Rosemary has an inability to be a supporting, loving and providing parent to Toby due to her character flaws, and the expectations of her as a woman in society. Rosemary begins with having absolute faith in her son’s word, as she doesn’t think he can lie to her, and this behaviour is what sends Toby into a spiral of lies that he thinks he can get away with, due to the experiences with his mother. Rosemary is expected as a woman in society to be supported by a man, and make it in the world with a man, which she doesn’t have, and her need to have a “family” drives her to focus of that rather than focusing on being a good parent to her son. Rosemary’s dark past with her father has caused Rosemary not to discipline Toby as she should, making Toby …show more content…
Rosemary’s past isn’t her fault, but her inability to but her past behind her has a negative influence on Toby. Discipline is needed when you have a son like Toby, But Rosemary, who “doesn’t have faith in discipline” fails have any kind of ground rules set down for Toby, and this is due to her awful past with her father, showing us why she cannot be a disciplining, and good parent to Toby. Her influence of her father meant that Rosemary is attracted to “men of a tyrant breed” like Dwight and Roy. Toby then has to live with these awful men who are a corrupting influence on Toby, and this is all because of the influence of Rosemary’s past. Rosemary’s father used to “badger her into smoking cigarettes” and many other things as a child, and as a result in her adulthood is badgered into many bad decisions, like marrying Dwight. These decisions that she gets persuaded into often land her in trouble, which then lands Toby in trouble, hence highlighting gain her inability to put the influences of her past behind her. Since Rosemary cannot discipline Toby herself, when she finally finds out he needs disciplining, she tells toby to “take a ride with Dwight” and uses Dwight to punish Toby instead, which of course is a very scarring experience for Toby’s childhood. The inability Rosemary has with her brutal past carries on into her present, making her unable to be a good parent to
Before the murder, Ruth had concerns about her son Frank’s relationship with the killer’s estranged wife and fears the worst for her ...
After reading into the storm there were two characters. There was Tucker and Richard they both had numerous things in frequent. The primary thing they had in frequent was they both liked water.Secondary , they both were guardians and they were also known as heroes. Not only that they were also athletics and they both had their characteristic. Like Tucker was a youth and Richard was a senior the other inequality was tucker was alive and Richard was dead from what it said in the passage.
In Ken Kesey’s novel One Flew Over the Cuckoo’s Nest, the reader has the experience to understand what it was like to live in an insane asylum during the 1960’s. Kesey shows the reader the world within the asylum of Portland Oregon and all the relationships and social standings that happen within it. The three major characters’ groups, Nurse Ratched, the Black Boys, and McMurphy show how their level of power effects how they are treated in the asylum. Nurse Ratched is the head of the ward and controls everything that goes on in it, as she has the highest authority in the ward and sabotages the patients with her daily rules and rituals. These rituals include her servants, the Black Boys, doing anything she tells them to do with the patients.
Ruth has an intriguing personality. She is very loving towards her family. She will do all in her power to improve the lifestyle of her family. When it appears that the deal for the house in Clybourne Park will fall through, she promises to dedicate all of her time to make the investment work. “Lena-I’ll work… I’ll work 20 hours a day in all the kitchens in Chicago…I’ll strap my baby on my back if I have to and scrub all the floors and wash all the sheets in America if I have to-but we have to MOVE!” she pleads to her mother-in-law (Hansberry140). Her plan is unrealistic and idealistic, but the well being of her family is more important to her than anything. Ruth is also witty and sarcastic at times. She cracks jokes to lighten the mood of her family when they’re worried. “Well that’s the way the cracker crumbles. Joke. (121)” When Beneatha and Mama are stressing over the neighborhood they are moving into, Ruth makes a witty joke to improve the mood. Ruth supervises the daily routine and well being of her family. She makes sure that everyone does what they are supposed to and stays on track. ...
After their family became separated, Isabel becomes a mother figure to Ruth. She nurtures Ruth and makes certain they are always together, hoping to never undergo separation again. In other words, Isabel becomes protective of her sister. Whenever Ruth makes a mistake in front of Madam, Isabel is there to take the blame in place of her sister. For example, Ruth laughs at Madam for protecting her linen chest and Madam confronts her (33). Instead of her getting punished, Isabel steps in and says she was the one who laughed. Much like her father taking a beating, she comes to the defense of her sister. She exhibits this trait of selflessness throughout the novel for the well-being of
As her "daddy's daughter", there is little doubt that a form of love exists between Ruth Dead and Dr. Foster; however, such love is not truly love because as evidenced by Ruth's subsequent life, the filial relationship better resembles an emotional dependence that Ruth took for granted (67). The great emotional schism within her that is the result of her father's death leaves Ruth dysfunctional: she is unable to emote towards other, especially her family. Instead, ...
In conclusion, the fact that Ruth lived through so much trauma from her father most likely brought out the strength in her heart, and caused her to realize that she wants a good life for her children instead of the trauamtic life that she lived through in her own childhood. Ruth’s overall identity could be explicity explained as a mother who is strong, has a lot of faith in God, and a woman with a lot of value and love for all of her twelve children. Ruth Mcbride’s strength and confidence helps herself through the hardships of her childhood, her relationships with Dennis and Hunter, as well as James Mcbride and the rest of her children. She developed the identity of a strong-willed mother, lover, and a woman of God.
In the Irish detective novel In the Woods by Tana French, we confront the dilemma of discerning the good from the bad almost immediately after cracking open the covers—the narrator and main character, Robert Ryan, openly admits that he “…crave[s] truth. And [he] lie[s].” (French 4) But there is more to this discernment than the mere acceptance that our narrator embellishes the occasional truth; we must be ever vigilant for clues that hint at the verisimilitude of what the narrator is saying, and we must also consider its relation to Robert’s difference from the anticlimactic (essentially, falsehood) and the irrevocable (that which is unshakeable truth). That is, the fact that in distinguishing the good from the bad, we are forced to mentally
In addition, Maria plays the role of the lady in waiting who essentially doesn’t do anything for herself except take orders. Later on the reader soon realizes that, Maria is a strong witty character that takes matters in to her own hands. Maria developes a strategy, first she goes for the messed up drunken Sir Toby and her goal is to straighten him out. Maria confronts Sir Toby about his drunkenness, “That quaffing and drinking will undo you: I heard my lady talk of it yesterday” (1.3.128). Sir Toby begins to take notice in Maria. Maria begins to plot with Toby to bring down Malvolio (the condescending butler) as a practical joke. Through the process of plotting against Malvolio with Toby, Maria develops a back bone something she was not known for with Olivia. Maria took the lead in the plotting and Toby starts taking her orders, “Observe him, for the love of mockery, for I know this letter will make a contemplative idiot of him” (2.5.18-19) As a result of the jokes success, Mari...
Heathcliff was adopted into the Earnshaw home when he was a young boy. The Earnshaw family consisted of Mr and Mrs. Earnshaw, Hindley, and Catherine. Since he was first brought to the home by Mr. Earnshaw, he has caused trouble. Heathcliff’s actions throughout the book alone could be considered evil or immoral, but readers feel sympathetic because of his inability to share his thoughts or feelings in a considerate manner or because some characters treat him worse than he treats them.
Rolph is introduced as an innocent young boy early on in the story. He “doesn’t speak up all that often” (1) and is “too young to notice” (1) the extremely sexual relationship between Mindy and Lou. The generalization Mindy brings forward for Rolph is “structural affection” (5) in which Rolph “will embrace and accept his father’s new girlfriend because he hasn’t yet learned to separate his father’s loves and desires from his own” (8). Rolph’s fragile depiction foreshadows the importance of nurturing vulnerable children. If a child is already susceptible to emotional confusion or damage in their youth, it is important to provide them with an extremely positive upbringing to give them confidence to make their own decisions as they mature. In the case of Rolph, however, he does not receive the support he needs to make a healthy transition from childhood to
Comedy is by far the most influential factor in deciding whether or not a story is
Christopher Johnson McCandless, a.k.a Alexander Supertramp, “Master of his Own Destiny.” He was an intelligent young man who presented himself as alone but really he was never lonely. However, he believed that life was better lived alone, with nature, so he ventured off throughout western United States before setting off into Alaska’s wild unprepared where he died. Some may say he was naive to go off on such a mission without the proper food and equipment but he was living life the way he wanted to and during his travels he came across three people: Jan Burres, Ronald Franz, and Wayne Westerberg. McCandless befriended these people, it is believed that he made such a strong impression on them that their connection left them with strange feelings after finding out about McCandless’ death.
At times it is quiet and sweet, shown in the little actions and sayings that are done with little awareness. This the love shared between Toby and Maria. When reading the text it is not one of the relationships that immediately will catch the readers’ attention but it is still a strong example of true love. Usually in a household it is mandatory for the maids to respect the noble people of the household. But rather Maria is bluntly tells Sir Toby to be quiet’: “For the love of ' God, peace!” (Act 2, Scene 3, Li 81). Through this it is seen they have a strong relationship because she is able to reply to him rudely and Sir Toby is not offended. Rather the two of them banter and joke to one another. For example, Sir Toby refers to her as a wonderful woman: “Good night, Penthesilea.” (Act 2, Scene 3, Li 157) Constantly through the play Toby speaks to Maria endearingly, calling her Penthesilea is one of the several examples through the piece. The direct translation of Penthesilea is “you wonderful woman you”. The love shared between Toby and Maria is different than that of the people around them. Rather than being loud about their love, it is shown in the little things they say and do to each other. The nature of love is not always shown using big gestures and songs but in how you solely treat that
From this line Shakespeare lets the reader/audience know that Sir Toby is her uncle, because he refers to Olivia has his niece. The reader/audience will also gather that Olivia’s brother died from the plague.