Book Thief Dreams

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There is no doubt that the presence of dreams and dreaming are prominent in Markus Zusak’s The Book Thief. The analysis of these dreams reveal that they are extremely important in the role of connecting characters, revealing characters’ traits, and helping emphasize the symbolic power of words. Dreams are key in the development of relationships between a few major characters in The Book Thief. The only way Liesel can have any form of relationship with her brother in the novel, other than in her memory, is if she imagines him. (At the beginning of the novel Werner Meminger dies and leaves his sister Liesel Meminger behind so the reader cannot see much connection between the two siblings after his death.) She sees him quite frequently …show more content…

An example of dreams stressing powerful words is when Liesel gives Ilsa Hermann, the mayor’s wife, a beating with her words. When Rosa Hubermann’s last client, Ilsa, fires her, Liesel (slightly blinded by anger) decides to give Ilsa a piece of her mind. She throws down her first round of hateful words at Ilsa and “[t]he mayor’s wife’s arms. They hung. Her face slipped.” (263). As Liesel continues, the narrator talks about “[t]he injury” (262) and “the brutality of words” (262). She goes on with her spiteful rant and when she finishes, Liesel imagines the injury she causes Ilsa. She could see that “[Ilsa] [is] battered and beaten up … Liesel [can] see it on her face. Blood [leaks] from her nose and [licks] at her lips. Her eyes [were] [blackening]. Cuts [opened] up and a series of wounds [are] rising to the surface of her skin. All from the words. From Liesel’s words” (263). Liesel picturing the wounds on Ilsa emphasize how powerful and hurtful words can be when used in the right manner. Liesel envisioning her brother in the presence of words also helps to emphasize the symbolic power of words. In her angry outburst of brutal words towards Ilsa Hermann, she mentions the mayor’s wife’s son, who is dead, and it reminds her of Werner and “her brother was next to her” (262). She can hear him “whisper for her to stop” (263) but she does not think he is worth listening to because “he, too, [is] dead” (263). She continues but when she finishes “[h]er brother, holding his knee, disappear[s]” (263). Words have the power to make Liesel envision Werner, and they definitely have the power to make her feel guilty. A few stealing incidents later, he makes a reappearance when Liesel goes back to 8 Grande Strasse with a letter from Ilsa full of forgiving words. He encourages her to knock on the door to patch things up. His knee symbolizes the relationship between Liesel and Ilsa and

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