While the social circumstance and technological advancement in the late 19th century helped lay the foundation of the Chicago School, the new ideology of uniting emotional life and technical culture in modern society marked the central premise of the architectural movement. As Louis Sullivan emphasized the phrase “form follows function” when describing the style Chicago School (Sherman, 540), buildings during the late 19th century clearly conveyed his idea in concrete grounds. With new construction methods, economic forces, and social demands for more usable spaces, it was inevitable to abandon the established style from the past; since old styles were less taken as reference, the function of a building became the main concern when architects were determining the form of …show more content…
In contrast, the visual aspect of the building was criticized as less appealing. Focusing on the exterior walls, the Reliance did not have four load-bearing walls. Instead, only two out of four sides were made with terracotta, with the remaining two stacked with plain bricks. Clearly shown in the exterior façade in fig 5, the frame-like pilaster was used to link between the walls, resembling an envelope wrapping around the entire structure. Consequently, critic Montgomery Schuyler commented that the Reliance only consisted of a “system of lightweight cladding over a skeleton frame”, and thus did not truly possess a wall in “any architectural sense” (Merwood, 6). Moreover, the color and texture of terra-cotta made the building appear to be rather mechanized and banal; tiles used were also stamped with a flat, repetitive geometric ornament. (Cobb 59) Despite the criticisms, The Reliance Building stood firm in place; most importantly, it represented the capitalistic world of Chicago city, as one of the hallmark of the emerging Chicago School of
This 11 by 14 inch photogravure of the great Administration Building at the Chicago World's Columbian Exposition of 1893 was taken from a set of 25 drawings of the exposition buildings. It was the main focus of the fair, and one of the masterpieces of its architect, Richard Morris Hunt (1827-1895). With its fine classical detailing and sweeping scale, this large building was integral to the "White City" concept of the fair. To this day it remains one of the most recognizable landmarks associated with the Columbian Exposition
The "Mixed Metaphors in Chicago. " Architectural Review August, 1933. v. 74 pp. 47-49.
Dell Upton is a historian and renowned professor of architecture and Urbanism at the University of California. He has published several books on architecture; one of them is “Architecture in the United States”, published in 1998. In this book, Upton analyzes the architecture of the United States in different aspects, such as nature, money and art, thus depicting the great variety in architectural forms, and how throughout the decades, different interests have lead communities to different ways of building, different purposes and materials, thus reflecting their way of thinking and their relationship with the environment. By exploring so many different architectural styles, Upton reveals the great diversity and richness that has always, and continues to characterize American architecture.
Mount Holyoke College is a liberal arts women's college in South Hadley, Massachusetts. Originally founded by Mary Lyon as Mount Holyoke Female Seminary on 8 November 1837, it is the "first of the Seven Sisters" and is the oldest continuing institution of higher education for women in the United States. In addition, according to the United States Department of Education, "Mount Holyoke’s significance is that it became a model for a multitude of other women’s colleges throughout the country." (contributors, 2008) 1834 was a turning point for Mary Lyon. She decided to leave Ipswich Female Seminary, where she was assistant principal, and focus all of her time and efforts on founding an institution of higher education for women. For the next three years, she crusaded tirelessly for funds and support. It was not the best time to ask people for donations, the U.S. was in a severe economic depression. But Mary Lyon persisted. She wrote circulars and ads announcing the plan for the school, raised money, persuaded prominent men to back her enterprise, developed a curriculum, visited schools and talked to educators as far away as Detroit, chose the school's location, supervised the design and construction of a building, brought equipment, hired teachers, and selected students. She endured ridicule from those who felt her ambitious undertaking would be "wasted" on women. Her constant travels often left her in a state of exhaustion. Yet, Mary Lyon never doubted her belief that women deserved to have the same opportunities for higher education as their brothers.
It is the new decade after the end of world war two and modernism is a well-established practice. Its pioneers and spearheads are prevalent figures looming over the new architects and designers who are trying to make their mark in the shadows of such historically influential people. With new technologies and materials emerging from the world wars the next era of modernism had started to evolved, bringing with it philosophies and ideas which seemed far removed from those of the pioneers of modernism “What emerged in the late 1940s and 1950s was an expanding synthesis of questions utterly removed from the confident statements of the pioneers.”(Spade 1971,10) Two significant buildings were designed in the 50's, both of them for educational institutes and to house students of architecture, there were both designed in completely different styles and methods. The first is Ludwig Mies van der Rohes' Crown Hall, finished in 1956 and designed as a part of a campus master plan for the Illinois Institute of technology in Chicago. Mies' design for Crown Hall is one of his most realised expressio...
“Form follows function.” Every great Modern architect thought, designed by and breathed these very words. Or at least, their design principles evolved from them. Modern architects Le Corbusier, Mies van der Rohe, Frank Lloyd Wright, Pierre Chareau, and Rudolf Schindler to name a few believed that the function determined the space whether the space was solely for a particular purpose or they overlapped to allow for multiple uses. Form didn’t just follow function, function defined the space. By focusing on the relationship between the architecture and the interior elements, Chareau’s Maison de Verre expanded the idea of functionalism to include not only the architecture but also the space it creates and how people function within that space.
Chicago has played a major role in American Literary history. As African American writers struggled to express their unique literary voice, they sought to celebrate diversity of the American people and to develop a unifying national identity for themselves (Woolley).
The phrase “form ever follows function” was first introduced by Louis Sullivan “father of skyscrapers” which was an influential architect and critic, in his article The Tall Office Building Artistically Considered (1896) “Whether it be the sweeping eagle in his flight, or the open apple-blossom, the toiling workhorse, the blithe swan, the branching oak, the winding stream at its base, the drifting clouds over all the coursing sun, form ever follows function, and this is the law” (p 5). The principal for any design in any discipline is that form follows function; if an item must accomplish a certain function, then its design must aid that function to the fullest extent possible. But in our modern days most designs tend to favor form in almost all the disciplines prioritizing the appearance and neglecting the safety and the main function of the design or invention, those slipups can be seen in many of the famous industries, and that is what made them famous because beauty and appearance sells. Most designs efforts should focus on function rather than form because function is the rea...
“In the Cause of Architecture” is an essay written by Frank Lloyd Wright in 1908. In this work, Wright outlines many of his architectural values. This text goes into great detail about the philosophy behind Frank Lloyd Wright’s architecture, as well as many important milestones in his life, such as working for Adler and Sullivan. This text is useful because it comes straight from Frank Lloyd Wright himself. It talks about many things important to his role as a notable American, such as his influences for his architecture and his architectural
In the United States there are many highly populated, big cities that exist. They not only serve as purpose for business and industry, but also serve as homes for many people. Chicago, the third highest populated city in the United States, can be defined in several different ways. Carl Sandburg a fan and native of Chicago describes the city. Sandburg describes the city in different ways with his poems “Chicago” and “Skyscraper.” Both poems portray the city as lively and dominant, but the poem "Skyscraper" acknowledges drawbacks of the city.
From the early Greek temples of yesteryear, to the high-tech autonomous buildings of tomorrow, the question of whether the function of a building or its aesthetics qualities are more important has plagued the minds of architects around the world. Webster's II New College Dictionary (Please do not use the encyclopedia or the dictionary to open your essay--way too high school.) defines aesthetics as "The branch of philosophy that provides a theory of the beautiful and of the fine arts" (18). The definition of Functionalism is defined by Webster's as "The doctrine that the function of an object should determine its design and materials" (453). Now, if the function of an object decides the type of design and materials used how does one integrate aesthetics into design, and moreover, how important are aesthetics to an architect? Frank Lloyd Wright was one of the greatest and most renowned architects of the 19th and 20th centuries, and while his buildings where lauded for displaying great artistic design, the issue of function was compromised by the blatant fact that his roofs leaked. This is because he let the aesthetics of his buildings become the focus of the structure, and neglected to adequately address the function of the building allowing for this problem to take root in his designs (Palermo, 4 Mar. 1999). As is apparent from Frank Lloyd Wright, there is a certain balance that has to be attained between aesthetics and functionalism in order for a structure to be appreciated as a successful building.
Architecture, the practice of building design and its resulting products, customary usage refers only to those designs and structures that are culturally significant. Today the architecture must satisfy its intended uses, must be technically sound, and must convey beautiful meaning. But the best buildings are often so well constructed that they outlast their original use. They then survive not only as beautiful objects, but as documents of history of cultures, achievements in architecture that testify to the nature of the society that produced them. These achievements are never wholly the work of individuals. Architecture is a social art, yet Frank Lloyd Wright single handily changed the history of architecture. How did Frank Lloyd Wright change architecture?
The essence of modern architecture lays in a remarkable strives to reconcile the core principles of architectural design with rapid technological advancement and the modernization of society. However, it took “the form of numerous movements, schools of design, and architectural styles, some in tension with one another, and often equally defying such classification, to establish modernism as a distinctive architectural movement” (Robinson and Foell). Although, the narrower concept of modernism in architecture is broadly characterized by simplification of form and subtraction of ornament from the structure and theme of the building, meaning that the result of design should derive directly from its purpose; the visual expression of the structure, particularly the visual importance of the horizontal and vertical lines typical for the International Style modernism, the use of industrially-produced materials and adaptation of the machine aesthetic, as well as the truth to materials concept, meaning that the true nat...
Frank Lloyd Wright has been called “one of the greatest American architect as well as an Art dealer that produced a numerous buildings, including houses, resorts, gardens, office buildings, churches, banks and museums. Wright was the first architect that pursues a philosophy of truly organic architecture that responds to the symphonies and harmonies in human habitats to their natural world. He was the apprentice of “father of Modernism” Louis Sullivan, and he was also one of the most influential architects on 20th century in America, Wright is idealist with the use of elemental theme and nature materials (stone, wood, and water), the use of sky and prairie, as well as the use of geometrical lines in his buildings planning. He also defined a building as ‘being appropriate to place’ if it is in harmony with its natural environment, with the landscape (Larkin and Brooks, 1993).
Charles Jencks in his book “The Language of Post-Modern Architecture “shows various similarities architecture shares with language, reflecting about the semiotic rules of architecture and wanting to communicate architecture to a broader public. The book differentiates post-modern architecture from architectural modernism in terms of cultural and architectural history by transferring the term post-modernism from the study of literature to architecture.