Chuck Close (born 1940) is an American photorealist specializing in close-up portraits and self-portraits. Close is one of the very few modern realists or photorealists who focus on the human face. In 1988, in mid-career, Close was paralyzed due to a blood clot in his spinal column. He regained partial use of his arms, and was able to return to painting after developing techniques which allowed him to work from a wheelchair.All of Close’s works are based on photographs he takes himself. Close always follows the same guidelines in planning a painting.
The source photograph is a tightly cropped head and shoulder shot. The subject is a family member or friend. The finished work is always titled by the subject’s first name alone (with the exception of “Self-Portrait”). This decision was intended to project an aura of anonymity, allowing viewers to approach the work without preconceived ideas about the sitter.Close’s working method is extremely labor-intensive. He begins by dividing his source photograph into a grid and creating a corresponding grid on the canvas. He then meticulously transcribes the image onto the canvas square by square, proceeding from the top left to the bottom right.
Some of the largest canvases contain thousands of squares; Close completes all of his paintings by hand. Given the painstaking nature of this work, some of the earlier large-scale paintings took up to fourteen months to complete.Close's work falls into two periods, the early and the middle, in which he is now fruitfully engaged. It is easy to divide the two periods on either side of Close's 1988 stroke that left him unable to hold a brush. (He paints with his brush tied to his hand by a metal and Velcro device.) Close started to work with bolder, more expressive and colorful marks before his great physical trauma. The new work is both the same; they're recognizable as works by Close and could be by no one else He still uses the grid and he still paints heads. Although the amount of information the new pictures carry is less than the old, the characters depicted seem warmer, more immediate, and more exuberant.Close's repertory of marks has changed dramatically.
In place of the discreet dots and miniature strokes of his early work, not to mention the pictures constructed of fingerprints he made in the early'80s, each of the enlarged squares in the new grids contains colorful, painterly marks that function as mini- abstract paintings of their own.
Johnson, Brooks. Photography Speaks: 150 Photographers on their Art.” New York: Aperture Foundation Inc., 2004. Print.
Since the painting focuses on depth, the picture is read near to far, starting with the obvious painstaking details in the foreground, and ending with the massive background.
It seems to be his style of painting, thick brush strokes. It is not simple, there is much to the painting, there is emotion in the painting. It is a stunning piece made by him.
The first thing to notice about this painting is how incredibly involved and realistic the brushwork is. The couple’s faces are so delicately rendered. Every wrinkle is visible and every hair strand is in it’s place. The soft folds and patterns of their clothing, and the grain of the vertical boards on the house, are highly developed and reveal Wood’s incredible attention to detail. The man, especially, appears to be nearly photorealistic.
painting, to look at it from an artist’s perspective, one can see all of the little details that
This notion of Abstract Expressionism has become an interesting factor between the Contemporary arts making of Abstract arts, specifically paintings. When approaching Artworks from Contemporary Abstract painters, the subject matter dives deeper in meaning than the actual artwork before the viewer. From an outward appearance, some paintings from artist, such as, James Little, juxtaposed to works by Odili Donald Odita, have a lot of formal similarities within the uses of geometrical shapes and balancing colors. However, understanding the means to why each artist paints the way they do, will actually become rather different from first approaching and accessing the paintings.
Chuck Berry is one of the founders of rock and roll. He is the only one living today. He has performed for millions of people with his famous “Duck Walk.” He still has what Corliss & Bland describe as a slim, toned body, wavy hair drenched in Valvoline oil, and a sharply cut masculine chin and cheeks etched with pain and promise. Even today he only wants a Lincoln Town Car, his Fender Bassman amp, and his guitar. Chuck Berry has had for decades one of the shortest and most ironclad contracts in the music business (Jacobson 6).
Edgar Degas was a French artist famous for his work in painting human figure in their motion. He was often known as an Impressionist, although he rejected being called that preferred to be called a realist. In each of his paintings he would express the harmony of line and stability of outline. One of his paintings is The Absinthe Drinker in 1876 as it is an oil on canvas. There are many impressionist painting techniques, though one technique Degas use is a snapshot. A snapshot is a painting that looks like a photograph of a scene. At first sight the impression of the portrait portrays an aspect of modernity. There are two individuals sitting side by side inside a cafe de la Nouvelle-Athenes in Paris, while there is no communicating between them. As it looks like each one is melancholic in their own isolation. Th...
In this piece Benny has depicted himself in the artwork creating another piece of artwork. He is standing at a 45° angle as if he has been interrupted by us, the viewer. This is how Benny engages us, the viewer into his painting. As if we are just as much a part of it as he is. When looking at his painting from a distance it seems as if it is just another oil painting but upon closer observation you can clearly see the different fabrics that he uses to create the collage and which gives the painting its textures. He shows space in the painting by leaving the wall on which the canvas hangs, bare, as is the floor with the exception of the box of rags that he uses in his collage.
From the creation of art to its modern understanding, artists have strived to perform and perfect a photo realistic painting with the use of complex lines, blend of colors, and captivating subjects. This is not the case anymore due to the invention of the camera in 1827, since it will always be the ultimate form of realism. Due to this, artists had the opportunities to branch away from the classical formation of realism, and venture into new forms such as what is known today as modern art. In the examination of two well known artists, Pablo Picasso and Jackson Pollock, we can see that the artist doesn’t only intend for the painting to be just a painting, but more of a form of telling a scene through challenging thoughts, and expressing of the artists emotion in their creation.
Williams’ begins the article “Here I Am Taking My Own Picture” with a description of a young female college student who is taking her own photo for her social media page. She tries out several poses in her pictures. Instead of taking the photos in front a mirror the woman takes the photos in front of a webcam. Williams leads out of the
I addition, the painter ability to convince portrays fabric of different types of the marks to make him a great painter. In a dimensional work of art, texture gives a visual sense of how an object depicted would feel in real life if touche...
...hese repeated vertical lines contrast firmly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, seems unchanging and flat, whereas the foreground and middle ground of the painting have a lot of depth to them.
When I imagine an artist, I picture a Parisian dabbing at a sprawling masterpiece between drags on a cigarette seated in an extravagantly long holder. He stands amid a motley sea of color, great splashes of vermillion and ultramarine and yellow ochre hiding the tarp on the studio floor. Somehow, not one lonely drop of paint adorns his Italian leather shoes with their pointed toes like baguettes.
Still although different in many ways they still share many similar aspects such as the use of large canvases, an “all over approach” in which the whole canvas is treated equally, every part of the canvas is important, quality of brushstrokes and textures, the use of accidents that play an important role to the entire work and the attempt to express pure emotion directly onto a canvas.