Blindness In Raymond Carver's Cathedral

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Vision is an ability that is more generally referred to as someone who can see physical objects but the true meaning of vision may have different interpretations. As we see in the story “Cathedral” by Raymond Carver, the narrator originally interprets blindness as a disability, but by the end of the story, blindness is construed only as an obstacle that lacks the ability to interfere with seeing true beauty. In the story “Cathedral”, Carver shows that blindness is only a title given to those without the physical ability to see but in this story the blind man represents a different way of seeing. The ending of the story also allows for a reconciliation for the narrator as his viewpoints on the blind and his character change dramatically.
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However, as the story progresses this image created by the narrator seems to disappear. The background the narrator gives the reader regarding Robert at the beginning of the story is not a flattering one. For instance, the narrator begins talking about a story his wife told him, how when she worked for Robert he asked to touch her face and afterwards she wrote a poem about this encounter. Robert explains to the reader that “She never forgot it” (Carver Par. 2). The narrator goes on to inform the reader that the very next helper the blind man had he ended up marrying. Furthermore, the narrator is presenting the facts about the story in a way that directs the reader to wonder whether his wife and Robert ever had a relationship that was more than just friends. This assumption that the narrator presumes to be correct is later extinguished once the narrator meets the blind man and quickly changes his mind about the matter and realizes that this was only a friend relationship. We see with this aspect that Robert is viewed negatively before the narrator even meets Robert but after meeting him the narrator changes his prejudice views about Robert. During the entire story, we are only given the name of the blind man, Robert. This is unusual because in most stories the characters and names are given out to allow the reader to connect with them more. However, on further …show more content…

At the beginning of the story the writer is addressed as unempathetic and at the conclusion of the story, Carver, “stops the story as soon as the narrator experiences empathy.” (McDaniel Par. 2). The importance of ending the story on this note is that the story has now served its purpose. The story shows the progression of empathy of the narrator from a prejudiced individual to a complete fulfilled man. This ending scene of the story is the two men drawing a Cathedral and when the blind man asks the narrator to close his eyes his whole viewpoint is changed. This closing of the eyes, also recognized as a lose of sight, serves as a way for the narrator to experience what the blind man experiences and look past his prejudices and ‘see’ the true beauty of the moment. Alternatively, we also see a dramatic change in the narrator’s views about Robert, which isn’t clearly stated. At the beginning the narrator reflects on his wife’s interaction with Robert touching her face and is evidently very jealous of this touch. This touching from Robert shows up again at the end of the story where “the narrator feels the blind man’s hand on his as he draws the cathedral.” (McDaniel Par. 5). This contrast shows a change in the narrator from the beginning where he believed the interaction with his wife was peculiar, but now

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