Bob Dorough Dogs Analysis

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When listening to ‘Dog’ by Bob Dorough from the album ‘Jazz Canto – Volume 1’ before listening to the track ‘Ella Guru’ from Trout Mask Replica, there are a number of comparisons to be drawn, specifically with the lyrics and vocal delivery. More than anything, it’s the fast cadence and playful style, when Dorough delivers lines such as “The dog trots freely in the street, and what he sees is reality, and the things he sees are bigger than himself, and the things he sees are his reality”, in many ways, Dorough is describing an otherwise quite complex idea with words that are as simple as they can possibly be, while at the same time it could’ve been described in less words, though had it been, a lot of the poetry of it would’ve been lost. Beefheart’s style is similar in ‘Ella Guru’ where – before the first chorus – he sings “She do what she mean …show more content…

An often-used technique for creating rhythm sections of Beefheart’s - which actually dates back to Safe As Milk and the song ‘Electricity’ – is to mirror melodic elements of the track with the drums. When working on Electricity, Beefheart approached drummer John French, and asked him if he could play the guitar riff of the track on his drums, to which French complied. They would then set about making a drum part, which identically matched the rhythm of the guitar riff. For the Trout Mask Replica sessions, French’s involvement with the compositions became much more intense as he was the one that Beefheart would rely on to score the instrumental parts (this is why the drum parts would have to be left until after everything else). Examples of John French’s rhythmic ‘mirroring’ exist all over the album. The track ‘My Human Gets Me Blues’ starts with a simple (but still dissonant) two-note bassline, which is directly twinned with French’s drums, and examples of interplay between the two elements exist throughout the track as it goes through different

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