Both camera angles and camera distances allow for and create different film image perspectives, meanings, and effects. The camera angle of a film shot can be defined as the perspective that the viewer sees, while the camera distance, a.k.a. camera framing, of a film shot can be defined as how far away the video camera is from the subject or object as seen and measured from the front of the frame image. In order to describe the measurements and determine the camera distance for each film shot, the terms extreme long shot, long shot, medium shot, close-up, and extreme close-up are used. An extreme long shot is a film shot in which there is hardly any detail that is visible and that is used at either at the very beginning period of a film shot …show more content…
If there are more than three objects or subjects visible in the film shot, then the camera distance is a regular long shot, but if there are three or less objects or subjects visible within the frame image, then the camera distance is a medium camera shot. A close-up is the opposite of a long shot. A close-up shows the object's or subject's full detailed face. This particular camera distance shows very little background detail and the background detail that is visible is just a very hard-to-see blur. Similarly, an extreme close-up shows the object's or subject's full detailed face, but at an even more extreme level that is beyond what is visible to the human eye in actual life. This camera distance is also different from a regular close-up in the fact that a regular close-up has at least some sort of a blurry background even if it is hardly visible, while an extreme close-up shows absolutely no background detail at all. Rather, an extreme close-up focuses in on a particular part of one subject's face, such as the dilation of one's eyes or a freckle on one's …show more content…
There are four different descriptions of an angle of a camera based on the frame image: a bird's eye angle, a high angle, an eye level angle, and a slanted angle. The bird's eye camera angle and the slanted angle will most likely be the most common camera angle descriptions for each frame shot. A birds eye camera angle is an angle of the action directly overhead and looks down slightly upon the objects/subjects and the action. An eye level camera angle is a camera angle by which the film camera is located high above the objects/subjects and the action. It differs from the bird's eye camera angle in the fact that in a high angle, the camera is pointed directly down upon the actions and objects. An eye level camera angle, most commonly known as the most basic camera angle, is a camera angle in which the film camera is positioned at the same height as if a human were observing the action in person. The shot is taken five to six feet above ground level, which is approximately the average height of a human. The last camera angle is the slanted, or oblique, angle. This angle refers to an angle in which the film camera is not placed at a 90 degree angle horizontal to the ground and looks tilted. Although this angle can look unique and awkward at times, this angle more often than not creates a better perspective for
Each camera angle has an explanation to how it wanted to make the viewer feel in each shot. The camera angles create a dramatic illusion that makes the audience feel they are in the movie. The beach scene is the most intense scene where different potent camera angles are shown. In
The results help to shape the meaning of this film. Multiple eye-level shots between characters’ conversations, signifies equality between both individuals. The scene when the Richmond High principal and Coach Carter are arguing is a classic example of this. High angle camera shots are also used throughout the film to show characters in a state of vulnerability. When Damien is speaking to Coach Carter about playing for Richmond and not St Francis, a high camera angle portrays Damien in a position of authority, looking down upon vulnerable Coach Carter.
Alfred Hitchcock masters the art of storytelling, framing every shot carefully to help further the plot and develop characters. The techniques of visual storytelling that Hitchcock implements in his films are not just meant to entertain; they all serve specific purposes in building his fictional universes. Hitchcock establishes the personalities of his characters by showing exactly what the characters see and hear, as well as their reactions to their surroundings. Along with point-of-view shots, Hitchcock employs montage editing, creating suspense and further allowing characters to be seen as multi-faceted beings. Point-of-view shots are most apparent from the Rear Window.
...high angle shots, two or three shots, and close ups establish the mood and relationship between the characters. Whether the sound was orchestral or pop music, it had a significant value to the plot, sequences, and shots of the story. In the case of movie shots, editing had a significant value to the film in order to help identify characters importance to the plot of a story.
Camera angles are used as a film technique to keep the scene interesting and also shows off the directors’ skill and abilities. There is a wide variety in which different camera angles were used during this scene, for an example of a camera angle is a low angle shot, this exact technique was used quite a lot at different points in this scene. The effect of this camera angle shows dominance; dominance to the personal where the camera is facing up on them from the ground. The opposite of this would be a high angle shot and this normally shows a victim’s weakness as it makes then look small and helpless. An example of when a low shot was used in this scene would be when V comes out of the flames at Larkhill in Finch’s flashback. This shows V’s power and how he survived through the fire and symbolises his dominance. An example of using a high angle shot would be of Chancellor Sutler talking to Creedy. Chancellor Sutler is on a big screen facing down on Creedy yelling orders at him, this shows who the boss in this scene is as Creedy is getting verbally abused by Chancellor Sutler and this makes him look weak. Another camera angle that is used would be a tilt this is used when V first flicks the dominos then the camera tilts up to show the dominos as they spread the effect this has is showing how easy they spread in relation to the chaos. It all starts with one would be the
Short film has been around for longer than many of us think. The very first films made in the early 1910s were not feature-length by any stretch of the imagination, and never more than 15 minutes long. D. W. Griffith, well-known for experimentation in cinematography, was the first director to venture into films longer than 15 minutes. These first films were short films (or "shorts"), these pioneer directors experimenting with what they could or could not do with a moving camera. Early shorts involved filming people boarding a train, or some similar mundane act. People reacted to this, and flocked to watch these movies, simply because of the novelty of watching reflections, instead of shadows, on screen. But as the audience got more sophisticated, filmmakers began to see the need to innovate. In the 1920s, experiments in surrealism occurred, with people, such as Salvadore Dali, dabbling in the "new" art of filmmaking (Cooper, ii). Despite great advances made in the field of technological expertise and film technique, short films of today still suffer from the same limitation that their predecessors had: time. For a single narrative to be compressed within 15 minutes, the director and scriptwriter have to be sure that every single object within the mise-en-scéne is of absolute relevance, thus maximising the use of screen-time (also known as "story-time", or histoire).
Analyze a film shot or scene to explain how filmmakers use cinematic techniques to tell a story, develop characters, create atmosphere, and evoke emotions.
Liang, D. 2011. Camera movement in Max Ophuls’s films. [online] Available at: http://www.academia.edu/434990/For_Miriam_Camera_movement_in_Max_Ophulss_films [Accessed: 8 Apr 2014].
...sed as the medium close-ups in this show, but are used when someone is entering a scene or used to see a scene from a different view. These types of shots are best suited for this type of television show as it is a drama, there are lots of conversations between two people where wide angled shots would not be needed. The camera angle most of the time in this shot are at eye level, I think they use this to help us feel like we are involved with the scenes, to get us to be more apart of it.
The short story “Orientation” by Daniel Orozco is a unique story. Orozco never introduces the narrator or the audience. The story appears to be, just as the title specifies, an orientation for a person entering a new job. The story, however, delves deep into the lives of several employees throughout the story. The lives of these employees and their interactions become the most important part of Orozco’s work and the main character that is being spoken to becomes an unimportant observer in an intricate atmosphere.
In the making of the film “Gattaca”, the director Andrew Niccole has used the film technique: camera angles to represent the theme of the film. The definition of camera angles is the position of the camera to allow the viewer to understand the relationships between the characters. I found this definition by searching on the internet and comparing the definition in the dictionary.
used to cut between a long shot of a woman, to an extreme close up of
long shots. high-angle shots, and a lot of fun. spherical camera lens. These particular devices provide a glimpse at the realities of the oppression, poverty and despair of many of the American people during this time. From the start of the film it is apparent what time frame it is taking place in and the differences in the social stratification through the lack of colors.
Janet Leigh’s character Susan, for example, was only shot from these angles. The gypsy, Marcia, is another example. Marcia’s purpose in the film is to provide a sort of wake up call for Hank, Orson Welles’ character. She has a good purpose, and is therefore shot from angles that we see more often in the real world. Close ups on her face also add to the audience’s feeling of trust for her.
The 1920’s and 1930’s was considered the golden age for movie production. In the 1920’s the production code started censoring the film makers. This stated that any movie written had to pass a certain criteria examples included: if containing sex, violence, and killing. Early silent movies were often accompanied by live piano or organ music. Films were black and white. According to A Short Stories of the Movies, D.W Griffith, never had the intention to make movies, accidentally writing and reporting for a Louisville newspaper led him to become a movie producer, and writer. He is known as the inventor of Hollywood for using close-up shots, which tightly frames an object; today is known as “zooming”. He also used cross-cutting, in order to make