Carandiru
The adaptation of Carandiru Station, a best-seller by Drauzio Varella, Carandiru proposes diving into the heart of São Paulo's prison, the largest in Latin America with approximately 7,000 prisoners with a capacity for 4,500. Guided by a humanist doctor (the author) who has an affection for the prisoners, the audience shares in the daily life of the condemned before the massacre perpetrated on
October 2, 1992 by the police force following a riot.
The film opens with a settling of scores by Ebony, a prisoner in charge of the kitchens. While the director quickly arrives on the spot, Ebony doesn't let go of the reins of the situation. He's understood: in Carandiru, the voices of management and prisoners rise in a choir and vibrate in diapason, in order to maintain a balance and precarious order, essential for the place to function well.
The armed sentinels carrying out their rounds along the ramparts, always discrete, only represent only the last resort in case of outbursts.
What's immediately striking about Babenco's film is the details used to account for the tacit rules laid down in this place of imprisonment. Killers, robbers and rapists seem to cohabit by enacting their own rules, often transpositions of the law of the street, with its codes, duties, rights and punishments.
Between the walls of the various wards, one witnesses the everyday life of a city totally apart, with its neighborhoods, trades, residences. No cell is closed: the impression...
Many young criminals are less likely to become career criminals if punished through public embarrassment than through prison. Prison can be a sign of manliness or a “status symbol” (Jacoby 197). He says “prison is a graduate school for criminals”, providing evidence that criminals want to be convicted and be in prison, to strengthen their status (Jacoby 197). Jacoby knows how to properly get his view across to the reader, by saying that prison is not as effective now, as it used to be.... ... middle of paper ...
The second prisoner was a young boy who was being hanged for the fact that he stole weapons during a power failure. The significance of this particular hanging was the young boy’s lack of rebellion, his quiet fear and the unbearable duration of his torment. The boy had lost all hope and was one of the only victims who wept at the knowledge of their demise. What made this case different from the rest was not only his youth, but also his silence, and emotion and the fact that it took a half an hour for him to die, as a result of the lightness of his young body. Even though he was constantly tortured and provoked by the guards before he was hanged, he still said nothing, unlike the two people who joined him, who both shouted in defiance. His quiet courage really stood out as an unspoken and unannounced rebellion not only for the Jews, but it showed the doubts that some of the guards began to have. “This time, the Lagerkapo refused to act as executioner.” Although this quote is one sentence it still shows the effect the boy had on everyone in the camp. Even though the prisoners had been living with the constant presence of death, the execution of this young boy made them feel emotion they believed they had lost forever. This death was an unsaid act of rebellion in the sense that it showed the audience that there was indeed still some sensitivity left no matter how much both the prisoners and the guards were dehumanized: the prisoners as merely a number, and the guards as ruthless
Documentaries serve to draw a response through the use of literary techniques in order to present a particular point of view. Michael Cordell’s Music and Murder subscribes to this principle, the documentary focuses on three men serving prison sentences for taking a life and how music has changed and shaped their outlook on their own lives. Music, structure, verbal language and selection of detail all work on the viewers emotions which serve to draw a positive response towards rehabilitation in prisons.
Adams reflects on Angola’s yearly rodeo. The rodeo, famously recognized as “The Wildest Show in the West”, is a visual representation that epitomizes social order. The rodeo attracts “outsiders”, citizens who possess their freedom beyond the marked boundaries of a prison. Outsiders enter the prison grounds for the
The deprivation of goods and services has an especially high impact in societies that consider material possessions as means of measuring someone’s personal worth. As the inmates are forced to live in a very meager environment they feel deprived since none of their wants are satisfied. While it may be questionable whether prisoners deserve any goods or services that exceed their needs, it is indisputably true that each of them has to suffer through his own failure that makes him ...
Subjects became so entranced in these roles that the guards started to behave as if they really were the guards of a true prison. Zimbardo had told them to think of themselves in this way and it led to the guards mentally abusing the prisoners with their cruel and degrading routines. In Romesh Ra...
As World War II occurred, the Jewish population suffered a tremendous loss and was treated with injustice and cruelty by the Nazi’s seen through examples in the book, Man’s Search for Meaning. Victor Frankl records his experiences and observations during his time as prisoner at Auschwitz during the war. Before imprisonment, he spent his leisure time as an Austrian psychiatrist and neurologist in Vienna, Austria and was able to implement his analytical thought processes to life in the concentration camp. As a psychological analyst, Frankl portrays through the everyday life of the imprisoned of how they discover their own sense of meaning in life and what they aspire to live for, while being mistreated, wrongly punished, and served with little to no food from day to day. He emphasizes three psychological phases that are characterized by shock, apathy, and the inability to retain to normal life after their release from camp. These themes recur throughout the entirety of the book, which the inmates experience when they are first imprisoned, as they adapt as prisoners, and when they are freed from imprisonment. He also emphasizes the need for hope, to provide for a purpose to keep fighting for their lives, even if they were stripped naked and treated lower than the human race. Moreover, the Capos and the SS guards, who were apart of the secret society of Hitler, tormented many of the unjustly convicted. Although many suffered through violent deaths from gas chambers, frostbites, starvation, etc., many more suffered internally from losing faith in oneself to keep on living.
In Bryan Stevenson’s book Just Mercy: A Story of Justice and Redemption, he uses methods of gothic language, partial language, biased facts and repetition to portray prisons in a negative light, allowing him to subtly persuade the reader, he often times does this through the negativity of prisons focusing on: prison guards, the structures themselves and the mistreatment of the prisoners. This method is a vital form in storytelling, but often times detracts from the overall message of Just Mercy and the injustices of the prison system.
For decades, prison has been signified as an unspeakably horrifying place for those who have done harm to our society. Nevertheless, in today 's society, shows like Wentworth, orange is the new black and prison break illustrate prison in an entertaining way. A way that is so detached from reality. However, in the article "Norway 's Ideal Prison," by Piers Hernu, he clearly reveals and gives us a vivid picture of what prison life is like in Bastoy, the home of Norway only prison. On the other hand, "The Prisoners Dilemma," by Stephan Chapman argues how in Islamic countries criminals are being cruelly handled and how flawed the American penal system is and needs to be adjusted. Even though there are many similarities in both articles on what
It is said that prison should be used for more serious crimes such as rape, assault, homicide and robbery (David, 2006). Because the U.S. Prison is used heavily for punishment and prevention of crime, correctional systems in the U.S. tend to be overcrowded (David, 2006). Even though prisons in the U.S. Are used for privies on of crime it doesn 't work. In a 2002 federal study, 67% of inmates that
Chapman’s research shows evidence of 211 stabbings taking place in three years at one prison in Louisiana. Bloody riots, rape, robberies, and exhortation are just a few of the everyday occurrences that can be expected when entering a penitentiary.
The author’s purpose is to also allow the audience to understand the way the guards and superintendent felt towards the prisoners. We see this when the superintendent is upset because the execution is running late, and says, “For God’s sake hurry up, Francis.” And “The man ought to have been dead by this time.” This allows the reader to see the disrespect the authority has towards the prisoners.
Pamela K. Gilbert, “’Scarcely to be Described’: Urban Extremes as Real Spaces and Mythic Places in the London Cholera Epidemic of 1854,” Nineteenth Century Studies 14 (2000): 149-72.
Subjects became so entranced in these roles that the guards started to behave as if they really were the guards of a true prison. Zimbardo had told them to think of themselves in this way and it led to the guards mentally abusing the prisoners with their cruel and degrading ro...
...ly makes for fresh conversation among inmates, at the same time truly violent acts remind the prisoners of the harsh realities of prison life.