Chinatown
A bus pulls up to its stop on College Boulevard and passengers stream out. Cars are flowing steadily through the streets as I stand perfectly still on the street corner in an attempt to greedily absorb the smells, sights, and sounds. The green hand shaped light appears and I proceed to cross the street with an increasing sense of discovery. There were signs everywhere; mostly in Chinese characters. Some of the signs in English read: Dim Sum Lunch $3.50, English Books about Chinese Herbs, China Kung Fu Acupuncture Treatment Center and Chinatown 2002.
Looking at people walking along the sidewalks, the restaurants, bakeries, auto-repair shops and bookstores, I get the distinct impression that this is a place of great importance in almost every imaginable context. What saddens me is that I also understand how ill equipped I am to understand the magnitude of its import. In an effort to gain a rudimentary understanding of what Chinatown represents from a cultural, social, political and historical context, we will examine the historical background of the area, basic geographical data, contemporary situation and a few of the major issues facing this community.
Chinatown first began in an area know as Sonoratown, where the notorious street Callae de los Negros (, named for the dark deeds committed there and the individuals who committed them,) was located. By 1870, it is estimated that about 200 Chinese laborers, servants, road-builders, and small shopkeepers shared the block long area located near the plaza in El Pueblo with gamblers, drifters, and outlaws. (Rasmussen: 4).
Despite their important contributions to the Southern California economy, Chinese communities were faced with anti-Chinese legislation a...
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...nd rich cultural tradition.
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One particular ethnic group that suffered severe discrimination was the Chinese people. They first came to America for several reasons. One of them was the gold rush in California in 1849, in which they were included in a group of immigrants called the “Forty-Niners” (179). From gold mining, they switched to other jobs with resulted in the rise of anti-Chinese sentiments. People felt that Chinese people were taking the jobs away from them, because Chinese people worked for much smaller salaries that businesses preferred. This mindset gave way to the creation of The Chinese Exclusion Act passed in 1882, which prohibits more Chinese immigrants from coming to America. In addition, the act states “no State or court of the United States shall admit Chinese to citizenship”. Like the Naturalization Act, the Chinese Exclusion Act was created to hinder Chinese people from becoming citizens so that America could remain homogenously white (186). It also aimed to stop Chinese people from establishing a bigger community in the country in hopes of eliminating the threat of competition to their white counterparts (186). Like African-Americans, Chinese people were considered racially inferior and have struggled to prove that they were worthy to be called true Americans, rather than
Moreover, Brutus is considered a tragic hero first because of his numerous character flaws or hubrises. An example is Brutus’s flawed logic. By even deciding to kill Caesar for what he is ‘going’ to do, yet not by what he has done, Brutus sets himself up for failure. “‘And therefore think him as a serpent’s egg which hatched, would as his kind grow mischievous, and kill him in shell’”(911). Brutus’s reasoning for murdering Caesar in such cold blood is because he is afraid of what he could do or what he could become. However, this is clearly faulty logic, fo...
Chinatown is regarded by many as one of the best films ever created. In 2007, The American Film Institute named “Chinatown” as #21 on their list of 100 greatest films! Chinatown is a great film because it is able to show how far people are willing to go to obtain riches and how a detective is willing to go to great lengths to solve the mysteries in front of him. The movie has been talked about in abundance and has even been influenced by real life events from the water company in Los Angeles. It is closely related to corruption and the 1% which people still talk about till this day. In the movie “Chinatown” directed by Roman Polanski, a private detective hired to expose an adulterer finds that he is caught up in a web of deceit, corruption, and murder. Somewhat relating to this is the article “Of the 1%, by the 1%, for the 1%” written by Joseph E. Stiglitz. In the article Stiglitz writes about how democracy in America is a mirage and that the rich
In his 1937 film Street Angel, Yuan explores the inequities facing Shanghai’s urban proletariat, an often-overlooked dimension of Chinese society. The popular imagination more readily envisions the agrarian systems that governed China before 1919 and after 1949, but capitalism thrived in Shanghai during that thirty-year buffer between feudalism and Communism. This flirtation with the free market engendered an urban working class, which faced tribulations and injustices that supplied Shanghai’s leftist filmmakers with ample subject matter. Restrained by Kuomintang censorship from directly attacking Chinese capitalism, Yuan employs melodrama to expose Street Angel’s bourgeois audience to the plight of the urban poor.
Weirde. (n.d.). Chinatown's Opium Dens. Found San Francisco Digital Archive. Retrieved April 20, 2014, from http://foundsf.org/index.php?title=Chinatown%27s_Opium_Den
The viewer sees a private eye and beautiful client. First thought, "It’s definitely another Hollywood crime drama." On the surface, Chinatown has all the elements of a film noir: the presence of a beautiful but dangerous woman, otherwise known as the femme fatale, a gritty urban setting, compositional tension (highly contrasting light and dark colors or oblique camera angles), and themes of moral ambiguity and alienation. Chinatown, however, is different. Polanski shot Chinatown with color film, and though his colors do appear especially vivid, color film precludes the contrast intensity that black and white film offers. In addition, Evelyn is not the classic femme fatale. Though Jake mistakes her for her husband’s killer at first, Mrs. Mulwray eventually emerges as the story’s most tragic victim. Yes, Chinatown for the most part conforms to the structure of film noir, but this film departs from the general genre, creating an entirely different element in which Roman Polanksi examines not only big-money corruption and its malignant obsession with money, but also larger, more human themes such as ignorance, authority, and the pervasiveness of evil.
In the play the Life and Death of Julius Caesar (just as in all of Shakespeare’s tragedies) there is much death, much tragedy, and of course, a tragic hero. However unlike most of Shakespeare’s plays this time the tragic hero is not particularly obvious. Throughout the play a few main characters present themselves as possibilities for being the tragic hero. But as being a tragic hero is not only having a tragic flaw but also entails much more, there really is only one person to fit the mold. The character Brutus is born into power and is higher/better then we are. He has a tragic flaw that causes his downfall and at the end he realizes his mistake (a trait none of the other characters can really claim).
It will be argued that both African-Americans and Native-Americans, were able successfully able to develop very urbanized communities that were functionally similar, but culturally and ethnically distinct. The various similarities and differences between the two groups East Bay and LA experience will be addressed, including the motivations of such groups to move to California; how both groups were able to discover collectivism and community; how there was a progression from the first generations to the second; and the overall cultural impacts that such groups left in California.
Brutus’s tragic flaw is that he is very easily manipulated and persuaded. He is very naïve and allows others to swindle him because he feels that no one would ever lie or deceive him since he didn’t do that to anyone. His first mistake is believing the forged letters from the conspirators. This was all ...
ChinaTown, directed by Roman Polanski, is a non-traditional hard-nosed detective film made in the 70's. The typical elements of character type are there; J.J. Gittes (a private detective in LA) played by Jack Nicholson is the central character, sharing the spotlight is Fay Dunaway playing the femme fatale Evelyn Mulwray. This film breaks all types of norms when compared to the hard-nosed detective films it is modeled after. The film is filled with allusions to the Big Sleep, especially taken from scenes of Marlowe and Vivian. Chinatown has formal elements indicative that it is going to be in the style of traditional Film Noir hardboiled detective, until you examine the characters' personalities next to the story content.
Films that are classified as being in the film noir genre all share some basic characteristics. There is generally a voice-over throughout the film in order to guide the audience's perceptions. These movies also involve a crime and a detective who is trying to figure out the truth in the situation. This detective usually encounters a femme fatale who seduces him. However, the most distinctive feature of the film noir genre is the abundance of darkness.
The Oriental institute Museum is part of the university of chicago, a research facility Opposed to a teaching facility such as Wright college, the university is located in one of the most upcoming areas, also given one of many best chicago neighborhood development awards. This would explain why Hyde Park was a back drop for the presidential election bringing forth one of the most loved and revered presidents, President Barack Obama. Prior to my mandatory trip to this side of chicago I was unaware of such a neighborhood existing on the south side. I've always stayed away from that side of the city due to a cultural bias, uninformed decision influenced throughout the knowledge attained from mass media. ( i.e. the news) Thankfully due to this mandatory visit to the museum I am now aware of a neighborhood I can safely travel to and utilize for its wealth of historical museums and information.
As a “speculative man of high motives and refined sensibility”(Catherine C. Dominic) Brutus does have his confusion of motives. Act I, scene ii, is the first we see his weakness, “his concern with reputation and appearance, his subtle vanity and pride”(Gayle Green). Yet the main bases of Brutus’s bewilderment of motives takes place in Act II, scene I, with his famous soliloquy beginning with “It must be by his death”. This speech may be the turning point in which Brutus feels better about the assassination of his once called friend.
While there are many different ways to classify a Neo-noir film, Roman Polanski’s, Chinatown captures many. The 1974 movie consists of many of these elements, including both thematic and stylistic devices. One of the main themes of neo-noir film that is constant throughout the film is the deceptive plot that questions the viewers’ ideas and perceptions of what is actually happening in the film. Every scene of Chinatown leads to a twist or another turn that challenges the practicability of the film’s reality. All of the never-ending surprises and revelations lead up to the significant themes the movie is trying to convey in the conclusion of the film.
Retrieved March 21, 2001, from the World Wide Web: http://english.peopledaily.com. Chinatown Online is a wonderful site with an abundance of information about China. http://www.chinatown-online.com/. Henslin, J. M. (1999). The Species of the Species. Sociology: A Down-to-Earth Approach (4th ed.).