Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Fiction essay analysis the red convertible
Literary analysis of the red convertible
Symbolism in poes work
Don’t take our word for it - see why 10 million students trust us with their essay needs.
The Red Convertible Although at first glance the car in “The Red Convertible” may seem to only be a small part of the story, it was really much more than that. The story is told in first person from the perspective of Lyman, who co owned the car with his older brother Henry. Throughout the story the relationship between the two brothers is constantly changing, but some of the biggest changes in their relationship occur while significant changes in the car happen as well. At first the car simply seems to be a way for the brothers to bond and work together, but the car actually symbolizes the brothers' relationship, and how that relationship changes over time. In the beginning of the story, Lyman explains that he had unusually good luck with …show more content…
“We went places in that car, me and Henry. We took off one whole summer” (331). With the car in such good shape, Henry and Lyman were able to drive wherever they wanted with it. This is similar to the condition of the brothers relationship at that time. Towards the end of the summer, they began the journey home and returned to their normal lives. “We'd made most of the trip, that summer, without putting up the car hood at all” (332). The car remaining in good condition despite all the time that it was driven that summer is also a symbol of the brothers relationship. Even though Henry and Lyman spent so much time together, they did not get tired of each other or even have any arguments. Once they arrived back home, Henry soon left for training camp for the army and eventually was sent to Vietnam. After being caught by the enemy, Henry spent three years in Vietnam before being able to return home. During Henry's absence, Lyman spent nearly all of his time working on the car and making sure that it stayed in perfect condition. This symbolizes Lyman's attempt to keep he and his brothers relationship the same even though they were not …show more content…
“You could hardly expect him to change for the better, I know. But he was quiet, so quiet, and never comfortable sitting still anywhere but always up and moving around” (333). The car, however, was in perfect condition and was ready to drive, but Henry barely noticed. Lyman eventually decides that in order for he and Henry's relationship to return to its original condition, they must once again bond through the car. This lead to Lyman taking a hammer to the car in order to get Henry's attention. “I had been feeling down in the dumps about Henry around this time. We had always been together before. Henry and Lyman” (334). Henry eventually noticed the cars condition, and soon began working on it to restore it to its original glory. Although Henry and Lyman's relationship was not repaired quickly, as the work on the car progressed the condition of the brothers relationship improved as
Flink’s Three stages of American automobile consciousness fully express the progress of the whole automobile industry. From the first model T to the automatic production, it gives me an intuitive feeling of the automobile history from a big picture. On the other hand, Kline and Pinch focus more on a certain group of people--farmers or people who live in the rural area, they use it as an entry point to talk about automobile, alone with the role and duty transition between male and
The National Institute of Mental Health recognizes PTSD as a “disorder that develops in some people who have seen or lived through a shocking, scary, or dangerous event.” Since Henry’s return from the war, Lyman describes his brother as tense. There are many examples of Henry’s strange behaviors. However one truly stood out to Lyman and his family. He says, “I looked over, and he’d bitten through his lip. Blood was going down his chin” (970). Lyman continues that, “he took a bite of his bread his blood fell onto it until he was eating his own blood mixed in with the food” (970). Henry clearly is troubled by something, and the troubles all began after Henry went off to the Vietnam War. I’m no doctor, but one could simply recognize Henry is suffering from some form of
Two brothers, Lyman and Henry, had very little in common other than their blood. One day they decided to catch a ride to Winnipeg. The car was introduced while these two were doing some sightseeing in the city. They spotted the red Oldsmobile convertible. Lyman, the storyteller, almost made the car a living thing when he said, "There it was, parked, large as life. Really as if it were alive." (461) The brothers used all of the money they had, less some change for gas to get home, to buy the car. The car's significance was the bond that it created between the brothers. The purchase of the vehicle brought these two together with a common interest: the car. Once the bond was formed, the brothers became inseparable, at least for a while. The boys spent the whole summer in the car. They explored new places; met new people and furthered the bond that the car had created. When they returned from their trip, Henry was sent to war. He left the car with Lyman. While Henry was gone, Lyman spent his time pampering and fixing the car. Lyman saw the car as an extension of Henry. Lyman used the car to maintain an emotional bond with his brother who was thousands of miles away.
...who endures pain. His brother, Lyman, suffers from many of the same things as Henry. Lyman also experiences post-traumatic stress. Although Lyman seems to acknowledge this stress in a rather different way than Henry, it is there all the same. Just as Henry tries to give the red convertible up to his brother, Lyman does the same in the end, and pushes it right back to him. The red car represents a bond between the two brothers, and with Henry gone, Lyman can not bear to have it around anymore. Unfortunately, getting rid of the car does not take care of Lyman's pain. Even a long time after Henry's death, Lyman still experiences post-traumatic stress. Only now he has a tragedy of his own to endure.
Whereas, when Henry was drafted, not to face his feelings and fears he offered his half of the car to Lyman. Clearly, this was his way of using the car to communicate, as Henry said to Lyman, “Now it’s yours” (326). Also, this could also be considered as a means to try to ease Lyman’s pain. Nevertheless, Lyman fought for the relationship without speaking the words. Besides, what’s more Lyman could not deal with the fact that Henry may not return, and he also used the car to communicate by rejecting his offer saying, “Thanks for the extra key,”(326). By the same token, they were using the car, by giving it up, as a symbol of their love; however, neither wanted the car without the other brother. In any case, without the car to connect them, they are in a break-up
Red Queen is written with such passion, that it envelops the reader in the story, hung on each and every word. A beautiful tale of hardship, romance, and betrayal. Aveyard does an amazing job of making the reader feel as if they are right beside Mare Barrow on her journey, of becoming the Red Queen.
The cars are a symbolic representation of religion. When Connie first sees Friend’s car coming up her driveway, “she [whispers] ‘Christ. Christ’” (Oates 4). This is significant because it suggests that Connie recognizes Friend as a religious savior. Furthermore, the exterior of Friend’s car is covered in drawings of sorts. One of these drawings is a series of numbers. While talking to Connie about his car, Friend tells Connie that the “numbers are a secret code, [then reads] off the numbers 33, 19, 17” (Oates 4). This is essential because the numbers Friend reads have a religious meaning: As stated in an article written by Michele Theriot, “[t]he title of Oates’s story is taken almost directly from Judges 19:17… Judges is the 33rd book from the end of the Old Testament, the chapter is 19th, and the verse is the 17th” (Theriot n.p.). Judges 19:17 describes an old man giving respite to a traveler whom no one would offer hospitality to. The relief the old man gives to the traveler can be linked to the relief Friend, as a savior, could give to Connie. Alternatively, Mark Robson argues that his numerical table links Friend’s code of numbers not to Judges 19:17, but Genesis 19:17. Robson claims that because “Genesis 19:17 is a warning to Lot from angels to escape from Sodom… Arnold’s announcement of his secret code could well have been a warning sign for Connie to escape while she could” (Hurley n.p.).
To what lengths would you go for a loved one? Would you destroy something in hopes that it would save them? That 's what Lyman Lamartine did in hopes to fix his PTSD afflicted brother. "The Red Convertible" was written by Louise Erdrich in 1974 and published in 2009 along with several other short stories. Lyman, and Henry, are brothers. The story starts by telling us about how the two brothers acquired a red convertible. Henry ends up being drafted into the Vietnam War, and comes back home suffering from PTSD. One day the pair decided to take a drive to the Red River because Henry wanted to see the high water. Ultimately, the story ends with a cliff-hanger, and we are left wondering what happens to the boys. The symbolic nature of the red convertible will play a key role in this literary analysis, along with underling themes of PTSD and war.
PTSD, also known as Post-Traumatic Stress Disorder, can cause change and bring about pain and stress in many different forms to the families of the victims of PTSD. These changes can be immense and sometimes unbearable. PTSD relates to the characters relationship as a whole after Henry returns from the army and it caused Henry and Lyman’s relationship to crumble. The Red Convertible that was bought in the story is a symbol of their brotherhood. The color red has many different meanings within the story that relates to their relationship.
Although he promises to think about her “warm proposition,” the movie never again explores this possibility. Alternately, he can buy the engine, which serves both as an assertion of masculinity and—as his friend notes—as a signifier of class. While he opts to try this, the entire plan is ill-fated; the scene where he picks up the engine contains some of the most imbalanced sequences in the entire movie, and the extreme and off-putting diagonal of the street effectively communicates to the viewer that the engine will fall long before it actually occurs. His only ways out of his job slaughtering sheep are through unfaithfulness or by being an accessory to murder.
In the first scene of How I Learned to Drive, Li’l Bit introduces Peck as “a man old enough to be — did I mention how still the night is?” (9). Although Li’l Bit changes the subject before she can finish her sentence, the audience can infer that she means to say “a man old enough to be my dad.” Although some may argue that she plans to say something else, comparing Uncle Peck, a man whom she has sexual relations with, to her own father is exactly the disturbing thought that compels her to change the subject to something as trivial as “how still the night is.” As the first characteristic that materializes in her mind, Li’l Bit acknowledges that her Uncle Peck’s old age reminds her of her father, which gives her justification to replace her real father with Uncle Peck. Li’l Bit confirms this in “You and Reverse Gear,” where at the age of eleven she convinces her mother to let her have driving lessons with Uncle Peck. While she indirectly states that developing a bond with Uncle Peck would give her “a chance at having a father,” she evokes a tone of longing when she fervently exclaims, “Someone! A man who will look out for me!” Wishing to persuade her mom further, she even employs rhetoric by asking “Don’t I get a chance?” (55). Both her exclamations and use of a rhetorical question indicate how desperately she desires to have a father. This
AP English Literature and Composition MAJOR WORKS DATA SHEET Title: A Raisin In the Sun Author: Lorraine Hansberry Date of Publication: 1951 Genre: Realistic Drama Biographical Information about the Author Lorraine Hansberry was born in Chicago on May 19, 1930. She grew up as the youngest in her family. Her mother was a teacher and her father was a real estate broker.
Written in the first person by Lyman Larmartine, The Red Convertible follows a typical dramatic development. The story begins in with an introduction of the narrator's life. Almost simultaneously the reader is introduced to older brother Henry Junior and the shiny red Oldsmobile convertible they bought on the spur of the moment together. The rising action of the story begins when the two take off one summer on a road trip that ends them in Alaska. When they arrived home, it was conveniently just in time for Henry to be drafted for the army. Just months later in early 1970 Henry was fighting in the Vietnam War and Lyman was had the red convertible in his possession. More than three years later, Henry finally returned home three years later only to be a much different person than the one that had left. Henry was distant and lackadaisical for the most part, never really caring about anything. Lyman knew there had been only one thing in the past that really cheered him up, and would do whatever it would take to have Henry back to his old self. Lyman took a hammer to their prized possession one night and soon showed Henry the car. Henry then was angered by the way the car was treated and was soon spend all his days and nights consumed by repairing the car. The climax of the story begins when Henry finally finished refurbishing the car and posing in front of it with Lyman for one last picture followed by a trip to Red River like in the good old days. When they arrived at the river, Henry confessed that he had known what Lyman did to the Olds, and was thankful for it, then offered to give his portion of the car to him. Just when the reader believes the old Henry has come back to life, he dives into the river and is sucked down with the strong current.
Even though Lyman and Henry’s relationship ends up ending, the red convertible will always be with Henry and will always be a memory for Lyman. While Lyman struggles with losing his brother to the war, the red convertible brought them back together, even though it was really the end. Henry was faced with war and when he was finished and came back home he changed because of his experiences. Both Lyman and Henry changed throughout the events that took place, but unfortunately for Lyman the red convertible was not able to bring back the relationship they had when they first bought it together.
Noah is the one of the main characters of The Notebook. He is the hero of this novel. Noah represents true love and true loyalty. In a way, The Notebook is similar to every modern day romance movie, and Noah represents the “dream man” that all the girls always imagine of having. The characters in movies are used to symbolize ideas, and in this novel, Noah represents true, faithful, committed love. Noah remains loyal to Allie even in the situation where he is unsure whether they will ever meet again or not.