Charlie Chaplin Research Paper

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Overview of his life: Charles Spencer Chaplin; the comic actor and composer who became famous during the silent film time was born in London, United Kingdom on 16th of April 1889. His parents were talented but suffered financially; his father was a multilateral vocalist and actor, and also his mother “Hannah Hill Chaplin” was known as “Lily Harley” in the celebrities’ world, she was an attractive actress and singer, she also played piano and obtained a credit for her work in the light opera range. Charlie had a big brother who was named “Sydney”. Charlie grew and got mature early before reaching the age of ten years old because of the early death of his father and his mother sickness that made it necessary for ‘Charlie and his brother Sydney …show more content…

At the end of this attachment, Charlie the comedian started a career in Vaudeville which lastly took him to the United States in 1910 as a special player with the Fred Karno reverse company. Charlie recorded a directly hit with the American audience, essentially with his characterization in a sketch named: “A Night in an English Music Hall” when Karno Squad returned to the United States in the fall of 1912 a “recur tour”, Chaplin was offered a work contract where he finally agreed to appear before the cameras at the end of “Vaudeville” commitments in November 1913. Charlie entered the cinema world and he joined Mack Sennett and the Keystone Film Company where he signed a contract to work in comic movies for $150 per week. This was the beginning for Charley, when he first arrived at keystone and the movie-producing companies started to improve a star system at helping to attract a larger crowd. After all these changes of the marketing movies, he became within a half companionship one of the most famous and rich cinema’s movies star. After spending a year at Keystone, Charley decided to sign a one year contract “Essanay” that paid him a salary of $1,250 per week plus a bonus of $10,000. In the same year, films of majority U.S are made for the average filmgoer who experienced a situation of what one called “Chaplinitis” who demonstrates in fan-magazine articles; Chaplin hit songs and look-alike joust, and Charlie plagiarist. In 1916, a well-known film corporation paid Charlie a $150,000 and $10,000 per week to make twelve two-spool films. After that in 1917 the First National Exhibitors' Circuit buying agent for twenty-four of the biggest owners of first-run theaters, negotiate with Chaplin to make eight short films with complete creative autonomy for more than a million dollars. The

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