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Critical reflection on aborigines
The use of symbolism in the novel
Reflection on aborigines culture
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An Akubra hat clutched by roughened hands, boots worn to the sole and a distinct, robust figure silhouetted against a crimson sky. The 1900s considerably shaped the face of Australian literature, which presented iconic ballads and romanticised poems of heroic Bushmen taming the elements, which we recognise today. While these pioneers were at the forefront of Australia’s identity, one area often overlooked is the perspective of the Indigenous. Now envision land, your land, soil on which you grew, learnt about your origins, seized by foreign men. This wasn’t a peaceful integration, it invasion day. Two prominent poems that explore this view are Ambrose by Roberta “Bobbi” Sykes and Beggar’s Choice by Bruce Dawe. Sykes narrates the disruption …show more content…
This persuades us to reflect on how these messages tainted the natural practices of the original custodians. This is further supported by a rhyme pattern, which facilitates the flow of words. However the layout of Ambrose forces us to slow down and recognise the police brutality and institutional abuse that ensued. So, on Australia Day we often neglect the very different experience of Indigenous people whose land was invaded and cultural integrity stolen by ignorant ideologies of white supremacy. Their perspectives expressed through literature powerfully protests the silenced voices. From evaluation, Dawe’s Beggars’ Choice elicits a colloquial and relaxed mood, as the message is indirect and addressed in a satirical manner, while Sykes’s Ambrose is direct; its shorter sharper sentences underlining its provocative tone. Ultimately, this alters the mood of the poems even though both share the theme of the loss of tradition, depreciation of life and the social ramifications foisted on our indigenous people by their white
‘The Drover’s Wife’ opens with a vivid visual image of the house which becomes a character in itself, the lexical word chain “round timber, slabs, and stringy bark, and floored with split slabs” shows us the poor, rough materials used to build only what is necessary to survive. Thus, we can visualise the simplistic nature of the lives the drover’s wife and her children live in their environment. Strong visual imagery is employed to depict the landscape; “Bush all round – bush with no horizon, for the country is flat. No ranges in the distance… No undergrowth”. The repetition of “no” emphasises the lack of distinguishing features, the land is monotonous and contains “nothing to relieve the eye”. The environment is isolated; they are alone “There is nothing to see, however, and not a soul to meet”. This helps the audience to develop an understanding of the isolation and loneliness of Australians living in the bush during the Colonial
The idea that indigenous Australian communities are underprivileged and do not receive the same justice that the white community accrues is represented through Jay Swan and his interactions with the corrupt white police officers and the indigenous locals of the town. My empathetic response to the text as a whole was influenced directly by way the text constructs these ideas as well as my knowledge of the way indigenous Australians are represented in the mainstream media and the behaviour of the police force as an institution. These contextual factors and the way Sen has constructed ideas influenced me to empathise with the indigenous
“a verse for the cheated” discusses the effects of colonialism in Australia. The poem suggests the the European invaders or “tourists” arrive and are ignorant in respect to the Indigenous Australians.
English literature have been used to express the experiences and history of Australia. In Dorothy Mackellar’s “My Australia” poem, signifies the beauties and the terrors of the luck country. However, Migrants experience a different terror, as conveyed by Ania Walwicz as the “big, ugly” side of Australians - facing the cruel racism of the White Australian Policy. In Australia’s history, Migrants have been treated with alienation and physical discrimination which distant them from Australia’s community. Migrants not only faces the terrors of the land but also the racism enforced by Australia’s laws.
Throughout Australian history a racist attitude towards Aboriginals has been a significant issue. From the moment the early settlers arrived on our shores and colonised, the Aboriginals have been fighting for the survival of their culture. The Aboriginals haven been take in and dominated to bring them in line with an idealistic European society. These themes have been put forward by Jack Davis in his stage play, No Sugar, the story of an Aboriginal family’s fight for survival during the Great Depression years. Admittedly Davis utilises his characters to confront the audience and take them out of their comfort zone, showing them the reality of Aboriginal treatment. This is an element of the marginalisation that Jack Davis uses through out the play this starts from the beginning where he discomforts the audience by using an open stage. One character that Davis uses through out the play is A.O. Neville, Davis uses him to portray the issue of power, this is a very important issue that is carried through out the play.
Reynolds, H. (1990). With The White People: The crucial role of Aborigines in the exploration and development of Australia. Australia: Penguin Books
Bruce Dawe is considered to be one of Australia’s most influential poets of the 20th century. Dawe’s poems capture Australian life in numerous ways, whether it is our passion for AFL in Life-Cycle or our reckless nature towards war as in Homecoming. Dawe creates very complicated poems reflecting the author’s context relevant to the time period, your context is based upon your reading of the poem, where you may gather different meanings, to that of the original intent, hidden within the text.
What was really satirical and ironic for me, was the way Australian cultural stereotypes like barbecues and football are satirised and are considered as strange ‘native customs’ and ‘rituals’. By now, white people are seen by the society as a minority, they’re lazy, untrustworthy and are categorized as hooligans and troublemakers, and this emulates the attitude the whites had against the indigenous during the 80’s. With the movie that Saloni is going to speak to us about “they’re a weird mob” tells us about migrants and dominant cultures, much like the movie ‘babakieuria’, the ‘bullying’ from this main culture and the brazen attitude towards the cultural and ethnic minority. Even though these problems aren’t so severe nowadays, this role reversal gives a clearer insight as to how merciless and cruel the white government actually treated and may still treat the aboriginal culture
This famous poem by “Banjo” Patterson is a perfect representation of the Australian culture, voice, and people. The poem captures the mood of the nation after celebrating its centennial, and the voice of the poem is from the desire to be a bushman, who were considered bold, pioneering, pleasant, and free.
The purpose of the play ‘Stolen’ was to generate public awareness about the trials and tribulations that Aboriginals had faced and are still facing. The play tells of the experiences of many Aboriginal children forced into institutions. ‘Stolen’ for many Aboriginal people was also used as a grieving tool. By telling of their stories they were able to let go of part of their past and gain a safety in knowing that their voices have been heard. Many Aboriginal people found it hard revisiting memories of their childhood but by letting their past be publically known brought comfort to many. ‘Stolen’ demonstrates to society ...
Throughout both ‘Rainbow’s End’ and ‘The Rabbits’, the audience discovers the plights that the Aboriginal Australians faced, due to discrimination and assimilation, in intensely confronting, yet intensely meaningful ways. We see how the discrimination and forced assimilation of cultures was common in the lead up to modern times because of composers like Harrison, Marsden and Tan reminding us of these events, allowing us to discover and rediscover our past wrongs through their works, in order to pave the way for a brighter, harmonious future. Without these documentations and retellings of events such as these, history would repeat itself, conflicts would be more apparent and we as a species would not be able to thrive and prosper due to our prejudices and superiority complexes.
These lines exemplify Keating’s constant reference to the non-indigenous group as ‘we’ and ‘us’, this coupled with the accusatory tone present throughout this section of the text ensures that the blame is being put on the white Australian’s of the population. The word choice and tone in ...
It has been the lot of the unfortunate aborigines of America, in the early periods of colonization, to be doubly wronged by the white men. They have been dispossessed of their hereditary possessions by mercenary and frequently wanton warfare, and their characters have been traduced by bigoted and interested writers.
Through the poem ‘No More Boomerang’, Noonuccal reflects the capitalist lifestyle of modern Australia and it’s obvious conflicting interests with Indigenous Australians. Alliteration is used to provide emphasis towards the vast differences between Indigenous and non-Indigenous culture and how cultural destruction caused by forced capitalistic lifestyle changes of the Indigenous Australians has affected their wellbeing.
Hulibandi, A. M. (2012). Image of Australia: A. D. Hope’s poetry. Karnatak University’s Indian Journal of Research, 1(11), 73-74