T. Coraghessan Boyle’s short story “Carnal Knowledge” evokes a sense of yearning for meat, as the protagonist in the story expresses this hunger for the meaty provisions he denied himself in order to be with a woman that he was infatuated with. Boyle’s use of diction in this short story suggests that the text is a focus on the flesh in its varying forms. “Carnal” which is known to represent the flesh, lustful desires, and sexual needs, is represented in this story as the protagonist expressed his cravings for meat, and his lustful desires for the woman of his interest. Though the text of this story followed the protagonist and his love interest’s adventures as vegan activists against animal cruelty, it is clear that the protagonist constantly …show more content…
The protagonist, Jim, was engulfed with lust for Alena, and decided to do whatever it took to be with her, even if it meant changing himself to fit a mold of what he felt he needed to be to have her. This lust becomes apparent as the author introduced a simile to express the lustful feeling Jim had for Alena as he stated, “I was moved by the emotion she’d called up, I was moved even more by the sight of her bending over the box in her Gore-Tex bikini; I clung to the edge of the chair as if it were a plunging roller coaster.” (583) The choice of this expression is noted to express the rush Jim felt as he stared at Alena’s barely dressed figure bending and searching for documents. This choice of words captured that thrilling, but terrifying adrenaline filled feeling of falling to my doom that I have when I’m on a rollercoaster; In the context of this story I took it to represent that Jim was overcame with some of those same feelings and as he sexualized Alena’s body. This, was also seen in the narrator expression of Jim’s thoughts as he stated, “She smiled. On your own wavelength: the words illuminated me, excited me, sent up a tremor I could feel all the way down in the deepest nodes of my reproductive tract.” (584) This choice of diction shows that Alena’s comment along with the sight of her smiling at Jim further excited him in a sexual
Nature has a powerful way of portraying good vs. bad, which parallels to the same concept intertwined with human nature. In the story “Greasy Lake” by T. Coraghessan Boyle, the author portrays this through the use of a lake by demonstrating its significance and relationship to the characters. At one time, the Greasy Lake was something of beauty and cleanliness, but then came to be the exact opposite. Through his writing, Boyle demonstrates how the setting can be a direct reflection of the characters and the experiences they encounter.
The state of Maine is a huge tourist spot known for it’s rocky coastline and seafood cuisine, especially lobster. Annually, the state holds the “Maine Lobster Festival” every summer, and is a popular lucrative attraction including carnival rides and food booths. The center of attention for this festival is, unsurprisingly, lobster. The author of the article “Consider the Lobster”, David Foster Wallace, mainly uses logos and pathos, and explores the idea of being put into the lobsters perspective by describing how the cooking process is done and informing us on the animal’s neurological system in a very comprehensible way. He effectively uses these persuasive devices to paint a picture for the audience and pave way for the reader to conjure
”The History of Sexuality” is a three-volumes book, published around 1976 and 1984 by the french historical philosopher Michel Foucault. The three volumes are “An Introduction” (which later is known also as “The Will of Knowledge”), “The Use of the Self” and “The Care of the Self”.
Navarette, Susan J. "The Word Made Flesh: Protoplasmic Predications in Arthur Machen's "The Great God Pan"." The Shape of Fear: Horror and the Fin de Siecle Culture of Decadence. Kentucky: The University Press of Kentucky, 1998. 178-201.
Wherein lies the odd attraction and power of the freakish? Just as often as it introduces us to expressions of common human experience, study in the Humanities also introduces us to the decidedly uncommon--to writers, artists and thinkers who push conventional limits of language and narrative, vision and imagination, memory and history, or logic and rationality. For our Freaks of the Core colloquium, we explored the outer limits of human expression and experience. What, we asked, defines the abnormal or the outlandish? the fanatical or heretical? the illusory or the grotesque? Why are we commonly drawn to the very uncommon? "Nothing, indeed, is more revolting," wrote Thomas De Quincey in his famously freaky Confessions of an English Opium-Eater, "than the spectacle of a human being obtruding on our notice his moral ulcers or scars, and tearing away that 'decent drapery' which time, or indulgence to human frailty, may have drawn over them" (1).[1] But De Quincey chose to tear away that drapery in his Confessions nevertheless, believing that his outlandish experiences with addiction, poverty and illusion would teach his readers valuable lessons that outweighed any offense. "In that hope it is that I have drawn this up," wrote De Quincey, "and that must be my apology for breaking through that delicate and honorable reserve, which, for the most part, restrains us from the public exposure of our own infirmities" (1). The essays below also tear away the "decent drapery" which covers the sometimes unsightly extremes of human experience, and they do so with similar hopes and reasons.
Norcross, Alastair. “Puppies, Pigs, and People: Eating Meat and Marginal Cases.” Philosophical Perspectives 18, (2004): 229-245.
“Lolita, light of my life, fire of my loins, my sin, my soul” (Nabokov 9). Quoted from Vladimir Nabokov’s novel Lolita, Humbert Humbert briefly describes his sensibilities towards his love Lolita. I’ve italicized love for the reason that this book is perceived often as not a true American love story but as a pedophile’s lust. The reasoning for the italicization is because I wanted to emphasis on the point that this book offers more than that of a pedophile’s love. Nabokov’s novel does a very good job of creating an interesting yet unorthodoxed plot. What Nabokov might find acceptable in today’s society, some people might find very offensive and disrupting. He does this to grab the reader’s attention; therefore, building their interests by having them see the other side of things. Why many readers may find this book to be associated with pornography or just another literary piece surrounded around pedophilia, Nabokov hits you with textual evidence, which may sway reader’s minds. As a reader of this novel, I am compelled to show you how this book is a true American “Love Story.”
Delany, Samuel. "Aversion/Perversion/Diversion." Longer Views: Extended Essays. Hanover, New Hampshire: University Press of New England, 1996
In Galway Kinnell’s poem, “Blackberry Eating,” assonance, alliteration, and refrain are used in reinforcing the poem’s meaning that just like the speaker’s interest for “ripest” blackberries as described throughout the poem, words are also rich and intense, thus one is eating straight from the tree of knowledge.
When a person becomes fascinated with a certain object or thing, their attention is irresistibly drawn towards it. They become enticed and overly interested in the object, trying to study it more, in hopes of learning and gather more information from it. However, when this fascination violently preoccupies every second of our time then it is no longer just a captivating interest but now an obsession. When someone is obsessed with something they are devoted and completely infatuated with the idea of that object, becoming powerless to resist the temptation that the object compels over them. It becomes an aggressive fixation and in some cases they may even lose themselves or their own sanity in the process. This idea that obsession leads to insanity is furthermore explored in Edgar Allen Poe’s “The Tell Tale Heart” in which the narrator becomes so enthralled with the eye of his old neighbor, that when he kills his neighbor in attempts to get rid of the eye, he cannot keep himself together and reveals to the authorities his secret, which in turn can be assumed to result in the narrator’s own death. In “The Tell Tale Heart,” Poe uses great symbolism and a distinct style to reveal that obsession ultimately leads to insanity.
Chandler goes into great detail describing the different characters--most notably, the women. There are many sections where the shrewd detective is quick to notice (and make analogous) certain physical features of the Sternwood daughters; not that I blame him. Early in the novel he observes Mrs. Regen's legs in the following manner. "They were visible to the knee and one of them well beyond...The calves were beautiful, the ankles long and slim and with enough melodic line for a tone poem" (17). I think that every guy reading this book perked up when reading of Vivian's legs. In this sexual sense, the similes work. Those long sentences would be much easier to read if there were more comparisons of Vivian's legs to a "melodic line for a tone poem".
In this paper I will look at the argument made by James Rachels in his paper, The Moral Argument for Vegetarianism supporting the view that humans should be vegetarians on moral grounds. I will first outline the basis of Rachels’ argument supporting vegetarianism and his moral objection to using animals as a food source and critique whether it is a good argument. Secondly, I will look at some critiques of this kind of moral argument presented by R. G. Frey in his article, Moral Vegetarianism and the Argument from Pain and Suffering. Finally, I will show why I support the argument made by Frey and why I feel it is the stronger of the two arguments and why I support it.
This essay will analyze and critique Michel Foucault’s (1984) essay The Use of Pleasure in order to reveal certain internal weaknesses it contains and propose modifications that would strengthen his reading of sexuality as a domain of moral self-formation. In order to do so, it will present a threefold critique of his work. Firstly, it will argue that that his focus on solely the metric of pleasure divorced from its political manifestations underemphasizes state power as a structuring principle of sexuality. Secondly, it will posit that his attention to classical morality privileges written works by male elites and fails to account for the subtexts that would demonstrate other forms of morality. Finally, it will argue that the nature of actors’ resistance to moral codes, explicated through Butler’s concept of iterability and signification, is an important factor that should also be considered. As a result of this critique, this essay
In Edgar Allan Poe’s “The Tell-Tale Heart”, Poe aims to reach into the stratosphere of mythological patricidal figures. Even though the main character of this story isn’t as ill-fated as Oedipus, or as godly as Cronus, his inner conflict is just as epic. The main character’s inner conflict is just as interesting as Poe’s actual life is. In particular, Poe’s relationship with his foster father may shed some light on the reason why the main character’s disposition is so hostile, murderous, and yet, oddly loving towards is father. Psychoanalytical criticism will help shed light on the repression, denial, and intellectualization of the main character and how it corresponds with Poe himself.
When analyzing Freud’s psychosexual theory it is vital to note that he connected human drives to those of animals, thus indicating that these human drives can be broken down to a basic need for survival. Freud believed sexuality to be the most dominant biological force in determining human behavior. Freud’s theory becomes exceedingly convincing one is able to grasp the concept that his theories on sexuality and drive energy correspond more to drives and fulfillments rooted in bodily activity, than that of erotic stimulation or sexual satisfaction (Anderson & Taylor, 2007,