Cardinal Wolsey Henry Viii Sparknotes

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In Shakespeare’s Henry VIII, Cardinal Wolsey’s demise reveals the ubiquity within loss, and the levels emotional response that is inevitably natural, as well as the unavoidable intrinsic questions regarding identity. As the king’s former advisor, Wolsey associated his sense of self with his title, which fueled his pride and dignity. His removal of power leaves Wolsey at odds with himself, where his voice of authority can no longer provide comfort. Shakespeare captures the necessity of internal confrontation by means of metaphorical comparisons and repeatedly shifts to a poetic tongue to emphasize intrinsic considerations that Wolsey faces. Inevitably, Wolsey questions the existential and reaches an ephemeral clarity through a shift in perspective. …show more content…

In a controlled anger, Wolsey says, “farewell - to the little good you bear me,” which is in direct consideration of the King who has wronged him. Wolsey explicitly blames “you,” the King, for his suffering. Wolsey repeats “farewell,” only he has moved on from the King as the subject of his suffering. The rhetoric behind “farewell?” questions “my greatness” and is thus addressed to himself. The “good you bear” and “my greatness” are verbally ironic, which is felt by Wolsey as his sense of discomfort and frustration grows. Though the second “farewell” carries a desperate tone, his thoughts remain structured as he is blindly referring to the general state of man rather than his own self. The “state of man” refers to the idealized man that Wolsey aspires to embody, whose journey is beautifully drastic with a “splash[ing]” end. Authentic emotion does not permeate as the “state of man” and Wolsey’s own disposition becomes more disparate. “My greatness” and “state of man” in the same sentence reveal that Wolsey’s idea of himself is tied to the standard of a man. The general “state of man” thrives in the Eden of society, where “hope … blossoms… and blushes” until a “killing frost… nips at his root.” Wolsey cannot simply process his downfall as it happened because his identity is detached. Helplessly, it is only through a conceptualized “man” that Wolsey is able to consider his own tragedy. Convinced that the “man” and himself are analogous, Wolsey shifts to “I” as opposed to “he.” The idealized standard of man fits the natural metaphor of blossoming plants, but Wolsey’s position is far from the organic, as it is fueled by a lack of identity rather than cunning deception on the King’s behalf. Shakespeare effectively compares Wolsey’s journey to the natural process of growth to elevate Wolsey’s own need for self-identity, which can only be attained through

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