Character is destiny. Heraclitus, Greek philosopher (c. 540-c. 475 B.C.) This famous quote has birthed many ideas and philosophies about life and our final destination. Similarly, in Thomas Hardy's The Mayor of Casterbridge, issues about life, character, fate and destiny are explored. Ironically, the quote about character being our destiny is being challenged and questioned over and over again in the context of this tragic novel. Indeed, Henchard is a victim of his own delusions. He has falsely believed and is being psychotically driven to accept a misconception about who he truly is. Constituting to his life's outcome was because of his daunting past that was caused by his own foolishness in his moment of weakness. Should that incident of being drunk did not happen in the first place, we could fairly make an assumption that he will not end up where he is at the end of the story. Essentially, Henchard is very much affected if not haunted by his past and he laments that he cannot undo it. He relates grown wheat metaphorically to the mistakes of the past that, neither can be taken back. Although Henchard learns this lesson at the end of Chapter IV, yet he fails to internalize it. As the story progresses, we come to see that Henchard is merely moved by his guilt more than anything else and he cannot forgive himself nor forgo his prior faux pas. Somehow, Henchard's character managed to portray a seemingly passionate disposition. Whatever he may feel--be it love, hate, desire, or contempt; he feels it overpoweringly. In light of this statement, it can be seen through his guilt over selling his wife, Susan, which tracks him from Weydon-Priors to Casterbridge, where it overshadows his life for twenty years. In fact, his conv... ... middle of paper ... ...lace, are works of his own hands. While this novel is entitled The Mayor of Casterbridge - A Story of a Man of Character, readers may or may not approve of Henchard's course of actions throughout but there is an undefiled lesson which is they can learn a lot from him, much as I had - not to repeat his mistakes. Quoting what André Maurois said: If you create an act, you create a habit. If you create a habit, you create a character. If you create a character, you create a destiny. In the context of this story, Henchard acted on selling his wife and daughter he was guilt-stricken ever since. It became his habit; guilt and self-reproach grasped him. In all that he does, he is being reminded of his past as if it was haunting him and seeking for vindication. Therefore, he was unnecessarily victimized by his own delusions which led him to him doomed destiny.
...s inner self. What is seen as a relationship amongst these two young men is now torn apart by the transformation of Henry caused from his witnesses during warfare.
Louise, the unfortunate spouse of Brently Mallard dies of a supposed “heart disease.” Upon the doctor’s diagnosis, it is the death of a “joy that kills.” This is a paradox of happiness resulting into a dreadful ending. Nevertheless, in reality it is actually the other way around. Of which, is the irony of Louise dying due to her suffering from a massive amount of depression knowing her husband is not dead, but alive. This is the prime example to show how women are unfairly treated. If it is logical enough for a wife to be this jovial about her husband’s mournful state of life then she must be in a marriage of never-ending nightmares. This shows how terribly the wife is being exploited due her gender in the relationship. As a result of a female being treated or perceived in such a manner, she will often times lose herself like the “girl
This unhappy person had effected such a transformation by devoting himself, for seven years, to the constant analysis of a heart full of torture, and deriving his enjoyment thence, and adding fuel to those fiery tortures which he analyzed and gloated over. The scarlet letter burned on Hester Prynne's bosom. Here was another ruin, the responsibility of which came partly home to her. (116)
...of breakdowns throughout the book and some may say this was caused by what happened to him as a child. Once this crazy fact was finally discovered he got help and realized he didn’t have to handle his problems alone, he finally found himself.
The novel's characters had been deeply influenced and pressured by British society when making crucial decisions that affected them emotionally. The quintessential character who had been manipulated by British society is Catherine Earnshaw who had been deeply in love with Heathcliff. They had frolicked together everyday; she would read to him and educate him in various instances. When she ...
He began to boast and embellish the story of what actually happened in that moment. He became seemingly selfish, and self absorbed doing only what would advance him in the society. After the small infraction of lying about this event, he brought John and his mother from their home, only to use them for personal gain and blackmail. These moments reveal that he is not so much about defining himself as an individual but more about conforming. That he did, becoming calculating and cold for self-gain.
Through the character of Silas, Howells illustrates the themes of affluence, ambition, rise/fall as Silas undergoes challenges with social standings throughout the novel. One would think that as a result of Silas’ huge fortune attained through his work in the paint business, that he would rank high in the social standings. However, in giving the reader a clearer sense of the Lapham’s wealth, Howells states, “They went upon journeys, and lavished upon cars and hotels; they gave with both hands to their church and to all the charities it brought them acquainted with; but they did not know how to spend on society” (pg. 25). Howell’s parallel structure in repeating “they” followed with a distinct action- evidenced through the words went, lavished, and gave— emphasizes and builds momentum to the contrast seen in the phrase “they did not know” in referring to their inability to connect with society. Due to Silas’ extreme wealth in addition to his exceedingly strong desire to ...
The sanity of his storytelling discontinues when he explained to the readers that he loved the old man, but his mind went against him; deciding to stalk and kill the old man. The description of the narrator’s thoughts the eighth day he stalked the aged man where… “Presently I heard a slight groan, and I knew it was the groan of mortal terror. It was not a groan of pain or of grief --oh, no! --it was the low stifled sound that arises from the bottom of the soul when overcharged with awe. I knew the sound well. Many a night, just at midnight, when all the world slept, it has
...to portray through Dimmesdale and Chillingworth, that without responsibility for wrongful deeds our world will eventually be destroyed just like these two individuals. However, Hawthorne, through the portrayal of Hester, shows that he has not given up on humanity. If our world is going to survive for future generations it has to model itself after Hester’s behavior. Yes, sin is inevitable but we must learn to respond to it with responsibility, forgiveness, and redemption rather than with guilt, revenge, and uncertainty. More importantly we must learn to remain honest and truthful in whatever action we carry out because in the end only God will have the power to grant us the ultimate forgiveness by saving us or damning us to Hell.
Hindley’s obstructive actions, imposed on Heathcliff’s life, expand an internal anger that arouses as Heathcliff’s time at Wuthering Heights draws to a close. The negligent and condemnatory conditions advanced by Hindley transform Heathcliff’s futuristic outcome and supply him with motives to carry out vengeance on multiple personalities involved in the plot. Heathcliff’s troubled social environment renders it difficult to determine the ethical legitimacy behind his decisions, contributing to the moral ambiguity of his
“Said he, ‘I beg of you, for my sake and for our child’s sake,as well as for your own, that you will never for one instant let that idea enter your mind!’”(Gilman, 774) shows John begging her to withhold all feelings to save herself, him, and their child from any further pain. This suppression of feeling caused the mental confinement that the narrator felt. He hadn’t known in asking her to do so, it would cause such a reaction. While, Brently Mallard’s consistent pressure of being a perfect wife on Mrs. Mallard caused her conflicting ideas on his death as her being set free. “And yet she had loved him-sometimes. Often she had not.” (Chopin, 785) shows Mrs. Mallard's rethinking of her feelings towards her husband. The release of pressure caused by her husband death caused her to rethink and find her true feelings towards him. Mr. Mallard had unknowingly applied this pressure upon his wife because it was simply what he had always thought a woman should be which is learned from society. Meanwhile, Henry Allen consistently ridicules and rejects Elisa’s ideas of breaking free of the set standards of what a woman should be not knowing the effects it had on her. “Oh, sure, some. What’s the matter, Elisa? Do you want to
Furthermore, the love that Heathcliff’s young niece and nephew share is one that echoes that of what his and Catherine’s love could have been, which provides even more ground for the fiend to tyrannize the two. The semblence in their relationships can be seen in comparable scenes, the first of which recounts Catherine uttering, “It would degrade me to marry Heathcliff now…” (74) Later, Heathcliff pronounces apropos of Cathy caring for Hareton, “Your love will make him an outcast, and a beggar.” (299) The similarities between their two relationships is therefore outlined in their alluded elements of shame and social degradation that can be found in both occasions , and this likeness further agitates the aching heart of Wuthering Height’s antagonist.
After Hindley’s father dies, he begins to abuse poor Heathcliff, taking away his education and forcing him to work out in the field’s and. Mr. Earnshaw’s resentful son Hindley oppresses Heathcliff and treats him as a servant. Ever since Heathcliff had arrived at Wuthering Heights, Hindley had loathed him and “from the very beginning, he bred bad feeling in the house; and at Mrs. Earnshaw’s death, which happened in less than ...
The presentation of childhood is a theme that runs through two generations with the novel beginning to reveal the childhood of Catherine and Hindley Earnshaw, and with the arrival of the young Liverpudlian orphan, Heathcliff. In chapter four, Brontë presents Heathcliff’s bulling and abuse at the hands of Hindley as he grows increasingly jealous of Heathcliff for Mr. Earnshaw, his father, has favoured Heathcliff over his own son, “my arm, which is black to the shoulder” the pejorative modifier ‘black’ portrays dark and gothic associations but also shows the extent of the abuse that Heathcliff as a child suffered from his adopted brother. It is this abuse in childhood that shapes Heathcliff’s attitudes towards Hindley and his sadistic nature, as seen in chapter 17, “in rousing his rage a pitch above his malignity” there is hyperbole and melodrama as the cruelty that stemmed from his abuse in childhood has been passed onto Isabella in adulthood.
The Mayor of Casterbridge by Thomas Hardy is a novel about the rising and plummeting of a complex man named Michael Henchard. Michael Henchard does not just have one characteristic or just one personality for that matter. His personality can be described as thoughtful and strong-minded but also as ruthless, stubborn and cold. Henchard's impulsiveness, aggressive attitude, childishness and selfish nature made failure and misery inevitable in his life. The essence of his character is the root of his demise and misery.