What’s good in the music industry is its openness into hearing out budding artists, may it be worthy or not to listen to. The always changing demands of mainstream music require artists, acts and groups to comply, or other aspiring performers would be taking up center stage and steal the spotlight. Despite the risks involved, many ambitions and the people who carry it surge through the business accompanied by their strong liking to entertain and the undying passion to reach what they truly dream of. And we, as the majority who don’t like the squeamish effect of attention, gauge each passing act, as if deciding for them if they will be lasting in the industry or not. One name reverberating through the halls of mainstream music is that of Bryson Tiller, and with how things are rolling for this very talented future superstar, he is meant to stay longer than the rest.
Amidst his youngish age of 23, Bryson Djuan Tiller is the next big thing to happen in the music industry as many have observed. Also known with his stage name Pen Griffey, Tiller is slowly carving his name onto the pedestal of fame with his continuous presence upon releasing sets of mixtapes and impressive singles.
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Easily, people became revolted with this move and wanted to hear more of him sing. This move also sparked the interest of now known mainstream artists slash producers Timbaland and Drake, wanting to co-sign him as soon as they found who Bryson Tiller is. Eventually, the boy with a dream chose to entrust his blossoming musical journey to RCA, hoping for the best as he hopped on to a bigger field called mainstream. Tiller’s music preference is leaning onto the fusion of hip-hop and R&B, citing Omarion as his core influence in performing. Some other artists that have made him all the more motivated includes The Dream, R. Kelly, Lil Wayne, Drake and Chris
Torrence Hatch (Lil Boosie) was born November 14, 1982 in Baton Rouge, Louisiana, and was born and raised in W. Garfield St, on the south side of Baton Rouge, a neighborhood well known for drugs and violence. Boosie faced many troubles inside and outside for school as he was growing up. When Boosie was 14, he moved in with his grandmother after his father was murdered in a drug-related activity. He then started to get very serious about basketball, he played in order to stay off of the streets, he was expected to go to college level, but then got expelled for possession of illegal drugs. Boosie had been rapping since he was 14 or 15, but never let anyone know because he didn’t think he was good enough, but after he was expelled, he began to get very serious about his music career. Unfortunately, Baton Rouge lacked a music scene, so it was difficult for him to create a contract, which resulted in a lack of exposure. But lucky for Lil Boosie, a mutual friend of Boosie and a local rapper, C-Loc, introduced the two and before Boosie knew it, he was recording his homemade raps in a p...
Over the years, Bryan made and grew friendships that would be essential in his walk towards musical legendry. His childhood best friend, Blue Note Records recording artist and jazz pianist, Robert Glasper, broadened his musical horizons further; introducing him to legendary jazz acts such as Herbie Hancock and Keith Jarrett. In high school, he met Greg Curtis, a producer who would become his mentor and give him his introduction to music technology. In college, he moved to Atlanta, GA and attended Clark-Atlanta University where he was discovered by Chris Hicks, a record executive and partner at Noontime Records would become his manager. It is through Hicks that Bryan was given an internship at Noontime Records, where he would go on to nurture his musical talents and in 1999 at the age of 21, earn his first production credit with the song "Get Done" by Houston based band, Ideal. While interning at Noontime, Bryan met two more people who forever shape him in his musical journey; Jermaine Dupri and Sam Thomas.
Celebrity Stylist Jason Bolden on His Rise to Success Celebrity stylist Jason Bolden is making noise in the fashion industry. His client list is continuing to grow by the minute and includes a variety of artists and entertainers that are making an impact in today’s society and culture. Bolden’s celebrity clients include Empire’s Taraji P. Henson, Grown-ish’s Yara Shahidi and Wrinkle in Time director Ava Duvernay The stylist wanted to work in the fashion industry ever since he was a kid.
Pat Tillman lived a glorious life. His daily drive and demeanor, exceptional to be sure, put him a notch above the rest of us. His drive made him successful. Through high school he was a football sensation, with personal stats that would have been impressive as a team’s. His demeanor earned him respect. He attended college on a football scholarship and earned a 3.84 GPA to avoid the ‘jock’ stereotype. Eventually becoming a star NFL defensive back, it was his sense of duty that would lead him from the goal lines of the football field to the front lines of the battle field. He would die on duty, but his death would not be his undoing. The flagitious stream of lies fed by the U.S. Government following his death, revealed by John Krakauer in Where Men Win Glory, belittled the man who had so valiantly walked away from the American Dream in order to die for it. The way our government dealt with his controversial death viciously struck against everything Pat stood for, and I walked away with a sour taste in my mouth about our “greatest country on earth.”
Neville Thomas was born under the palm tree on 28th March, 1922 on Ukerebagh Island in the Tweed River in the Northern New South Wales. He was the second son of Henry Bonner, an English migrant and Julia Rebecca, an Aboriginal from Jagera people. Henry deserted Julia when Neville Thomas was a small boy. After that Bonner moved to another Aboriginal place, Lismore with his mother where she met Frank Randell, who was her de-facto relation and Bonner’s step father.
Music in today’s society has become familiar and kind of predictable. To stand out now a days, an artist must be different; they have a unique style and most importantly stay true to themselves. An artists fans can see right through a song that is not true to the artist’s style. Good musicians are built from those who stand up for who they are, although everyone around them is following what the people around them say is best for them. Great musicians come from those who strive to be greater then they know their capable of being. Chase Rice when asked how great he wants to be he always replies saying, “On a scale of 1-10, be an 11.” The life he lives goes to show that he is devoted to being an eleven. In his lifetime, Rice has overcome an outstanding number of expectations and has managed to become a hit practically on his own. Rice has a fairly eventful background and a unique musical style.
Even when one becomes an artist in the industry, there are many troubles that go along with the tag of being a recording artist in the urban division. One example is seen in the article, “The Business of Rap: Between the Street and the Executive Suite” by Keith Negus, where columnist, J.R. Reynolds, mentions the closing of the urban division at Capitol Records in 1996, calling it “the systematic extermination of black music at Capitol Records”, saying that it did not make any sense because the genre was doing well in the market (528). The black music division is often subject to this kind of cutting compared to others. Negus also states that “despite the influence of rap and hip hop on the aesthetics of music, video, television, film, sport, fashion, dancing and advertising, the potential of this broader cultural formation to make a contribution to music industry business practices is not encouraged” (534). The sad fact of the matter is that this is true. It is almost like the larger companies take from the smaller urban divisions in order to make themselves look better without giving credit where it is due and in turn, because those companies are not seen to be doing well in the market, they are dropped from the label. Ted Swedenburg explains this in the article “Homies in The ‘Hood: Rap’s Commodification of Insubordination”, when he states that “while the major academic rock critics usually acknowledge black musicians’ essential contributions to pop and occasionally write sympathetic a...
I was so interested in the truth that I suspended my assumptions about West as I pursued more information through research, giving me an objective lens. It truly rattled me to have been so wrong in my assumptions, it felt weird to know that because of something I didn’t know, I had believed something. It genuinely shook my self-confidence. I really prided myself on my knowledge of Hip-Hop, I thought I knew all the classic albums, how could I have overlooked this one for so long? So, jolted by this sting of self embarrassment, I searched further, I wanted to know what else I had been oblivious to. It became increasingly clearer to me that there were two completely opposite views about Kanye, the more popular view: he’s a worthless egotistical pop star, who’s created nothing of value, and, as I was shocked to learn over time, the informed view, and the truth, that he was and is one the most influential artists of the 21’st
Puff Daddy, born Sean Combs on November 4, 1969 in Harlem to Melvin and Janice Combs, began his life of violence at a young age. When Sean was two years old, his father was tragically murdered. This forced Janice to move to a safer environment in Mt.Vernon, NY where she had to work three jobs in order to provide for her family. One can see that Sean’s broken home and the violence that constantly surrounded him influenced his lyrics and style of music throughout his life[I1] . His angry lyrics and shouts of aggression in his individual tracks certainly support the argument of his childhood having a big impact on his style of rap.
Imagine your only child being killed for just for talking, flirting, or even whistling at a person who is the opposite race as you are. Well that’s exactly what happen a women name Mamie till. Her only son Emmett till was killed for just whistling at a white woman. Mamie was so anger and hurt that she exposes Emmett tills body for the whole world to see what racism lead to. Exposing Emmett tills body change on how America views on racism.
The music industry’s history is a convoluted mess. There is no real consensus on what the music industry IS and what paths it has taken. Were the Beatles the greatest band to ever exist? Maybe. Is there a hyper objectification of women throughout the “men’s club” that is the music industry? Probably. It’s this hard to define, frankly confusing business that is worth roughly $130 billion dollars today. With it’s flimsy and opaque edges, can the music industry ever be called into question on its wrongdoings? The racist undertone throughout its history may force it to. With the music industry as an ever growing business that seems to change almost every decade, the one thing that has not changed throughout time is an undercurrent of racism that
From its conception in the 1970's and throughout the 1980's, hip hop was a self-contained entity within the community that created it. This means that all the parameters set for the expression came from within the community and that it was meant for consumption by the community. Today, the audience is from outside of the community and doesn’t share the same experiences that drive the music. An artists’ success hinges on pleasing consumers, not the community. In today's world, it isn’t about music that rings true for those who share the artists' experiences, but instead, music that provides a dramatic illusion for those who will never share the experiences conveyed. This has radically changed the creative process of artists and the diversity of available music. Most notably, it has called in to question the future of hip hop.
Music producers have an influence on the music that today’s youth listen to that many are affected by, even though the producers are unaware of it. Today there’s a lot of drug abuse, violence, and sexuality all on the rise, even though hip hop itself is not to blame. Imagine our youth all over the country being exposed to this explicit language. There is no need to imagine, because it is already happening. Ever since the rise of Rap and Hip Hop music, teens have been turning to them to help solve their problems.
This article demonstatres how important Kurt Cobain was both as a rock and roll icon and a philosopher. His songs which he recorded himself are still popular today, over 20 years after his death. The author argues how Cobain influences other young artists and his effect on the direction of the music industry.
With the music being the highly profitable, capitalist enterprise that it is today, it is no wonder that it is controlled and regulated by a few large conglomerates that exist is today’s world. It is important to make clear that although evidence is being presented of the positive aspects of globalization through music that there is overwhelming evidence that cultural imperialism is more than it seems on the outside. One must keep in mind that cultural imperialism, globalization and the creation of a global village is a business. People are profiting at other people’s loss of cultural identity, they are sold a culture and heritage. With the every growing N’Sync fan clubs and Britney clones, the world is turning into a stage for pop culture and its glamorous unattainable standards.