became frustrated with painting she became interested in photography. She chose photography because she wanted to capture her own art rather than copy something and make it into a painting. Alongside Charles Clough, Robert Longo, and Nancy Dwyer they created an art center called Hallwalls. Sherman was also considered to be a part of The Pictures Generation which was an exhibition that was the first formal labeling of groups of artists with their images. …show more content…
Sherman photographs herself in several different costumes and poses for them herself. All of the photos in the series are taken in black and white, she also used her own belongings in these pictures for props. For example, she appeared as B-movie, foreign film, and film noir style actresses. Her work is very controversial to some art critics; they find it quite disturbing as well as in some ways funny. Sherman does not consider herself a feminist but some people assume she is due to some of her pictures. For example, the 1981 “Centerfolds” shows examples of the way women are stereotyped in magazines, television, and films. Due to some artists having to fight against censorship with their work Sherman created the series called the “Sex Series”. In these photographs she captured pieced together medical dummies caught having sex as well as in different sex
To begin, Scott’s article Reading the Popular Image argues that there are many ways and factors that can affect the meaning of an image of a New Woman. One argument that Scott presents is the importance of context to fully understand the picture so to not jump to conclusions. Scott uses the example of editorial context in the Life magazine to point out that the pictures, while on the surface may have a negative connotation attached to it, turns out to be quite positive and supportive. Scott also notes that new technologies emerged around 1890 allowed new “thoughts and significations” through pictures. She finishes her chapter by examining how the Gibson girl affected women individually as well as groups of women.
Cindy Sherman was born January 19, 1954, in New Jersey. In 1977, Cindy began working on "Complete Untitled Film Stills," a series of 69 photographs. Cindy is known for her black and white photographs that challenged cultural stereotypes (Heller). Sherman used color film and large prints, and focused more on lighting and facial expression. Cindy returned to ironic commentary in the early 1990s, directing the dark comedy “Office Killer” in 1997 (Sherman).
After a brief couple of months there she moved back to the United States to California in the Bay area where she lived with her sister. She later enrolled in the San Francisco Art Institute with the goal of becoming an art teacher with an emphasis in painting. As she began to take more classes focused in art she instead falls in love photography. Not soon after starting college she heads to a “Kibbutz” which is a communal settlement in Israel, typically a farm. She intended to never return to the United States again, but in 1970 despite her efforts she returns to the States to accept her frost assignment from Rolling stone and to her own surprise the photo she had taken of John Lennon makes the cover. Not long after in 1971 she received her first job with one of her soon to be long-term employers Vogue for their September issue starring the world renowned psychologist Dr. Arthur Janov who invented a new primitive form of therapy. In 1973 she receives a major accomplishment she appears on the Rolling Stone’s master head as “Chief Photographer.” Her photography does a beautiful job of capturing Nixon–era political figures and classic rock...
Cindy Sherman is a female artist who was born in 1954 in Glen Ridge, New Jersey which is located just outside of New York City. Unlike most artists Sherman did not grow up interested in art, in fact she did not really explore and discover her love for art until she was in college and enrolled at State University College at Buffalo. One day when Sherman was painting she discovered that she felt trapped by painting and wanted her work to be more than just a picture, so instead of painting Sherman got into photography. Sherman’s’ photographs were very unique, Sherman would take pictures of herself and became known as Untitled Film Studies. Even though all her photographs were of herself, Sherman would play a role or dress up and seem to be someone other than herself. Every photograph by Cindy Sherman would be labeled as “Untitled” with a number next to it, this depersonalizes the photograph.
Mary Cassatt, an American printmaker, and painter was born in 1844 in Pennsylvania. Cassatt’s family perceived traveling as an essential part of the learning process thus she had the advantage of visiting various capitals such as Paris, London, and Berlin. Cassatt studied to become a professional artist and attended the Pennsylvania Academy of Fine Arts. She later went to study in France under Thomas, Couture, Jean-Leon Gerome, and others. She spent a significant part of her adult life in France. When in France, she initially befriended Edgar Degas, a famous French artist, and later her works were exhibited among other impressionists. Afterward, Cassatt admired artists that had the ability to independently unveil their artwork and did not
Terror and mockery come together in the portraits of Cindy Sherman on display at the Crocker Art Museum. Walking into the large, dimly lit ballroom, one may begin to feel a slight sense of trepidation as the viewer looks around to find nine sets of beady eyes watching one’s every move. Sherman produced her History Portraits during the late eighties and early nineties, nine of which are displayed at the museum. In her portraits she uses lush fabrics, lavish jewelry, and false body parts to decorate herself in these self-portraits. Her portraits have been know to cause discomfort in the viewers who find the general stereotypes, depicted in her portraits, amusing, yet confusing and terrorizing.
Amy Cuddy's editorial "Your iPhone is ruining your posture- and your mood" make the most credible arguments because she uses the method of Ethos. In Cuddy's editorial and Ted Talk, she uses a lot of real-life situations and examples that people can see when they go out in the world. For example, in cuddy’s Ted Talk, Cuddy states that " What we tend to do when it, comes to power is that we complement the other's nonverbal. So if someone is being really powerful with us, we tend to, make ourselves smaller. We don't mirror them. We do the opposite of them." She explains that when you go out and see really shy people we tend to see them like they want to hide from the world and they try not to make any contact with anyone but when we see a really
2)Cindy Sherman is a contemporary master of socially critical photography. She is a key figure of the "Pictures
Cindy Sherman is an American born artist (b.1954) who grew up in Long Island. Her family was not particularly involved with the arts, so she developed her interest in the arts during her college days. She began with painting, but felt frustrated with its limitations and decided to pursue photography. She is one of the most esteemed photographers of the late twentieth century. Her work spans from the 1970s as a student in Buffalo to present day. Sherman portrays many facets and personas of the female identity throughout her photographs. With the exception of a few series in the 1980’s and 1990’s which featured disturbing and visceral images of doll parts, organic material, and human fluids, she is the sole subject of her photographs, which is fascinating in itself as it eliminates the usual chemistry depicted in and between the artist and subject. With her extensive and skilled use of wigs, prosthetics, makeup, costumes, and digital editing, she transforms herself into a myriad of personas and identities. “For Sherman the camera is a tool with which to explore the condition of representation and the myth that the photograph is an index of reality” (Slatkin page 266).
There are many people each day asking themselves the same question “ What should we do to improve colleges?” and they can't really find an answer to their question, but if you look harder and put more thoughts to it you can always find something to improve about your college no matter if you think there might be nothing wrong with it and it's working the way it should. There always will be a flaw you just need to look harder into it. In the reading by Danielle Douglas-Gabriel “Why so many students are spending six years getting a college degree” ,Douglas-Gabriel explains how sometimes it takes student longer to graduate because of colleges add to many unnecessary degree requirements to keep students in school for much longer than needed. Douglas-Gabriel
For centuries, the objectification of women has become the norm, forever portraying them as submissive and passive for the benefit of the male gaze. Eternally capsulated in a world, perfected, unanimously the viewer and viewed alike. Jenny Saville defies expectations in creating the female nude with herself as both subject and painter. Taking on the roles given to women by men and making them her own, Saville elevates the status of women by making them their own judge of beauty. Kenneth Clark, a renowned art historian of his time, believed to create a form of art, the nude must be reformed and not directly recorded from life. In doing so, scouring away all evidence of the woman before the painting, before being perfected.
Led by Laura Mulvey, feminist film critics have discussed the difficulty presented to female spectators by the controlling male gaze and narrative generally found in mainstream film, creating for female spectators a position that forces them into limited choices: "bisexual" identification with active male characters; identification with the passive, often victimized, female characters; or on occasion, identification with a "masculinized" active female character, who is generally punished for her unhealthy behavior. Before discussing recent improvements, it is important to note that a group of Classic Hollywood films regularly offered female spectators positive, female characters who were active in controlling narrative, gazing and desiring: the screwball comedy.
Annie Leibovitz (born Anna-Lou) was born in Waterbury, Connecticut on October 2 1949 to her father Samuel Leibovitz, a was a lieutenant colonel in the U.S. Air Force, and her mother, Marilyn Edith, née Heit, a modern dance instructor of Estonian Jewish heritage. (http://en.wikipedia.org/wiki/Annie_Leibovitz) Because her father was part of the military, it forced her and her large family to move around constantly. “Years before it ever occurred to me that one could have a life as a photographer, I became accustomed to looking at life through a frame. The frame was the window of my family’s car as we traveled from one military base to another.” (Leibovitz 11) Annie attended Northwood High School and became interested in a variety of artistic accomplishments such as writing, music. She attended the San Francisco Art Institute where she enrolled as a painting major in 1967. For several years, she continued to develop her photography skills while working various jobs, including a stint on a kibbutz in Amir, Israel, for several months in 1969. (http://en.wikipedia.org/wiki/Annie_Leibovitz)
Annie was born in Waterbury, Connecticut and spent most of her childhood in military bases, because her father had a career as an officer in the AIR FORCE. Growing up one of six, her father was circulating everywhere. Annie’s mother, was a stay at home mom, a wife, and a teacher. If she ever talked clamorously or if she was eager, she claimed it was because of her extensive and uproarious family foundation. She took classes at night to study the art of painting at the San Francisco Art Institute. In 1970, her distinctive portraits started showing in Rolling Stone magazine, and have been ever since (“Annie Leibovitz a photographers life1990-2005”). Annie Leibovitz is one of Americas’ most well known celebrity portrait photographer for her work in Rolling Stone magazine and her work in Vanity Fair.
7) Wanless, Mary Wanless. "Barbie's Body Images." Feminist Media Studies 1.1 (2001): 125-127. Communication & Mass Media Complete. EBSCO. Web. 18 Apr. 2015.