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Cinderella analysis
Literary criticism of the story Cinderella
Cinderella character literary
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Creative Title Once upon a time, my mother married a rich man for money. When we arrived at his estate, I knew that these years would be the worst ones of my life. My sister, Drizella, and I looked very plain next to his daughter, Ella, who was a beauty. Ella took a fancy to making snide comments about our looks, and so, in return, we would make remarks about hers. Tragedy struck us only a few years later. My stepfather, whom I adored, passed away very suddenly. Mother took over the household and favored Drizella and me above Ella. Ella began doing more chores, like tending to the fire, and we began doing less. Because of the ever-present ashes on her face, we began to call her Cinderella. Soon, it became known all over the villages and countryside …show more content…
I have, um, stuff to do.” My heart was beating wildly in my chest, and I could still feel his eyes on me as I walked away. I had only been walking a few moments when I heard the trotting of a horse. “Wait,” called the prince. “Can I offer you a ride home?” I think I almost fainted. “That’s very kind of you,” I whispered, “but you don’t have to do that.” “No, really,” the prince responded, “It would be my honor.” Our ride was quite enjoyable. The prince was surprisingly curious about me and asked many questions about my life. He was easy to talk to, and I was disappointed when we arrived at my house. “Goodbye,” I said. “And, um, thank you for the ride.” He smiled, and I almost fainted for the second time. “Anytime.” I waved to him as he rode away, then I flew through the house and up to my room. I shut the door, leaned against it and smiled. I was determined to be his bride. The night of the ball arrived, and Drizella and I spent the whole afternoon preparing, wanting to look our best. I was wearing a wonderful dress of deep blue. It took me fifteen minutes alone to get into my corset, but it was worth it. Just as we were getting into our carriage, Cinderella showed up in a hideous dress of her mother’s, but Mother said she couldn’t go in such embarrassing
In the article, “Fairy Tales and a Dose of Reality,” Catherine Orenstein attempts to show the contrast between the modern romanticism of marriage and the classic fairy tale’s presentation of them (285). She looks at the aristocratic motivations for marriage and the way these motivations are prominent in Cinderella. She then looks at the 20th century to highlight the innate difference of our mentalities, showing a much more optimistic and glorified relationship. In the article, “Cinderella: Not So Morally Superior,” Elisabeth Panttaja claims that Cinderella’s success can be attributed to her craftiness (288). She shows her and her mother as an equal to the stepfamily, analyzing each family’s goals and values. She attempts to show their similarities,
Jacqueline Schectman is a therapist who has focused on the psychological pattern finding archetypes brought out by stories that resonate with the readers own experiences. She attempts to bridge the connection between the reader 's imagination and real life. In “Cinderella” and a Loss of Father-Love, Schectman takes what her clients take from Cinderella, and uses it to understand their case better. Their interpretation of the story Cinderella reveals what they tend to relate with in their personal lives. While in The Truth about Cinderella, Martin Daly and Margo Wilson explain the statistics of stepparent domestic abuse towards children, sexual and domestic violence. While both authors use Cinderella and her wicked stepmother as the analogy between children and their stepparents, Jacqueline Schectman focuses more on emotional abuse, while Martin Daly and Margo Wilson emphasize physical abuse.
The Hero’s Journey is a basic template utilized by writers everywhere. Joseph Campbell, an American scholar, analyzed an abundance of myths and literature and decided that almost all of them followed a template that has around twelve steps. He would call these steps the Hero’s Journey. The steps to the Hero’s Journey are a hero is born into ordinary circumstances, call to adventure/action, refusal of call, a push to go on the journey, aid by mentor, a crossing of the threshold, the hero is tested, defeat of a villain, possible prize, hero goes home. The Hero’s Journey is more or less the same journey every time. It is a circular pattern used in stories or myths.
As the formula for the tale of Cinderella goes, the story’s exposition establishes that the mother of Cinderella will remain absent for the whole of the story. Death or other mysterious reasons causes this absence and, as a result, Cinderella, the name often given to the main character of this story, experiences mistreatment following the removal of her mother. The introduction of a new mother serves as the cause of the misfortune, with the children of this new mother aiding in cause of misery. Cinderella hears about the royal ball hosted by the king for the purpose of finding a princess for the king’s son. This event acts as the means of escape from her wretched circumstances. However, Cinderella can’t find success or confidence to go without the aid of a guardian or helper. The mother’s spirit takes the form of several helpers, in particular a cow or bull. The cow and the bull guardians can have different means as a result of the change in gender and serve different purposes.
With her siblings kept in higher regard than her, Cinderella is excluded from achievements in life. Cinderella eventually accepts her place by the hearth: this is the acceptance that a degraded sibling feels. She reverts to a quote of Bruno Bettelheim’s about sibling rivalry. Subject to living in the ashes by the chimney, the child will eventu-ally have a longing to be rescued from her situation.
As the world has transformed and progressed throughout history, so have its stories and legends, namely the infamous tale of Cinderella. With countless versions and adaptations, numerous authors from around the world have written this beauty’s tale with their own twists and additions to it. And while many may have a unique or interesting way of telling her story, Anne Sexton and The Brother’s Grimm’s Cinderellas show the effects cultures from different time periods can have on a timeless tale, effects such as changing the story’s moral. While Sexton chooses to keep some elements of her version, such as the story, the same as the Brothers Grimm version, she changes the format and context, and adds her own commentary to transform the story’s
Cinderella is about a beautiful young girl that is mistreated by her step family. They give her the worst chores, make her sleep in a very dirty room up in an attic, and even give her the name “Cinderella” because they say she is always playing in the cinders of the fire. Cinderella is different though because despite being mistreated, she is still very nice and warmhearted. She represents how you should act in a world full of hate. If you are nice to everyone despite their rudeness and hate you will be rewarded in the end. Since Cinderella was so nice to her step sisters throughout her whole life, when she wanted to go to the ball her fairy godmother granted her wish. Cinderella got to go to the ball and looked absolutely beautiful, beautiful enough to catch the attention of the prince. While at the ball she was still very nice to her stepsisters, giving them food and telling them how nice they looked. When the stepsisters got home from the ball that night, they explain how lovely the mysterious princess was and how they thought she was so beautiful, not knowing that the mysterious princess was Cinderella. Cinderella played it off like she knew nothing of the princess but agreed with them that she must have been very beautiful. The next day came around and the stepsisters returned to the ball the
In the article, “Cinderella: Not So Morally Superior,” Elisabeth Panttaja argues that Cinderella was not successful because of her patience or virtues, but because she was wittier and utilized magical powers to overcome those against her. Panttaja presents an alternative idea that many had not concluded. Panttaja’s claim has valid evidence revolving around Cinderella’s magical mother and her use of that power. The lack of logical and legitimate evidence for her analysis of the “love theme” and of the success Cinderella has with the prince weakens her overall article.
Throughout the history of folklore and fairytales, many interpretations of tales have been created and introduced. When exchanged, many details have been lost in translation, only to be redistributed as a similar tale following a certain moral. But throughout the life of the tale “Cinderella,” one objective has never been misconstrued; the social structure and the status Cinderella falls and rises to. Many fairytales display a rise and fall of a protagonist, often in the case of social classes. The many versions of “Cinderella,” including Ever After, exhibit a definite, strong, monarchical settlement with a defined arrangement of classes that create and develop the beloved character of Cinderella, or Danielle De Barbarac, herself.
...d rushes to see Odette. He apologizes to Odette. Odette tells him she has no choice but to kill herself, and he decides that he cannot live without her and they jump into the lake together. Cinderella is the story of a girl whose father died, and her stepmother made her into a servant. The prince is throwing a ball, and Ella wishes to go to it. A fairy godmother appears and makes Ella’s rags into a beautiful ball gown, and gives her glass slippers. She goes to the ball and dances with the prince, but she must leave before the clock strikes midnight or until her gown will turn back into rags. As she is leaving, she loses a shoe. The prince goes through the city looking for her, sizing the shoe on each girl. Cinderella steps up and says that she was the girl, she tries on the shoe and it fits perfectly. Cinderella and the prince end up getting married.
Perrault’s “Cinderella” begins with a young maiden and a set of stepsisters who treat the maiden badly (Perrault 236). The young maiden, called “Cinderella,” responded with kindness to this harsh treatment (Perrault 237). Cinderella could
One day, all the woman are invited to a party at the royal palace, the purpose of which is to find a wife for the Prince. But the stepmother tells Cinderella that she cannot go unless she finishes all her chores-an impossible task in the short amount of time before the ball. The stepmother does not want her at the ball because Cinderella is much more beautiful than the woman's own daughters.
Fairy tales are some of the most compounding stories us as humans still have to this day, not only are they full of morals, ethical themes and guidelines, but also make for good storytelling as well. One particular set of tales, quite possibly the most popular fairy tales to date are the tales of Cinderella. Cinderella is the story of a fallen princess of sorts, she is often overshadowed by an overpowering stepmother, or sisters that cast her away to do all the daily, mundane tasks that no one else wants to do. Because of that castaway, Cinderella often becomes this broken, dirty, shell of a person that she used to be, but she remains complicit in her day to day life because complaining and trying to change it will only cause more strife and issues. In this essay, both the German and French variations of the tales will be
Cinderella was an ordinary girl who lived with her step-mother and step-mother. They lived in London. She was abused at home a lot and at school too because her step-sisters always embarrasses her. She didn’t have friends because she didn’t know how to socialize that well. She did have friend but she moved and completely changed herself. It was two days before the dance. She wanted to go so bad but she knew her step-mother will never let her. But she wanted to go and she is going to have the guts to do. She asked her step-mother.
My decision seemed positive at first, until the moment I stepped in the car, and I realized how real the situation was. When the two hour drive to the site started, I was afraid of how I would react to seeing the river again. As the drive continued, and the closer we got, the more I started to worry as the bad memories started rushing back. I saw buildings or signs in the town of the river, and they start to trigger emotions that have been saved up within me over the years. They reminded me of when we drove by our favorite ice cream place, where me and my mom went on the day the boys went fishing.